Thursday, 31 July
"Rare and unreleased Augustus Pablo from the vaults of Gussie Clarke. Includes full 12" versions of the mind-bending 'No Entry' and 'Classical Illusion' (complete with King Jammy dub). Also included is the rare JA 45 take, two unreleased Skylarking shock-outs and impossible to find 45's like 'Believe A Dub'. This is classic Augustus Pablo - Are you ready to be Dubbed?"
*Limited edition of 400.* In which Michal Kupicz and Mats Gustafsson transmute, augment and improvise about Konrad Smolenski's 'Everything Was Forever, Until It Was No More' - a sculptural instrument that reproduces, at regular intervals, a music piece written for bronze bells, wide range loudspeakers, and other resonating objects. First presented in the Polish Pavilion at the 55th International Art Exhibition – la Biennale di Venezia, the sound object is primarily based on the manipulation of the sound of toiling bells. Michal Kupicz bases his remix on r… Read more
Classic 1988 Detroit tackle from big Kevin Saunderson aka Reese and Santonio. Includes the warehouse-taking early techno of 'Truth Of Self Evidence', and the banging acid of Reese's 'Grab The Beat' plus Santonio's Yello-sampling 'Structure'.
*Vinyl edition of this excellent No Corner tape which was also included as part of the 'From The Reels' set* Young Echo's El Kid makes his mark on No Corner with a 4-track concept EP featuring the final transmissions of the fictional SS Labyrinth, moments before it reached crush depth. This 30 minute EP employs recordings from "a skeleton radiophonic crew trapped inside a critically damaged nuclear submarine listing in deepest arctic waters", woven with scudding minimal techno and ice-deflected signals, recounting in abstract, subaquatic detail the fictional sub's final voyage, from the A-side's… Read more
*Vinyl edition of this excellent No Corner tape which was also included as part of the 'From The Reels' set.* No Corner continues to quietly carve a reputation as one of the UK's finest yung labels with this exceptional debut album/mixtape by Bristol's Lily. Melting and kneading classic house and slow techno tropes in a warm, fuzzy chrome bath with salty dub FX, 'Modern Malaise' masterfully channels the sort of forlorn techno feelings of Chasing Voices' 12"s with a muggier, off-kilter UK dub sensibility and sense of youthful anxiety/melancholy possibly stemming from data overload and plugged-up … Read more
"Head Boggle returns with what is perhaps his most refined and focused work to date. "Serge Modular In Hi-Fi" was recorded in early 2012 at the S.F. City College Electronic Music Lab utilizing a vintage pre-STS Serge Modular Synth system and was conceived as a pseudo aural "cubist" sound piece with an intention to achieve pseudo 3D "cubed" sound through discrete recording and mixing techniques. The only effects utilized were four or more analog delays being played real-time a la dub/reggae mixing techniques. The final selections were then sent to Kramer at Noise Miami for hi-fi co… Read more
**Edition of 200** Epic, lustrous synth-pop from Ireland's Kubo duo (definitely no relation to SuBo) for Peripheral Minimal. Paying homage to "Cubo Futurism, the early 20th Century Russian art movement which concerned itself with contemporary concepts of the future and the technological triumph of humanity over nature" they uphold the values of original synth-wavers such as Depeche Mode, OMD or Japan with two polaroid-perfect pop shots in the slow, streaking synths and aching sincerity of A-side 'This Desolation', and the smoke-fileld 'floor stalker, 'Das Klub'. Tipped!
**Addendum of previously unreleased Indonesian prog folk gems. Housed in paste-on jacket. Edition of 500** From Strawberry Rain: "One of the true gems of the Indonesian scene, this album stands to be one of the best, and also one of the most unique albums to come from the region. Banned by the Shuko government soon after release, it remains somewhat obscure to most collectors up until now. An album created by Bram Makahekum (who had no musical experience or training at all) Kelompok Kumpangan had multiple members by trying to recreate the sounds of nature, even using origina… Read more
**White wax with individually-numbered, debossed insert. Edition of 400** London's Fuzz Club pull up an archival zinger from Suicide's Alan Vega, backed with a motorised garage beast from The Vacant Lots. Recorded 1996, remixed 2014 at 6/8 Recording Studios, NYC, Alan Vega's 'Nike Soldier' stomps all over the A-side, urged by a his diffused vocals over writhing synthlines and body-rolling drums to a screeching metallic peak produced by Liz Lamere and Perkin Barnes. The Vacant Lots charge up a battery of bass and toms seared with fuzz guitar slashes on the alternative mix of 'Mad Mary Jones'.
Only One pull up a hidden Stasis gem from 1999, backed with squashed remix from Unbroken Dub. The original 'Space 1993' is a masterclass in UK techno romance, mixing belly-fluttering synth arrangements with the kind of nimble drum programming that could give Derrick May a run for his $. Remixing, Unbroken Dub sensibly doesn't try to match the original but reduces it to sodden, buzzing techno wormhole.
"‘Intoxicated Man’ (1995) and ‘Pink Elephants’ (1997) are Mick Harvey’s interpretations of the songs of legendary singer, songwriter and poet Serge Gainsbourg and are the first major works translating Gainsbourg’s influential work from French to English. The collection includes two unreleased tracks, ‘Dr. Jeckyll’ and ‘Run From Happiness’. Originally Harvey embarked on the project as a result of his own curiosity about the songs and particularly the lyrics. At the time of the original recordings Gainsbourg was little known outside classic works such as ‘Je T’… Read more
*Reissue via Numero* "Nikki Sudden’s collaboration with former Birthday Party guitarist Rowland S. Howard peaked with Kiss You Kidnapped Charabanc, the duo’s 1987 first and only full length. Howard’s sinister guitar flourishes and malevolent lyrical motifs lead Sudden’s paisley-clad disposition into murkier waters, drudging the same sludge inhabited by The Gun Club and Nick Cave’s Bad Seeds. Unhinged slide guitars, noise and primal drumming draw up demented pacts forged in the blood of Southern Gothic swamp stomp and Depression-era devotionals—tales of lov… Read more
*Reissue via Numero* "'Dead Men Tell No Tales' takes a stripped-down turn with plaintive lyrical confessions as pretty as they are prescient, summoning Syd Barrett’s wild spirit through a séance of simple reverb burbles and acoustic incantations. Front- and-center vocals recounting love, loss and death’s lurking presence are presented against airy guitar shimmer in a demented yin and yang seemingly forecasting the scarf- swathed, underground dandy man’s abrupt fall nearly 20 years later. In the midst of such weighty tomes are less downtrodden peeks into the studio, … Read more
*Reissue via Numero* “In a year when overproduced rock-fluff flooded radio waves, Texas—Sudden’s 1986 solo debut for Creation— blasted through the saccharin for a damaged and masterful invocation at the imperfect alters of Chilton and Bolan, sonic influences the Brit bore proudly on his velvet sleeve throughout the course of his polarizing prolificacy. As the increasingly splintered Rolling Stones cultivated “Harlem Shuffle” cover cheese, the former Jacobite leader looked to the ragged Exile On Main St. and Sticky Fingers roots of his icons for a raw, 12-song predication melding ten… Read more
*Includes Download Code Redeemable From The Label* “After recording some initial demos in North Carolina, The Rosebuds headed to Eau Claire, Wisconsin to record with their old friend and former band member Justin Vernon (Bon Iver). Their comfort and connection with Vernon allowed them to stretch their creative limbs, as Vernon gently teased out some of the band's most stellar musical performances to date. With longtime collaborators Matt McCaughan on drums and BJ Burton co-producing and mixing the album, the band was able to quickly zero in on the dynamics and textures they wanted, while s… Read more
“The second album of side-length improvisations, takes its title from a particularly foreboding passage of John Milton’s Paradise Lost. In other collaborations and in their respective solo work, Carter and Murano have often plundered such fables and symbols for fodder. Here, they not only attach the names of those mythic flows to each of these tracks but also use them as spirit guides; these 20-minute pieces are singular rushes of gathering and often-ferocious sound, built with guitars that scream and then scatter the blues and electronics that wade through fluid distorti… Read more
"Over the last four years, Olympia-based punk trio Naomi Punk – featuring singer/guitarist Travis Coster, guitarist Neil Gregerson, and drummer Nic Luempert – have been lighting up DIY warehouses and large concert halls alike with their singular brand of mid-tempo, cathartic punk. Commencing their breakout 2012 debut ‘The Feeling’, Naomi Punk return to the fold with their sophomore record, ‘Television Man’ – their first for Captured Tracks. A key fixture in the Northwest DIY punk scene, Naomi Punk channel a similar energy to their contemporaries (Milk Music, Broken Water, Vexx, Gag) and t… Read more
indie pop backed with Âme's bubbling tech-house remix. Straight to the B-side for the slow rising intro and purring bassline anticipation of the remix.
Brooklyn's Maurice Fulton heats up Brandi Ifgray's loungeing Finnish pop in four parts. 'Mono (Ibiza Mix)' comes with the New jack acid vibes jazz vibes, and 'Scam (Guns Went Off)' works a skronky jazz downstroke. The block party breakbeat groove 'Bones' comes in two versions, a sleazy vocal and laidback 'Vibe' mix.
**Gatefold sleeve, comes with digital download code redeemable from the label** "Once again a ground breaking album, the first Afro Peruvian music heard outside of Brazil and the album to introduce Susana Baca to the world. “This is secret music - a collection of beautiful songs and infectious grooves that’s been hidden for years in the coastal towns and barrios of Peru. It’s not the guys with flutes and drums in woolly hats - it’s music of the black Peruvian communities. Black Peruvians? Yes, Peru was involved in the slave trade too - and this wonderful, funky music is part of that legacy” - David Byrne"
**Gatefold sleeve, comes with digital download code redeemable from the label** "The amazing Tom Ze, or as he wrote to us when we were working on this album, “Should I change my name? It could be Ze Tom Ze? Or Tom Tom Ze?” This was his first newly recorded album after being ‘rediscovered’ and it’s as surprising and special as one would expect from this iconoclast. “Inspired by hard-lit and science fiction, Ze’s tick-tocking sambas and comforting cancaos range from the painfully touching to the instructably conceptual.”
**Gatefold sleeve, comes with digital download code redeemable from the label** “Beleza Tropical was our first release. In some ways it started the trend to compile music from other places. It was a huge success, selling over 350,000 copies, and is still referred to today by many people turned on to Brazilian culture by this landmark release. Many of the aritsts on this compilation are cultural heroes in Brazil (and deserve to be here, too). Their concerts are attended by young and old alike... almost everyone knows their names. Their music is extremely sophi… Read more
Thursday, 24 July
**One-sided pressing cut at half-speed by Matt at Alchemy for maxxximum presha!** Killing Sound version '$ixxxx Harmonie$' with serious tech-step jungle swerve for BEB. Separated from the 'Killing Sound' double-pack, the near-ambient original is extended and reinforced with dreadnaught jungle rhythms and possessed warehouse vibes for a properly altered, shark-eyed swerve. We'll be damned if it ain't the deadliest thing we've heard from either Vessel or El Kid, the Bristolians behind Killing Sound, and surely marks a massive highlight of BEB's darkside operations. Miss this at your peril.
**Die-cut jacket and printed inner with download coupon** The 1st in a fleet of 3 instrumental EPs from SBTRKT paving the way for his 2nd album. On 'Transitions 1' you'll find two mercurial grooves, melding an aviary of electronic chirrups and whirring garage techno in 'Gamalena', and a bittersweet blend of itchy, bit-crushed drums with cascade of Zomby-esque melodies in 'Hold The Line'.
**Die-cut jacket and printed inner with download coupon** The 2nd in a fleet of 3 EPs from SBTRKT paving the way for his 2nd album. We find the masked man at his most contemplative with the beautifully sullen chamber-pop chords and white noise snare punctuation of 'Resolute' backed by the Koreless-meets-Haruomi Hosono occidental chiptune winks of 'Kyoto'.
**Die-cut jacket and printed inner with download coupon** The 3rd in a fleet of 3 instrumental EPs from SBTRKT paving the way for his 2nd album. He's on a forward UK soul tip here with the spiralling battery acid licks and plump subbass of 'Highs + Lows' and the gangsta waltz of 'Stifle'.
**Super slick, synth-heavy and seductive soul-funk from Nigeria 1978. 180g vinyl reissue housed in tip on-style jacket with download code. Edition of 1000** "Originally recorded for the EMI Nigeria label and produced by legendary producer Odion Iruoje 'Keyboard' was a one-off studio project formed by Brodricks Majuwa and Isaac Digha from circa 1978. These two session men were often used at the EMI studio and played in multiple recordings that Iruoje produced throughout the era. This extremely scarce and obscure record features amongst others Ignace de Souza of the Black Santiagos from the city o… Read more
**Clear vinyl** Tactile, rugged industrial techno experiments from London's Details Sound. There's a range and sensitivity at play here which tends to escape many industrial practitioners, spreading out from stark drone modulations to hypnotic, banking techno pulsers, monotone fibrillations and raspin' rolige compatible with Shifted, Prostitutes or Ron Morelli.
Slicker sophomore EP of mutant bass and twisted electronics from Lorenzo Senni, Daniele Mana (Vaghe Stelle) and Francesco Fantini's One Circle. 'Transparency' follows their 2013 debut for label/incubator, Left Blank with a murkily ambiguous mixture of production fidelities, textures and styles delivered with a unique electronic accent. They and it are testament to a rooted yet accelerated Italian electronic music scene, presenting impressionistic, emotive visions referencing recent and hypermodern styles from a forward, somewhat detached perspective, as with the beautifully garish vision of… Read more