The original futurist spirit of Afro-American electro lives on in Cygnus’ new productions for CPU
Back for his first 12” with the label since 2019’s ‘Deep Analysis’, the Texan electrobot works out four tracks of slippery machine syncopation that lend a subtly but inimitably distinctive update to the OG templates of Cybotron, The Egyptian Lover, Drexciya et al.
One for liquid limbed breakers and lip-smacking ravers, ‘100% Dope’ contains some of his slickest shit, gearing up with the lush pads and hydrodynamic slosh of ‘Bad RGB Controller’ and shifting thru classic vocoder functions in the sci-fi drama of ‘CPU Records’, clocking up a big highlight in the bodytrap snares and Heinrich Mueller-quality arps of ‘Float Back To The Surface’, saving something nastier for the cyberpunkish ‘Throwing Shade.’
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The original futurist spirit of Afro-American electro lives on in Cygnus’ new productions for CPU
Back for his first 12” with the label since 2019’s ‘Deep Analysis’, the Texan electrobot works out four tracks of slippery machine syncopation that lend a subtly but inimitably distinctive update to the OG templates of Cybotron, The Egyptian Lover, Drexciya et al.
One for liquid limbed breakers and lip-smacking ravers, ‘100% Dope’ contains some of his slickest shit, gearing up with the lush pads and hydrodynamic slosh of ‘Bad RGB Controller’ and shifting thru classic vocoder functions in the sci-fi drama of ‘CPU Records’, clocking up a big highlight in the bodytrap snares and Heinrich Mueller-quality arps of ‘Float Back To The Surface’, saving something nastier for the cyberpunkish ‘Throwing Shade.’
The original futurist spirit of Afro-American electro lives on in Cygnus’ new productions for CPU
Back for his first 12” with the label since 2019’s ‘Deep Analysis’, the Texan electrobot works out four tracks of slippery machine syncopation that lend a subtly but inimitably distinctive update to the OG templates of Cybotron, The Egyptian Lover, Drexciya et al.
One for liquid limbed breakers and lip-smacking ravers, ‘100% Dope’ contains some of his slickest shit, gearing up with the lush pads and hydrodynamic slosh of ‘Bad RGB Controller’ and shifting thru classic vocoder functions in the sci-fi drama of ‘CPU Records’, clocking up a big highlight in the bodytrap snares and Heinrich Mueller-quality arps of ‘Float Back To The Surface’, saving something nastier for the cyberpunkish ‘Throwing Shade.’
The original futurist spirit of Afro-American electro lives on in Cygnus’ new productions for CPU
Back for his first 12” with the label since 2019’s ‘Deep Analysis’, the Texan electrobot works out four tracks of slippery machine syncopation that lend a subtly but inimitably distinctive update to the OG templates of Cybotron, The Egyptian Lover, Drexciya et al.
One for liquid limbed breakers and lip-smacking ravers, ‘100% Dope’ contains some of his slickest shit, gearing up with the lush pads and hydrodynamic slosh of ‘Bad RGB Controller’ and shifting thru classic vocoder functions in the sci-fi drama of ‘CPU Records’, clocking up a big highlight in the bodytrap snares and Heinrich Mueller-quality arps of ‘Float Back To The Surface’, saving something nastier for the cyberpunkish ‘Throwing Shade.’
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The original futurist spirit of Afro-American electro lives on in Cygnus’ new productions for CPU
Back for his first 12” with the label since 2019’s ‘Deep Analysis’, the Texan electrobot works out four tracks of slippery machine syncopation that lend a subtly but inimitably distinctive update to the OG templates of Cybotron, The Egyptian Lover, Drexciya et al.
One for liquid limbed breakers and lip-smacking ravers, ‘100% Dope’ contains some of his slickest shit, gearing up with the lush pads and hydrodynamic slosh of ‘Bad RGB Controller’ and shifting thru classic vocoder functions in the sci-fi drama of ‘CPU Records’, clocking up a big highlight in the bodytrap snares and Heinrich Mueller-quality arps of ‘Float Back To The Surface’, saving something nastier for the cyberpunkish ‘Throwing Shade.’