Thursday, 09 October
Reissue of one of the most wanted records on Discogs and one the most expensive items sold on the Discogs Marketplace. Forget about that though, essential music finally remastered and repressed!
"Death Waltz deliver Jeff Grace’s score to The House Of The Devil, Ti West’s acclaimed shocker that homages and celebrates films from one of the true golden ages of horror cinema. Coming from the same kind of place as The Omen and Rosemary’s Baby, the film has a certain period aesthetic that is reflected in its brooding and slow-burning score. Whilst it starts with an electric guitar and synth piece that immediately sets the mood and the time, Grace’s score doesn’t immediately hit you over the head, instead building itself up over time and increasing intensity while always being absolu… Read more
At long last, another heart-melting chapter in the musical enigma of Clive and Mark Ives' Woo is revealed to the world at large. 'Into The Heart Of Love' was issued on cassette by two different labels in 1990, containing 22 songs strung out between tropicalia, Canterbury pop, New Age and exotic easy listening styles with a charmingly quiet sort of English humour. For a long time the duo's music was the preserve of those very much in the know, but thanks to recent reissue agendas they've rightfully bubbled up tot the attention of a wider audience who've really taken to the brothers sublime… Read more
Rudest dread techno charge from noob, Nurve, on Pinch's Tectonic. The squashed techno murder of his A-side, 'Wrong Number' was previously sandwiched into the ace Pinch B2B Mumdance mix CD, and is now unleashed as a tracky, galloping tool consolidating all corners of the darkside underground. Flipside, he ups the funk ante with a twysted, techy bomb coming off like some Skam joint gone Bristol, plus a mean bit of whirring 2-step techno bruk in 'Spasm'. Watch yer bons bons.
**Includes download code redeemable from the label** Eagerly anticipated reissue of an Ethio jazz-and-funk cornerstone from keyboard whizz Hailu Mergia on Awesome Tapes From Africa. Unlike the last time, when we heard him solo on 'Hailu Mergia & His Classical Instrument', here on the highly sought-after 'Tche Belew', he's backed by The Walias, one of Ethiopia's crack units, who're perhaps best known for collaborating with Mulatu Astatke and backing for star Éthiopiques singer, Ahmed Mahmoud. The legendary Astatke also appears on this one, but Hailu is arguably the star of the show… Read more
*Free Shipping in the UK* *Due to the size and weight of this item we can only ship to UK & Ireland, USA, Benelux, France, Germany, Luxemburg, Netherlands, Italy, Spain Denmark, Australia, Japan and New Zealand. If you are in another country please contact us for postage costs* *7LP Boxset, all 180gram vinyl, comes with 12 page full colour booklet with an essay by Brian Eno and album descriptions by the veteran British music journalist Chris May and a poster designed by Marc Borgers* Third curated set of the long-awaited vinyl reissues from the Fela Kuti catalogue. These seve… Read more
*Includes a free copy of the CD inside plus a download code* “Colours Of The Night (Satellite)’ is Peter Broderick’s first song- based release in two years, during which the singer-songwriter- composer-multi-instrumentalist and serial collaborator was struck down by a debilitating illness that forced him to re- evaluate his life. Here, in his own words, is what Peter has to say about it: “Folks! I am very excited to announce a forthcoming EP on the Bella Union label. ‘Colours Of The Night (Satellite)’ is a preview of what’s to come on my next full-length album, due ou… Read more
**Stamped inner sleeve** New York's Marcos Cabral does eviscerated house as Chemotex on his 2nd 12" for The Trilogy Tapes. Freakier than the stuff under his own name or in Runaway with Jacques Renault, the Chemotex sound burns off any impurities to leave a brittle, skeletal cadaver spitting flinty hi-hats and heaving Jamal Moss style jakbeat on 'Snake Inside My Leg', whilst 'Yang Solution' twitches and stabs in cold negative space on the flipside, trapped between what sounds like room-recorded percussion and detached, swarming noise textures. This one burns.
UTTU gets them cherry-picking fingers mucky again with Rushmore's 1st single outside of the Trax Couture label. In case you weren't following, Rushmore's dealt out a couple of killer 12"s to date fusing UK grime with Ballroom, Chi-house and footwork in excellent fashion. Here he's typically wayward, flexing out from Todd Terry styles in 'Dance Show' to an outstanding slow/fast ghetto-tech sound on 'Droptop', whereas 'Run II' eases off on a moody gherkin jerk tip and 'Throwback' juggles clipped chords and raspin' typewriter percussion like some raw-ass take on early SND. Tip!
**180g vinyl. Edition of 300** Project 13 resident, Acre, throws his weight around on a wicked debut 12" for the MCR club-night's new label. His 3rd and arguably sturdiest single to date after drops on Visionist's Lost Codes and Pinch's Cold Recordings, the 'Symbols' EP stakes his claim as one of wiliest yung producers in the UK's techno/dubstep/bass nexus. All three productions are stoically minimal but detailed with enough grit and dynamic to rub any dance the ruff way: running from a gutted hybrid of vintage Mala/Kode 9/Martyn-isms at 126bpm in the barrelling topside roller, 'Symbols', and over t… Read more
Marcus Intalex aka Trevino coins the Birdie label for his burgeoning c.130bpm output. Essentially he's transposing his patented liquid D&B vibes onto Detroit and UK tech-house templates, manifest in the clean, metallic chassis and rolling underlying heft of 'To The Core', in the sweeping proggy arrangement of 'Warmer', and over into darker filtered funk with 'Playtime' and smooth, swinging tech-house styles on 'Mezmerise'.
Hodge steps up to Hotline with two subtle, outstanding UK techno mutants. Carving a strong path forward from his Dnuos Ytivil 12", and preceding a killer Berceuse Heroique single, here he plays ruff and moody with the tape saturated tone and Afro-centric sleight-of-hip on his heavy roller, 'Mind Games' - imagine Auntie Flo on a darkside mission - whereas B-side 'Flashback' projects a canny mix of archaic, pastoral bleeps and full-sunked techno hydraulics seemingly rolling back and steaming forward at the same time. Class.
**Transparent wax** Terrace and cv313 present further takes on two legendary In Sync techno classics for Last Known Trajectory. Terrace layers 'Storm' up with rolling bass LFO's and sweeps that celestial whistle out the horizon. Deepchord's Steven Hitchell aka cv313 douses In Sync's slightly later collaboration with Pluto, 'Subway' (1993) in his patented dub-tech noise bath. He also mastered the record.
Prickly digital soul music from NTS Radio's own Throwing Shade, following her Mystic Places' debut for Kassem Mosse's Ominira label with this gem for No Pain In Pop. '19 Jewels' is an iridescent distillation of underground London currents in 2014, contouring traces of '80s boogie & '90s R&B, African dance music and Asian pop with an abstract, detached sensibility landing somewhere between Hype Williams, Maria Minerva and Negra Branca. The kaleidoscopic synthsoul of 'Sweet Tooth' feat. Emily Bee opens for a set constantly in flux between light and dark, from the dank chamber vibes lit with ch… Read more
**Full version of the album on CD included inside** "Adam Bainbridge returns, co-writing with Robyn, Kelela, Ghanaian rapper M.anifest and Devonté Hynes (Blood Orange et al), a long-time friend whose 2013 ’Cupid Deluxe’ included contributions from Bainbridge. ‘Otherness’ is Adam's vision, but it's a collective vision. On the album’s opening track, ‘World Restart’, Bainbridge’s vocals remain in the backing chorus. Kelela and Ade sing the lead parts. The song rides the sort of lithe and loose horns (by Finn Peters) you might hear on a Fela Kuti record, but they're tethered to a boogie bassline and Bainbridge's own rich percussive clatter…"
Rare and unreleased funk jams from Slave frontman Steve Arrington's 80-84 drawer. "Steve Arrington, 80s hit maker and former front man of funk legends Slave, is back after a 20+ year hiatus from the music business. His collaborations with Snoop Dogg and Dam Funk from 2013, and brand new self-produced material throughout 2014, show that Steve's still got the funk in super human quantities (as they say in Dayton OH, home town of Arrington, Slave, Zapp, The Ohio Players etc etc etc - "there must be something in the water"). "Way Out (80-84)" a retrospective encompassing all of Arrington’s… Read more
*180g LP audiophile pressing includes art print poster + download code* " New instrumental rock project of Simon Trottier and Olivier Fairfield from Timber Timbre long active in Quebec's experimental/punk scene. Also features Timber Timbre frontman Taylor Kirk. When Timber Timbre’s ambient music for a horror film went unused back in 2012, Trottier and Fairfield began revisiting the sound palette they had built up for the soundtrack at Trottier's studio in Hull, Quebec, expanding on their techniques and textures, adding drums, bass and various other instruments, and. The duo found that they had dug i… Read more
A trio of Hamburg's finest, Peter M. Kersten (Lawrence), Christian Naujocks, and Richard Von Der Schulenburg, feel out a quietly freeform jazz-electronica sound as Sky Walking. Improvising in hushed dialogue at a "rotten studio in the backyard of a record store in Hamburg", the trio channel influence from the rustling backdrops of Gruppo Improvvisazione Nuova Consonanza, Gerard Grisey's spectral experiments, and Psychic TV's strange sound worlds via a "weird collection of instruments" including some Russian microphones and the "saddest sounding steel drum". The results unfurling a miniature… Read more
**Hand-stamped white label** Driven but slinky tech-house on Ben Westbeech's Naked Naked label. The work of Leeds-based producer Jordan Saxton aka Viers, both tracks sit comfortably on the label roster with Dusky, Breach, Dark Sky etc, offering pumping techno-house funk of the DVS1 variety up top in 'Ryomi', and a more low-key, proggy vibe with the B-side's Usagi'.
"Chicks on Speed return with their first album since 2009’s "Cutting The Edge”. Artstravaganza was created by Murray-Leslie and Logan in collaboration with leading contemporary artists, activists, producers and a princess, including: Julian Assange, Yoko Ono, Peter Weibel, Francesca Thyssen-Bornemisza, Christopher Just, Oliver Horton, Angie Seah and Anat Ben- David…,"
Dramatic, intricate EBM house trax by Rhodes, Greece-based June. Five tracks jack between the steaming arpeggios and Chicago/New Beat-style kicks of 'Direct Contact' to kinky cowbell patterns in 'S.A.D.H.' and on to decelrrated disco drama in 'The Human Target', SA42-style electro on 'Second Sight', and Liasons Dangereuses electro-funk in 'Musique pour La Danse'.
Mature, almost sombre-sounding house from Detroit's Generation Next aka the son of Big Strick. One fo' the authentic cats.
John Beltran returns with a seductively trim and techy new sound on Text, backed with label boss Four Tet's sweeter 2-step remix. Squeezing in somewhere between Hessle Joe and LP5-era Autechre, Beltran references his Latino and Detroit inspirations from a unique perspective, synching clipped claps and canted harp hook with pizzicato electronics in a fresh, bittersweet tangle where you'd almost expect Thom Yorke to come in crooning (gwan Thom, do us a version?). Four Tet's mix is much sweeter, easing the original to a dainty ambient 2-step more compatible with Actress and Martyn grooves. Class.
*Limited series of nine 12” celebrating Rinse’s 20th anniversary, each individually numbered and limited to 300 copies* A1 Broken Record (Jacques Greene Remix) A2 Skream : Rollercoaster (Jimmy Edgar Remix) B1 Katy B: What Love Is Made Of (MK Remix) B2 Headhunter: Prototype (Modeselektor Remix)
Distal returns with a bold new mesh of tumbling trap, grime and electronica on his sophomore album and first for his concept/label Anarchostar. Following his 2012 debut LP for Tectonic, the Atlantan producer's 'Retrograde Space Opera' shapes a vivid sonic fiction about.. "a dying planet… encapsulated by those who killed it. Filled with wandering souls and ancient technology, a way out emerges. A utopian star… an escape… The ANARCHOSTAR', according to his press release. The results are wildly diverse, sweeping from glossy new age ambient signifiers to the manic roil of his 'Ridge City'… Read more
Minimal tech-house rollers and jackers from Poland's Michal Wolski. Four cuts deftly shapeshift from mid-aughts minimal tech on 'Who Am I' to burned-out techno in 'Meausrement', the chiming soothe of 'The Bells', and glacial slow motion chug in 'Black Swan'.
Junes comes ruff but smooth on a smart debut single, originally released back in summer 2013. With more funk and flex than most, he pivots from the dope, dubbedout swing of 'Colours' to dustier, slinkier shimmies in Platform' and jazz-wise breakbeat cuts on 'Shaman Dance', via a stodgier Leif remix of 'Colours'.
Fresh from making his name on DVS1's Mistress Recordings. Doubt drops a rugged haul of heavy house on Don't Be Afraid. In possession of an infectiously raw sound palette, the Midwestern producer is set to garner a whole heap of new followers to his muscular, gritted style, from the grungy alley drive and moody progressions of 'Poor Dog' to the murky industrial pounder, When I Was Young', and the clogged filter funk of 'Frosx', which already counts Alexander Nut and 2562 amongst its fans. One to watch.
Nicely paced bleep techno and acid squirms from an intriguing new label, Galdoors. Tames follows on from Elgato's 'Links / Sun' 12" with three tracks skillfully weaving from salty, Sähkö-esque bleeps streaked with rattling snares and spring reverbs across the front side's Vivid Elements', to a Tin Man-alike piece of acid melancholy in 'Episodes', and rubbery minimal electro tweaks of 'Squeeze'.