Amazing proto-Drexciyan synths and alien electronics from Portugal, 1983, a first time reissue on Holuzam - a brand new label from the people behind Príncipe. Don't miss this!!!
Holuzam is a new label from Príncipe Discos co-founders José Moura and Márcio Matos. Their first release is an expanded edition of Telectu’s freakishly immersive 1983 LP, ’Belzebu’; a 40min suite of sweltering, proto-Drexciyan synths, lilting Afro influences and subaquatic rhythms unavailable on any format since the original release, which now trades for triple figures in the 2nd hand market
Viewed from any angle, ‘Belzebu’ is an iridescent oddity in its field, and was certainly among the first of its ilk within the Portuguese music scene. It was the product of experiments by multi-instrumentalist and music writer Jorge Lima Barreto (JLB), and the co-founder of pop-rock band GNR, Vitor Rua (VR), whose shared interests dovetailed into a mutual fascination with unorthodox, improvised and electronic sounds, leading to these remarkable, home recorded conclusions in 1983.
During late 1982 and into 1983, JLB and VR channelled those notions, together with ideas picked up from the NYC minimalist and no wave scene during travels in North and South America, into a strangely prescient and non pareil sound. Homing in on a high pitched, chaotic granular squabble they termed ‘Belzebu Zero’ - which forms the original demo for the album and is included here as a bonus CD - the duo layered that sound with precise guitar strokes, drum machine, synths and FX to hypnotically immersive and dramatically alien effect.
On the A-side ‘Rotas Opera Temet’ they plunge into a 20 minute vortex of electric blue synth noise and scaly flutters recalling a prototypical Drexicyan soundtrack to a film about Atlantis. With the B-side, they take that idea fathoms further into the abyss, wrapping coruscating chords and ticking machine pulses to the high end squabble with a supremely heady sensation, especially when the rhythm opens out into a demented shift in the track’s 2nd half.
There’s a genuine genius at work in this record which is bound to enthrall and absorb listeners from myriad perspectives. Everyone from Jamal Moss fiends to Drexciyan divers and Craig Leon fans need to spend some time with this beautiful oddity....