Another warm funk gust from early ‘80s Holland, courtesy of the butter smooth Richenel. Check for the swanging ‘Rap Apocalypse’, the stark soul burn of ‘It Takes Time’, and the arcade game funk of the title cut!
“Music From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia’, originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory’s second EP ‘Perfect Stranger’ includes alternate takes drawn from Richenel’s personal copy of the album alongside a further composition which didn’t make it onto the original Fetisj cassette.”
Cass. lands on Greece’s Into The Light Records with the lush ‘Postclub Prism’, a set of phosphorescing ambient nocturnes and synth vignettes blessed with a melancholy sense of futurism.
For his first release of 2018, following a string of deliveries for Throne of Blood, International Feel and Emotional Response in recent years, ‘Postclub Prism’ follows a clear line of melodic, instrumental narrative that will firmly endear it to more romantically-inclined ears.
From the tremulous new age vox and pads of ‘1000 Superdolphins’ at its introduction, thru the sloshing, widescreen electro-dub roil of ‘Leaving’, to richly poignant pieces such as the quivering, coruscating synth miniature, ‘Albertine’, and the gorgeous, early 0PN vibes of ‘Painful Love in 96 kHz’, and the sublime nesting film dialogue samples and feather touch synth strokes in ‘Redwood’, Cass. cups your spirits with trustworthy hands for the fragile hours of the night-turned-morning.
With ‘Best Troubador’, Bonnie ‘Prince’ Billy pays homage to a longtime and forever hero, the late Merle Haggard.
"A singer who, some 25 years previously, first performed in public by playing a Merle Haggard song, Bonny has often cited Merle’s work in performance, on records and in conversation with anyone who was around, even talking to Merle himself for Filter magazine in 2009.
‘Best Troubador’ flips through his song book, landing on pages unmoored from their time and located anew. Moving from 1978 to 1969 to 2003 to 1981 allows the album to circle Haggard’s music in a simulation of thought and memory, slipping around from spot to spot as if they were discrete impressions, unknown but knowable yet."
Bonny sings Susanna, to simply try and save the world.
"Sonata Dwarf Mix Cosmos is an old companion of his and with the Chijimi house band +1 they bring it all back home again, this time to the space in Bonny’s place.
“As other practitioners are leaving the room in favor of novel forms of recording and distro and consumption, PALACE, fantastical and real
structures and practices. Like we are allowed into the museum at night. We can make a great essentially live record with great songs and great players because nobody else is? ‘Wolf Of The Cosmos’... is about, as much as anything, direct engagement with recorded music. So step right up to the replicant.” -
Bonnie ‘Prince’ Billy is joined by musicians Emmet Kelly (bass guitar, voice, acoustic guitar), Cheyenne Mize (violin, slide ukulele, voice), Chris Rodahaffer (banjo, voice, acoustic guitar) and Elsa Madeline Oldham (juice harp)."
Another gem of late ‘80s bubblegum boogie plucked out by Jo’burg, S.A.’s Afrosynth Records store-turned-label
Brimming with good times vibes as antithesis to the b/s of apartheid, Tomorrow gets on with it in super infectious style, glyding from the marimba-gilded swang of the title cut to the grubbing hustle of I’Ve Got A Friend on a haughty Grace Jones tip, then stoking the deeper fires with the simmering synthetic romance of Is This Love, and In My Mind, and rounding up with the radiant Mina Ngilijaji.