Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.
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Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.
Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.
Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.
Limited edition double clear vinyl with etching on side D. Packaged in an embossed gatefold sleeve.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Best known for his soundtrack work (including "Amélie" and "Good Bye Lenin!"), composer and multi-instrumentalist Yann Tiersen re-imagines 2021's "Kerber" using samples and subtle electronics, transforming it into entirely new material.
Tiersen's initial ideas for "11 5 18 2 5 1811 5 18 2 5 18" came as he was preparing for a live performance at last year's Berlin-based modular synth festival Superbooth. Blessed with some extra time to write a live set, he programmed and composed material that mirrored his processes on "Kerber" but took the sounds into completely new places.
Most of the tracks revolve around carefully programmed synth arpeggios that hover around the trance spectrum, careering into electro pop and Jean-Michel Jarre-influenced epic electronics at times, or later in the album dipping into the piano-led material that Tiersen is best known for.