Thursday, 17 July
The legend unfurls three broken beat beauties for Falty DL's Blueberry Records, backed with the label boss' rework. Hot on the heels of his Dego and Kaidi 12", a reissue of his Cousin Cockroach classic 'This Ain't Tom 'N Jerry', and his Theo Parrish hook-up, 'Just Begin', Dego's arguably on classic form right now, turning out the swinging budge of 'Nuts!' and the fluid electro-funk of 'Could Murder A Burger' on top, and the shadier, seductive shuffle of 'Celestian Ditton' on the flip. Falty DL remixes the latter with his signature sense of space and intricate rhythm mechanics, and even a dash of jazzy scat, causing Dego to exclaim "The force is strong with this one…".
Reel-skool Detroit house aces from O B Ignitt, peer and collaborator of Omar-S, on his freshly minted OBONIT label. Perhaps best known for his 'Wayne County Hill Cops' 12" with Omar-S, O-B defines his own take on Detroit house with three raw burners dancing between the funked-up, piquant swing of 'Sweaty Dance Flo' to the slamming 'Ignitt Techno' and freaky party sauce of 'Chocolate City (Uncle James' Mix)'. Choice selection for 313 connoisseurs!
**180g wax in poly sleeve. Vinyl only** Local Action serve a proper summer anthem from Manchester/San Fran's Finn. R&G is the key phrase for his sound, a perfect mixture of American R&B sweetness and rugged UK grime chops finding the tender spot between Timbaland, Terror Danjah at his softest, and recent styles from Bok Bok. Up top, 'Keep Calling' is the big one, cutting male/female vocal samples in a tense pattern of unrequited love over buggin' drums and twanging bass. If you're standing still listening to this, best to move on. Flipside keeps the levels ticking with a Footwork-style display o… Read more
*First time vinyl reissue of Joe McPhee's classic CJR LP from 1969 with exact repress of the original artwork* "Trumpeter and saxophonist Joe McPhee's first album, Underground Railroad, has been virtually impossible to find on vinyl, issued in an edition of 500 copies on Craig Johnson's CJR label -- it was recorded next to Johnson's house at the Holy Cross Monastery in West Park, New York -- it sold out and was never reprinted on vinyl until now. Underground Railroad is comprised of three pieces, the title track, "Harriett," and "Message From Denmark." The band features McPhee on corn… Read more
"San Fran synth sensei Ben Winans, a.k.a. Roche, ventures further into his arcane hardware labyrinths on Stillhope, his second slab of mind-wired Pacific house for 100% Silk. As always, there’s a great sense of spaciousness and flow,coastal fog billowing around Alcatraz and over Land’s End, invisible currents taking control. “Stillhope” and “The Medicine” skew more toward the hazed and zen, cliffside smoke seances rendered through samplers and circuitry, percussion patterns ghosting under hidden lunar cycles, while “Change” brings back the bass, riding an acid-funked electric slide into a chorus of … Read more
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. Considered by many the finest Can album, ‘Future Days’ was the fifth studio album by Can. This is the last album to feature Japanese vocalist Damo Suzuki, exploring the ambient direction they had introduced into their sound on the previous year’s ‘Ege Bamyasi’ creating a landmark in European electronic music.
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. ‘Landed’ was Can’s seventh studio album, released in 1975. The band upgraded to 16 track recording and had the opportunity to bring out many more layers of sound and an upbeat nature for most of the tracks in the process. The album was produced by the band themselves and it provided the single ‘Hunters And Collectors’, backed by ‘Vernal Equinox’, which was issued on Virgin that same year.
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. "‘Flow Motion’ was the eighth Can studio album. It features the UK hit single ‘I Want More’ which was mixed using binaural stereo, a method of recording sound that uses two microphones, arranged with the intent to create a 3D stereo sound sensation of actually being in the room with the performers or instruments."
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore.‘Saw Delight’ was the ninth Can studio album and featured two new band members who were ex- members of Traffic. The album’s musical direction flirts with world music and precedes the mid-1980s world music trend set by artists such as Paul Simon and Peter Gabriel. ‘Saw Delight’ was made as a binaural recording, a method of recording sound tha… Read more
Crushing and febrile club gear from pivotal Austrian artist Philipp Quehenberger. 'Content' feels like a strange, lost transmission or reminder from a bygone European techno era untainted by trend and dedicated to tweaking out the most unusual, awkward sensations from hardware and computers. Rather than crude noise, sleek minimalism or inter-dimensional trippiness, Quehenberger's sound is best defined in terms of raw, repetitive muscularity and dissonant ambient qualities, doing what the likes of Prostitutes or Container do, only far better, and with cooler sense of discipline.
A quiet and woozy return from Emmy Award-winning musician Deru, who released some lovely ambient records on Merck, Mush and Neo Ouija in the '00s. As hinted in the title '1979' is an exercise is hazy nostalgia, using tape saturated synth tones and a keen ear for melodic progression to seduce and regress to seemingly simpler times resonating with the kind of glassy eyed vibes of BoC, Alessandro Cortini, Sand Circles or 1991. The project works around a concept of memory "in its essential, shared nature, incorporating "user submitted entries" of photos and writing from Nigel Godrich (Atoms For Peace, Radioh… Read more
*Includes Download Code Redeemable From The Label* - "Melt Into Nothing” is Ensemble Economique’s most lucid seance to date. The prolific Humboldt County musician has stripped layers off of his trademark haze but retained the beautiful desolation that’s earned him a rabid fanbase. The solo project of former Starving Weirdos member Brian Pyle, Ensemble Economique has crossed a land bridge from apocryphal world music and dusty soundtracks to gauzy 4AD-style atmospherics. Trellises of guitar embolden Pyle’s whispered, threadbare lyrics. On “Hey Baby”, the itinerant tone feels like… Read more
"Mark Barrott’s (ex Future Loop Foundation) ‘Sketches From An Island’ compresses this Balearic heartbeat into nine warm gems which paint a picture of the island, the people and the magnetic beauty that pulses through it. Recorded in Ibiza's northern hills using “weird percussion, some slide guitars and a few borrowed synths,” it’s a melodic and mysterious representation of a place seeped in a rich and rebellious history. Opening track ‘Baby Come Home’ radiates with carefree tropical sounds and upbeat harmonies. The blues-soaked melodies of ‘Essene’ perfectly navig… Read more
*Epic 4LP Box Set including 46 songs collected on vinyl for the first time, includes a download coupon for the full set* "Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism. The album is a compilation from across The Clean’s legendary career, which began in … Read more
*First edition pressing of 500. Includes CD* "The best improvisors are the ones that seem to invent and uninvent their instruments right in front of your eyes and ears. Swedish pianist Sten Sandell and Norwegian drummer Paal Nilssen-Love are two musical champions with a long experience of doing exactly that. ”Jacana”, the latest in our occasional series of unusual duo combinations, features the pair’s sparky improvised set captured at the 2013 Kongsberg Jazz Festival in southern Norway. ”Jacana”’s three tracks find the players flying close to the limits of their comfort zones, … Read more
**Screen-printed paper sleeve** Pulsing analogue techno arpeggiations from NYC's Gavin Russom on his new label, Entropy Trax. They're both more stripped down and direct than previous outings with Black Meteoric Star and Crystal Ark, focussing a signature kosmiche momentum into the galloping groove and Goan trance progressions of 'The Purge' on side A, and spacing out with barely harnessed modular acid flickers and subbass-buoyed technohouse swagger on the B-side, 'Entropy'.
**180g wax cut by Matt Colton** Houndstooth present their answer to The Knife in Norwegian duo Soft as Snow, backed with an remix from Old Apparatus' Asher Levitas. An experimental pop duo based in Oslo, they arrive at an emotive Scando-pop style on 'Glass Body' after years collaborating in art projects and even starting their own "utopic" art and music festival in a Swedish forest. Their sound is a dramatic and passionate brand of technoid wave-pop, inescapably comparable with the Dreijer siblings or even Grimes, but also sharing moody, synthetic similarities with the likes of Sand Circles,… Read more
"Back in 1997, David Pajo was a little over a half decade removed from the future sensation known as Slint. Their second album had been released in 1991 when the band themselves were already defunct. During the next five years, David worked with Palace Brothers, King Kong, Tortoise, The For Carnation and Stereolab. During that period the idea of his own music was slowly simmering, building flavour like a good rage. He and former Slint-ite Britt Walford had discussed a band called M - the significance lying in the letter’s position in the middle of the alphabet. A single under that name was release… Read more
In the 'IIVA' EP, Loops Haunt augments the sounds and structures of his widely acclaimed 'Exits' LP with a tuffened, ferric aesthetic. The Scottish producer gives a extended edit of album track 'IIVA' strewn with spring reverb ricochets and radiant harmonic aurora - which NHK remixes as a spiralling folk-techno vortex - and uses a similar palette of destroyed, rusted tones and beguiling spatial convolutions to render further material as urgent, febrile dancers, ranging from the granite techno groove of 'TIIYL' and the unstable 2-step of 'IIHX' to the FIS-alike mulch of 'IILTN' and the grazing roil of Vessel in 'FIISR' and 'RYIIG'.
*Deluxe 180g gatefold reissue of this legendary Australian Eco-jazz soundtrack remastered from the original master tapes, with rare photos and extensive liner notes* "Based on the novel written by Australian actor Roger Ward (Mad Max, Stone, Turkey Shoot) The Set was a highly controversial film upon its release in 1970 in which it's alternate attitudes towards sexuality challenged the traditional mores of the mainstream society. The film, now regarded as a lost piece of Australian genre cinema, is considered the precursor to the OZ Sex-Wave films of … Read more
*Mastered from the original master tapes - a library re-recording of the previously unreleased Doctor Who score The Invasion. Includes additional electronic tracks from Don Harper’s catalogue and music featured in GeorgeRomero’s Dawn of the Dead.* "A collection of Horror-Electronics, supernatural soundscapes and sinister library muzak from Australian composer Don Harper. Featuring nightmarish cues used in Doctor Who 'The Invasion' and George A Romero's 'Dawn Of The Dead’ Centring on the library music re-recording of the 1968 Doctor Who soundtrack The Invasion (A dark otherworldly Sci-Fi jazz… Read more
Reissue of seminal, early Chicago house trax from Chip E as Sweet D. You get the happy clapping piano house cheese of 'Thank Ya' up top, but the really gems are flipside in the Italo-aping disco bassline, chirruping vocal and synths of 'Do Do It' and daft MIDI funk of 'Turn It'.
More quality from the Trax vaults. Robert Owens classic from 1986 - produced by Larry Heard/Mr. Fingers. Audio restoration by Arjan Rietvink's Digital Mastering.
2nd of two new 12"s from Prins Thomas' new label Rett | Fletta. And who better to steer the wheel than the Prins hisself, who spins out the kaleidoscopic "tekno/ikje tekno" or "techno not techno" groove 'Åpne Slusa (Lang Versjon)' uptown, backed with the ill acid jacker 'Åkken e det du snåfse ått?' and dry disco rhythm 'Slufsa', plus Margot's strobing psychedelic techno revision of 'Åpne Slusa'.
**Includes A4 insert** Berceuse Heroique present Koehler's kicking follow-up to his wayward Skudge debut. A-side is given to the bright, prodding synth stabs and guttural garage-techno roll of 'Dynasty; B-side features the synth vignette 'Spiral Light' and the corrugated breakbeat techno flex of 'Deleted Scene'.
Shifty-ass techno and breakbeats from the prolific co-founder of Ilian Tape for Will Bankhead's label. Topside rolls out the subaquatic techno-house tool 'Mörsin' and a clattering breakbeat techno slayer called 'Watz'. Flipside gets better yet with the pendulous torque of 'W2' built to raze big rooms to their foundations, plus a warped, abtsract wormhole, 'Banded'. Tipped!
**180g vinyl. Edition of 300 copies** Intricate, advanced techno from Japan's Imugem Orihasam, backed with an Eomac remix on the Bedoiun label. The originals are densely packed with squirming synths and syncopated kicks, the 2nd in particular sounds like a mutant Powell piece, which receives a hard-stepping overhaul from Eomac.
**Heady, discordant and pastoral guitar landscapes from the Charalambides man. Edition of 300 housed in spot gloss printed sleeve** "In some hirsute + spectacled (as well as oft besotted) circles, the storied ramble of American guitarist Tom Carter requires no introduction. Of late, his Kazuyuki K. Null meets Franco Falsini excursionary instrumentalism has taken on an increased luminosity, due in no small part to some unexpected time spent at a certain house on the borderland. In his own words: "Information-inscribed ribbons unravel from a spool spinning into relaxed entropy. Floating smoke… Read more
**Rustling, haptic "blues" abstractions. RIYL Bellows, KYE records, Jason Lescalleet, Ekoplekz. Edition of 300 in spot gloss jacket** "Kyle Clyd is of an orphaned ascendancy, more Geeshie Wiley or Anne Gillis than any of her visible peers. In talking about Pale Dawn Creeps, her debut full length, she refers a kind of blues, itself perhaps a mercurial essence resigned to antiquity: "To believe that the bits of paper in your pocket have real value or to take the word for the thing itself is the "unpardonable sin" of the New Testament. Those guilty are condemned to blackness. Black mani… Read more