Boomkat Product Review:
A collection put together by Clark of new tracks, unreleased music and rarities.
"Broadcast feature on an improvised version of ‘Herr Barr’ that was only previously available as a download on the Clark website. It has been compiled alongside other sought after rarities and unreleased material that related to Body Riddle on the new 05-10 collection. Clark explains a bit more about the tracks on it:
“It is that thing of collecting things that would otherwise be lost to the internet and wanting to put a shell around it. It’s important to do because I really love some of that material. I suppose what I love is some of those processes, there’s a modular jam called ‘Boiler The Wick’ that I just had all my gear setup and was recording like five modular tracks a day. I still miss that time because my studio is very different today and I’m slightly sick of modular because everyone’s got modular and everyone’s doing it, but this was like ten years ago and I can’t really say it’s connected to Body Riddle exactly, but it feels like a companion piece of sorts. For example that ‘Boiler The Wick’ track has a very similar energy to ‘Re-Scar Kiln’ and it feels like it could be from the same world.
The Throttle Furniture EP was 2005, and some of those tracks could have gone on Body Riddle but they would have took it in a more clubby direction, so it felt good to put a fence around them and just use those for live shows. Around the time of the Body Riddle live shows I was playing those tracks out a lot in various forms. So tracks like ‘Urgent Jel Hack’ were written before Body Riddle was finished, that was me getting into Valve and Dillinja and loving that stuff as well.
The more beatless, reflective pieces that are included connect to my recent album on Deutsche Grammophon, and also other ambient pieces I’ve done for Warp, they’ve been peppered throughout my back catalogue. ‘Sparrow Arc Tall’ is like a cousin of ’Springtime Epigram’ or ‘Dew On The Mouth’, it’s that vibe of something captured on 4-track and rendered in a session. So they all feel connected to that family of pieces, and it’s nice giving people ten more tracks after however many years.”"