Thursday, 14 August
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. ‘Can’ was originally released in 1978 and sees Holger Czukay take more of a back seat. It would be Can’s last album before they reformed one more time with Malcolm Mooney on ‘Rite Time’ in 1986.
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. 'Delay’ was originally released in 1981 and was the classic ‘first album’ that was stuck in the vaults until 1981 when Holger Czukay edited the archived tapes and completed the album. It's a compilation of early outtakes of Can’s work with singer Malcolm Mooney, including some of the band’s earliest material. It contains the song ‘The Thief’, which was later covered live by Radiohead.
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. ‘Out Of Reach’ has been unavailable in any official format since its original release in 1978 and is one of Can’s rarest, lesser-known albums. This is due in a large part to the fact that bassist Holger Czukay left the band and drummer Jaki Liebezeit has a reduced role, leaving most of the rhythm duties to percussionist come-lately Reeb… Read more
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. 'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums.
**Vinyl edition of 250 with fabric insert. Quietly curious, solemn blend of treated field recordings and solo piano** "Yes Blythe, is Callum Higgins, the head & body behind Baptists & Bootleggers, Sacred Tapes, River Slaughter and countless other projects. He has made a big impression at Gnod HQ with his relentless work rate , off the wall concepts and soldering skills. Following his debut album, Keep The Faith, earlier in the year, Yes Blythe returns with Initiate Screen Prevails, a two track EP. Both tracks are an attempt to capture the raw energy of recent live outings but wit… Read more
Limber late night tech-house from Russia's Ygrok label. A-side plays out sweeping, romantic strings on a whirring swing groove whilst B-side is more reserved, minimalist, with tricksy detailing designed to burrow and tweak at 6am.
**Playable, one-sided vinyl postcard disc. Limited edition of 500 with download code** Karen Novotny X blow the cutest cosmic synth bubbles on this sweet treat for Deep Distance. As with their sought-after, "lost" and found collection, 'Nothing Here But These Recordings 78-79', the enigmatic East London group unfurl previously unreleased 3 minutes of gaseous analogue electronics and percolating drum machine in a krauty lather that strongly recalls key late '70s/early '80s records by Craig Leon, Colin Potter or Chris Carter. The warm, fuzzy analogue production and melodic naiv… Read more
*Orange vinyl. Edition of 500* Quaint retro-futurism from the Deep Distance label. A-side is a pulsing electro-pop number named 'Molecular Love With A Molecular Sound' with metallic vocal processing reminding of Chris & Cosey; B-side is a smart coldwave jaunt called 'Golden Kids (What's Going On?)' landing somewhere between early Steel City pop and BoC.
Slow burning modern London soul music from Gilles Peterson favourite, Reginald Omas IV. In the last few years Reginald has cropped up with a cover of Roy Ayers' "lost classic" 'Keep On Walking' on the Brownswood Bubblers 10 compilation, and seen his tracks included in mixes from Mo Kolours and LeFtO. which brings us up to speed for the downstroke, lower case styles of 'As We Move', seven choice bits woozing between the Moodymann-esque 'Fire Burning' to the melted Afro-beat jazz of 'Know You Better', wonky R&B synths on 'Hold It Together' and juiciest neo-soul in 'One More Time'.
*Edition of 500. Fluorescent green vinyl with ink-stamped centre labels and translucent vellum insert* A proper Bristol dread session from Killing Sound's El Kid and Vessel. The original cut of 'We Need Mirrors' was issued on No Corner's cassette series, replete with these remixes back in 2012. More recently those dank reworks were issued as a bonus 7" in the same label's 'From The Reels' vinyl compilation. Now a standalone release, we find Vessel's slow-choking 'Psychosis' mix on the A-side, rifled with hydraulic pulses and keening, sub-aqua… Read more
Seductive house reworks of Esnard Boisdur, one of the great voices of Gwo Ka - the folkloric rhythm of Guadeloupe. Originally released in 1991, 'Soufwans' comes in two hard-to-resist mixes, a 3am version making subtle but prominent use of Esnard's lolling, playful vocal against warmest subbass, rippling drums and convective chords, plus an outstanding dub mix where the vocal's diffused in a sublime, swirling lather of drums, sub pressure and lush chords no doubt enhanced by the touch of Frankie Francis, a mastering engineer at London institution, The Carvery. A real West Indian Summer anthem!
**White wax housed in picture inner** Sublime, late night electronic soul instrumentals from Layla Rutherford, featuring two co-productions from Floating Points. Lay introduces herself with the mellow shuffle and Alice Coltrane vibes of 'Seeds' starring guitar from Sunita Saggar, before teaming up with Dr. Sam Shepherd for a pair of gorgeous groovers - 'Mankind' with its plump subs and perfectly off-key chords, and the flighty, uptempo kosmiche feel of 'Still' - and closes with beatdown wiggle of 'Original', again featuring Sunita Saggar.
Raw live acid actions dialled in from North Wales via the cultish Crow Castle Cuts. There's four useful grooves on offer, razzing between rippin' swingers and wormholing basement jack.
Rooted yet forward sounds from King L Man and The Mighty Zulu Nation, with weighty LV remix. Features vocals from Earl 16 and Harriet Cox.
"The second part of PoppyDisc's ongoing vinyl reissue series of Sun Ra. The Arkestra moves into ever looser, more abstract ground as the percussion becomes more varied and moves ever closer. Ra then sets up a dark melodic theme, while the Arkestra weaves a series of jaunty, blues-tinged solos into the groove. 'Nubia', 'Africa' and 'Aiethopia' continue this excursion into a mystical, rhythm-based territory. The Arkestra utilizes the same ominous, simmering percussion beds, now augmented by more exotic instruments like Pat Patrick's 'space lute', which gives a playfully sinister sound t… Read more
"One of the most discussed of Ra's New York era recordings, 'Cosmic Tones' functions as a blueprint for the sort of large-scale jazz weirdness that would inform much of Sun Ra's subsequent works, featuring the woozy reeds of And Otherness and the afro-jazz experiments of Thither And Yon. On Adventure Equation a space echo treatment on the recording which is reprised for the sax flurries on Voice Of Space makes the whole experience even more disorientating and exciting.The album has increasingly been discussed within the context of anticipating psychedelia or pointing towards t… Read more
"Part of PoppyDisc's ongoing series of Sun Ra reissues on vinyl. This was the fifth album by the Arkestra to be released, and was the first to be taken from recordings made at the Choreographer's Workshop, New York. Other albums recorded there include Art Forms of Dimensions Tomorrow, Bad and Beautiful, Cosmic Tones for Mental Therapy and Other Planes of There.'The New York period saw Sun Ra focusing far more on percussion backdrops as opposed to horn arrangements (virtually everyone on the album gets a percussion credit), and everything from the percussion to the horn solos to Ra's piano … Read more
"Sex Hands were formed by three childhood friends from the North Wales coast. After relocating to Manchester, Alex, Dylan and Edwin played their first show in 2011 on the Comfortable on a Tightrope stage at SFTOC, Salford. A month later Joe Logan of Waiters was recruited for his sweet bassy licks and amazing posture. From then on the band has been on a rock 'n' roll whirlwind, playing shows with the likes of Trumans Water one night and The Babies the next. After their previous releases which include a split 7" with Daily Life (on the Icecapades label, which features artwork by Sex Hands own Alex Hump… Read more
"The productions of producer Bunny "Striker" Lee were so extensive in the early to mid-1970s that labels were created just to handle his ever-expanding output. Three labels that came about during this time when dub was King were Jackpot, Justice and Attack. Here Jamaican Recordings takes a look at the Justice label and have compiled a collection of some of its finest dub cuts. Justice Records was formed in the early '70s as a subsidiary label to handle the ever-growing output of the producer and hit-maker from Jamaica, Bunny "Striker" Lee. Bunny worked in all the Jamaican studios and as an indep… Read more
"For his Carpark debut, Saint Pepsi takes a step away from the more genre-shuffling styles of his Internet releases to focus his skills on high-power pop. The title track of the “Fiona Coyne” 7-inch is an uplifting tribute to fantastical romance and the joyous dreams pop culture can provide. Mastermind Ryan DeRobertis lays down a funky guitar riff and bass line of Chic-quality to tease our senses before tickling us silly with the chorus’ ecstatic horns. "My love's on the silver screen/ she's always playing make believe," sings the 21-year-old songwriter, playing a bit of make-bel… Read more
*Includes digital download voucher redeemable from the label* "Bob Carpenter came close to being a major star. He received a glowing mention in Rolling Stone in 1970, recorded an album for Warner Brothers and had his songs recorded by Emmylou Harris, Billy Joe Shaver and others. However, ‘Silent Passage’, his lone solo album recorded in 1974, was pressed and ready to ship when contract negotiations shelved the record indefinitely. By the time things were resolved it was the end of the 70s singer-songwriter boom and Warner had moved on. He died in 1995 and the last decade of his … Read more
The new side project from Flaming Lips’ Wayne Coyne and Steven Drozd. Special edition lilac coloured vinyl. Vinyl also includes a copy of the album on CD free inside.
*Limited edition die-cut sleeve. 2 x 180g heavyweight virgin vinyl. Includes digital download voucher redeemable from the label* *2 x 180g heavyweight virgin vinyl. Includes digital download voucher redeemable from the label* "James Yorkston, an artist not unfamiliar with the notion of collaboration, has opened the studio doors to a broad and brilliant selection of players on this his eighth studio album. Produced by Hot Chip’s Alexis Taylor in London’s Livingston studio, it features KT Tunstall, The Pictish Trail, Rob Smoughto… Read more
*2 x 180g heavyweight virgin vinyl. Includes digital download voucher redeemable from the label* "James Yorkston, an artist not unfamiliar with the notion of collaboration, has opened the studio doors to a broad and brilliant selection of players on this his eighth studio album. Produced by Hot Chip’s Alexis Taylor in London’s Livingston studio, it features KT Tunstall, The Pictish Trail, Rob Smoughton, Fimber Bravo and his long term collaborators Jon Thorne and Emma Smith. ‘The Cellardyke Recording And Wassailing Society’ finds James a… Read more
Debut album by Jimmy "The Funky Tramp" aka "Mr. Motion" Lynch! Original store stock from the 1970s - still sealed! Limited quantity available. For fans of Rudy Ray Moore and Blowfly this is a must have.
The fourth album by Jimmy "The Funky Tramp" aka "Mr. Motion" Lynch! Original stock from the 1970s -limited quantity available!!! For fans of Rudy Ray Moore and Blowfly this is a must have.
Pumping big room techno standards from old skool UK techno pals, Kirk Degiorgio and Ben Sims. Check it for Sims' shark-eyed pounder 'Raw Hide' and the tense acidic burn of Degiorgio's 'Dark Fire'.
**Translucent Green Vinyl** Lean and techy dubstep styles from Baitface, originally issued in 2012. 'Orbital' works out a tight, pendulous halfstep sparked with sharp chords and glinting drums on the A-side; 'Substratum' hinges on metronomic, Mala-style cymbals and snarling neuro licks recalling Kryptic Minds on the flip.