What were the clouds like when Huerco S was young? The Kansas-raised, New York-based producer’s absorbing ambient album For Those of You Who Have Never (And Also Those Who Have) goes some way to answering The Orb’s fluffy little proposition…
Brian Leeds a.k.a. Huerco S’s 2nd album, following Colonial Patterns (2013) finds him working between the cracks and fissures of what we’ve previously heard from him, drawing out nine pieces of mineral ambient textures and non-percussive rhythms marking his best work since the 20 minute Untitled track off his debut for Opal Tapes in 2012.
Defined throughout by a low lit, low-lying sense of intimacy, rather than oceanic or celestial tropes, Leeds’ appreciation of lower case nuance is in warm, crackling effect with a hazy hummus like grain and bonfire glow that recalls Wanda Group’s earlier outing as The Hers, or the sweeter touches of Bellows.
Like a well timed gary, once it really begins to sink in, the warbly electronic pitches and subtly chaotic ferric details really get to work in hypnotising and making you forget where you started, suspending disbelief for a 50 minute window of time just long enough to let your mind wander over the horizon.
Time will tell, but this is surely a future ambient classic.
Class debut from Philly’s DJ Haram - fusing Arabic percussion and instrumentation with bass pressure for Hyperdub.
Like a spartan echo of Mutamassik’s early ‘00s meeting of Egyptian breaks and rugged hip hop, DJ Haram finds a wickedly gritty friction and traction from a mixtures of sharp electronics and a dead canny sample palette that distinguishes her music from the crowd.
The EP kicks off with ‘No Idol’, which comes off like an imagined Timbaland and Equiknoxx hook-up, while the brooding ‘Interlude’ gives way to a killer bouts of martial drums swept into a rugged Jersey bounce on ‘Gemini Rising’ and again with grimier, bittersweet impetus in ‘Body Count’, that also comes out in more psychedelic, low-lit geometries on ‘Candle Light’, which receives an impending vocal-lead remix by Haram’s regular Philly spar and Moor Mother collaborator, 700 Bliss. Factor in the virulent puppy dance of ‘Grace’ and the club-tightened remix of ‘No Idols’ and you have yet another stellar debut on the untouchable Hyperdub.