Thursday, 02 October
**Gatefold vinyl** Adam Wiltzie (Stars Of The Lid) and Dustin O'Halloran reprise their acclaimed strings and keys duo, A Winged Victory For The Sullen, with 'Atomos I - XII' for Erased Tapes. We can safely report that it's every bit as gorgeous as their eponymous debut, but you probably already got the hint from their teaser 12", 'Atomos VII' which landed earlier this year backed with a fearsome Ben Frost re-interpretation. The further XI parts sweep us to the most picturesque modern classical panoramas imaginable...
**Limited clear/black marbled vinyl edition. Includes digital download and fold-out poster/lyric sheet** Finally Zola Jesus finds her feet with 'Taiga', her 5th solo LP, and debut for Mute. The lo-fi house horse she rode in on in 2009 has been thoroughly spooked, leaving her as a gothic survivor adapting to new modes in 'Taiga', from the brooding trap/D&B fusion bolstering her distinct vocals in the titular opener, thru martial breakbeat techno in 'Hunger' and R&B-weighted chamber pop in 'Go (Blank Sea)', or emoting like a kohl-eyed Rihanna in closer, 'It's Not Over'. For us,… Read more
**4 x 180g LP pressing of You're Dead! album, plus You're Dead! Instrumentals. All vinyl in printed inner sleeves, outer sleeves and rigid box and lid. Includes download code card redeemable from the label** Flying Lotus flexes his most earnest jazz muscles on this fifth solo album, his 4th for Warp. Star-lit with guest appearances by Herbie Hancock, Kendrick Lamar, Captain Murphy, Snoop Dogg, Angel Deradoorian, Thundercat, Niki Randa, it's the work of heightened, enlightened minds projecting into spheres beyond this mortal coil. Funny then that it all sounds so fami… Read more
**Edition of 600 with download code** Yikes! Feeding Tube deliver a previously unheard dose of proto-No Wave madness played on a Serge synth by Randy Cohen aka Jack Ruby between 1972-1977! It's yet another stark reminder that New York in the '70s was a crucible of innovative experimentation, presenting some utterly bizarre collisions of strangulated Serge noise running roughshod against the free sax of Pete van Riper, Boris' scratchy Electric Viola, and Chris Gray's mutant guitar. The main attraction is a 16 minute mind-f**k suite called 'Destroy/Lost' which more or less sums up the LP … Read more
Wolfgang Voigt returns to sometime handle, SOG, for a smart lesson in Teutonic swagger. On 'STOA 1.1' he cuts an elegant figure with massive bass drum and swinging triplet rhythms carving a stately, head-high groove across the A-side, accentuated by only slight filter modulations for effortlessly hypnotic effect. 'STOA 1.2' on the other hand is more driving, determined, with a dry 4/4 heft sounding like a saltier take on his foundational Studio 1 series.
**Ahem…** "These rare and until now, unissued recordings started life way back in 1966. They were written by the multi-talented Anthony Newley, maybe for a pop release, but possibly - bearing in mind the kinky nature of the lyrics - for an experimental British TV show he was working on at the time. Unusually he wanted some electronic backgrounds for his words, and so called in the help of Delia Derbyshire, moonlighting a little from the BBC Radiophonic Workshop. By the time the tracks were completed Newley was on his way to the USA for further acting and songwriting … Read more
*Free Shipping in the UK* *Due to the size and weight of this item we can only ship to UK & Ireland, USA, Benelux, France, Germany, Luxemburg, Netherlands, Italy, Spain Denmark, Australia, Japan and New Zealand. If you are in another country please contact us for postage costs* Vinyl on Demand return with a second volume of one of their most requested releases - 80's Minimal-Synth-Wave Vol.2. This epic 12 LP set comes housed in a foil embossed canvas box and includes rare material from 80's Berlin Punk and New Wave operator Mkie Vamp, core-Members to the famous… Read more
*Deluxe Version includes a bonus 12" EP with exclusive Dub and Remix Versions, plus download code* L.A.'s sun-kissed psych-pop duo drop a doozy of a new album on Domino's Weird World. While still mesmeric and free-wheeling, 'Cosmic Logic' sounds as though Indra Dunis and Aaron Coyes have been buffing up at a secret pop gym in Los Angeles, resulting a much firmer, efficient approach to their songwriting and production bound to satisfy their legion followers. Tuning in with the bubblegum jangle of 'Infinite Trips', their new diet of pure crystals and mushie jui… Read more
**4th side is a laser etching** Just the ticket: an outstanding, genre-hopping return from Brooklyn's finest, delivered on Paul Smith's ever dependable Blast First Petite. 'Familiar' is ten tracks deeper, spiking the senses with electro-pop a la Chris & Cosey in 'Maids' and shoe-gazing motorik pop in 'Palace To Palace'; plus the incredible shamanic techno-pop of 'Sunburned Kids', 808 drone-pop on 'Holy Girl', and future-sprawl blues of 'Grinning In Your Face', culminating in a cover of Tim Buckley's 'Song To The Siren' and a massive black vortex in 'Destroy'. RIYL Animal Collective, HTRK, Chris & Cosey.
This is so ace - and another example of why everyone envies Scotland, and Glasgow in particula - Laps are a mysterious and achingly cool duo who sound like the mutant siblings of Saâda Bonaire. Their 'Ladies As Pimps' EP stalks well-trodden yet timeless styles with serious attitude and allure, bringing members of Golden Teacher and the Green Door Studios gang to abet their salacious grooves between the louche ESG dip of 'Dirty Guys Dirty Corners' thru the Peaking Lights-like dub-pop lope of 'All The Kids' and the Glas-cago swagger-jack of Mojo', to blown-out Thought Broadcast meets Ectoplas… Read more
Justin Broadrick's Godflesh churn up 'A World Lit Only By Fire' on their first new album in 13 years. Known as B.C. Green and JK Broadrick to the authorities, Godflesh are perhaps the best known exponents of industrial metal that the world has known: they single-handedly invented the genre with their eponymous debut in 1988 and have dominated discerning moshpits ever since with thunderous drum machines crushed by patented, claw-handed riffage. And thank f**k nowt has changed since their last LP, 'Hymns' in 2001. On 'A World Lit Only By Fire' they're still a pair of Brummie badasses… Read more
Morphine present a very welcome, if unexpected, return from Sote, an American-based Iranian artist who delivered one of Warp's most interesting releases of the '00s with 'Electric Deaf'. We've spoken previously about our fascination with hi-end Middle Eastern electronics and Sote would fall well in that category with these complex, super-dynamic projections gleaned from a range of synthesis techniques. We won't bore you with the finer details - google it if you're bothered - but can tell you there's some dazzling work here; a hyperkinetic rush of trance-inducing tones and completely unstable, cha… Read more
Straight-up techno murder from Sleeparchive and Mike Parker for Repitch. Sleeparchive's in deadly form with the slamming Brummie momentum of 'Fifth The Station' and the spaced-out bleeps of 'White Angel Breadline' intersected by two beastly locked grooves. Mike Parker takes control on the other side with the signature lizard-tongue synth lashes and caving kicks of 'Flying Nerves' plus the aquatic flux of 'Lustrum'.
**Smoky black/transparent vinyl. Hand-numbered edition of 300 housed in screen-printed jacket with download code** Slithering, mechanised metal dread from Shaddah Tuums, debuting on Berlin's Portals Editions with remix reinforcement by Dadub and Samuel Kerridge. Working in no mans land between metal, techno, and concrète dub, they present some of the strongest material of this ilk since The Haxan Cloak debut, coming off like a slippery Godflesh-meets Ben Frost collabortion in the sidewinding grind and shocking, plangent stabs of 'Merkabah', or like Pharmako… Read more
Plush, modern takes on a classic Afro-beat sound, hailing West Africa via West London. Under Funsho Ogundipe's direction and arrangement, Asoju Oba find and work out the links between jazzy deep house, broken beat bustle, soul and Afro-beat proper in five skillfully measured parts.
Half-speed mastered by Matt Colton. 180g vinyl. Includes download code** Dan Snaith indulges his most sensitive indie-disco-pop side with 'Our Love', his sixth solo album as Caribou. Hingeing on the slippery ohrwurm of the title track's electro-disco-tech romp, the rest of the album features Jessy Lanza in the technoid R&B flux of 'Second Chance', plus Owen Pallett's violin and viola in the moody slo-mo slug, 'Silver', that title track, and the dusty radiophonic disco-tech of 'Your Love Will Set You Free'.
Kaleidoscopic styles from Paul White on his excellent album debut for R&S. With 'Shaker Notes' he swaps his hip hop garb for a psych dashiki - most literally on the album sleeve, and metaphorically speaking thru his worldly palette of jazz-wise, Afro-centric instrumentation and 4th world electronic tones. With many other producers that transition could be tragic, but White pulls it off with aplomb, much like his former One-Handed Music label-mate, Bullion's entirely successful switch from beats to luscious pop psychedelia. His production is totally prime, juggling live and programmed drums w… Read more
Andrés delivers a much needed repress of the 2nd issue on his La Vida label. A-side 'Skate This Way' is a peach: a percolating rhythm's kept under control by a slow, swaying bass to accentuate your boogie carve in the rink while lush strings and stabs keep it floaty and frisky. Flipside Amp Dog Knight lends some fruity key blushes to the dreamy, uptempo swing of 'Second Time Around' for the eyes-down and clapping crew, beside the effortless beatdown gem 'Hart Plaza'. Tipped!
Dark Entries' rampant reissue agenda continues apace with the eponymous debut by prolific French synth-poppers, Opera Multi Steel. Expect typically elegant gallic pop a la The Human League in 'Rien', thru a sort of pacy, baroque take on Talking Heads in 'Fêtês Komité', to the noirish emoting of 'Jardin Botanique' and the disco-prime 'Massabielle'.
Contemplative, agile dubstep and techno hybrids from the Tempa ranks. 'Nomine's Chant' makes use of what sounds like Buddhist chant over sparse, booming 808s and resonant gong timbres. 'Ninjah' is a proper techy weapon flexing out with twutchy drums and snarling neuro licks. 'Syncopator' intrigues the most with a fine meld of bleep techno and UK/US garage at 123bpm.
Wickedly warped electro-techno funk, fresh outta San Francisco. Roche in control with a demented follow-up to his 100% Silk and Mathematics EPs, playing hard and psychedelic with eleven minutes of quicksilver synth contours and slamming warehouse groove in 'Depths', whereas 'Seer' projects a a more contemplative vibe in its odd, off-key chords and filter f**kery, yet still driven by slicing hi-hats and crisp snare punctuation. Sensual, weird and deadly. A perfect combo.
Brilliantly unexpected pop/house from Paul White, heralding his hugely promising album for R&S. Bolstered with a neat Andrés remix, 'Where You Gonna Go?' features White dicing with a more populist dancefloor sound to captivating effect. On the original he yokes signature palette of bright, tropical drums to a swinging 4/4 kick/bass and Jamie Woon's wounded/haunted soul vocals with the sorta class that should make this it a Radio 1 anthem. Similarly, 'Peace It Together' tempers his craftier beat skills in favour of plush, exotic instrumentation rent in gorgeous, electro-dubbed widescreen. On the remix, Andrés rolls some of his butteriest, soulful Detroit house.
**Includes digital download code redeemable from the label** Ahhh, Tin Man returns to vocal house with inimitable style on 'Ode' for LA's Absurd Recordings. Split roughly 50/50 between vocal cuts and their instrumental versions, the album is a return to the Tin Man sound we fell hard for with the 'Wasteland' and 'Cool Wave' mini-LPs, only this time driven by much tougher kicks. Few artists operating in the house/techno realm manage to juice as much emotion and atmosphere as this guy, and 'Ode' is a prime case in point, from the exquisite reverbs, elegant acid lines and poised, opiated vocals of 'No New… Read more
"For Speicher 81, Amsterdam-based DJ and producer Patrice Bäumel presents two adventurous minimal epics with decidedly mind-bending propensities..."
**Superb darkside electro & techno-pop instrumentals run thru VHS and Betamax for proper, tape-warped tension and metallic atmosphere** "A unique investigation of the terrors and pleasures of temporal displacement. A sinister sonic architecture of drum-machine-music and analogue synths. Span forty years in a moment... ultimate time transfusion... skin crackles, a rhapsody in flames... witness images of torn, ruthless smiles through the crashed distortion; try to recall the future memory of a figure lost on a distant shore."
*Includes digital download voucher redeemable from the label* Jimmy Tamborello reigintes his excellent Dntel project for Leaving Records with his 'Human Voice' album, the follow-up to 'Aimlessness' for Koze's Pampa Records. Speaking from the heart, 'Human Voice' makes crafty use of kerned and pitched vocal samples to lends the whole album a unique timbre, whether he's doing flighty footwork rhythms ('If I Stay A Minute'), plinky plonky electronica ('Bike Path'), iridescent electro ('Connections') or cottony trance ('Ashby').
Nicolas Jaar's Other People celebrate a year in the game with a smart collection of unreleased music by Powell, Ancient Astronaut, Jelinek, Darkside, Visuals, and more. The obvious highlight is Powell's sly rework of Ancient Astronaut, launching from a fragment of 'SCSS' into a slicing, frothing industrial cut-up as only he does. It stands out like a sore thumb against the rest of the field, such as Visuals' dusty indie country in 'A Pixel', the lo-slung indie-disco of 'Gone Too Soon' from darkside, or Jan Jelinek's crafty deconstruction of Ancient Astronaut's 'B2'.
Anstam veers into vaulted prog-pop territory on his 3rd album, 'Names', for Monkeytown. The knotted, fractured rhythms and hi-gloss techno surfaces are all still in place, but now augmented by his vocals placing him closer to the likes of Rudi Zygadlo or his label bosses, Modeselektor.
'Dogs' is the enchanting fifth album from Berlin-based Norwegian polymath, Kim Hiorthøy - his first in seven years. Equally rooted in the sample-based culture of the early '90s - rave, hip hop, house - as much as Erik Satie's plaintive solo piano works, it's yet another gorgeous iteration of Hiorthøy's abundant talents across graphic design, film-making, painting and many more disciplines beside. As such, it's richly imbued with the sense of clean, sparse efficiency of expression and warmth of character that unites all strands of his praxis, deftly sashaying from mid-air meditations to whip-smart … Read more
"Stewart Walker returns with his new album release Ivory Tower Broadcast. A quarter century of the same drum machines and basslines turned future music into golden oldies. Visionaries don't make techno based on particular instruments but a set of techniques which can dilate time, implode sound, and confound expectation. Stewart Walker returns after a six-year retreat to bring his own future sound with Ivory Tower Broadcast. The Ivory Tower refers to a cloistered and elitist mental space removed from practical considerations and criticism. It's a perfect metaphor for a music stud… Read more