Boomkat Product Review:
Diagonal’s Elon Katz (Streetwalker, White Car) and Robert Girardin (Jaws, Sex Boys) couple up as Zero Grow for a tuff-playing, wonkily psychoacoustic batch of techno screwballs landing somewhere between Physical Therapy or Actress on their “pseudo-debut” 0g - self-described as a “tongue-in-cheek draft on electronic music’s metaphysics in the age of media accelerated liberalism.”
Swerving common tropes in favour of mutant, off-kilter tones, 0g has little aspiration for “brand platform or big rooms” as they put it, with production specifically attuned to “the spaces of the individual like headphones, automobiles and laptop speakers”, which is both astutely contemporary and yet fairly unique in its intentions, for techno or dance music, at least.
In that sense, 0g plays out a funky analysis or reflection of dance music’s current condition, where breathless mix-downs disrupt the democracy of sensuality and automated FX perhaps encourage a solipsistic homogeneity that refers to nothing beyond the end of its nose, whether thru ignorance or just plain stupidity, we’re not sure.
Through the EP’s seven parts, Katz and Girardin find routes beyond those binds to express a strangely absorbing narrative kicking off with the fierce velocity and insectoid disturbances of Angel Motto and taking in cranky, breakbeat-laced slugs such as Play Dead Baby and the febrile tribalism Johanis, making turns into deeper, Actress-like house abstraction on Ddeok, and invasively psychoacoustic techno with Brick People, before Coughin’ collapses into fizzy bass murk, and checking out at a squirmy IDM angle of Final S.
Make no mistake, the theory never gets in the way of the tunes or their effect, but it does come thru in the level of detail and subtly off-kilter drive.