Thursday, 24 July
**Super slick, synth-heavy and seductive soul-funk from Nigeria 1978. 180g vinyl reissue housed in tip on-style jacket with download code. Edition of 1000** "Originally recorded for the EMI Nigeria label and produced by legendary producer Odion Iruoje 'Keyboard' was a one-off studio project formed by Brodricks Majuwa and Isaac Digha from circa 1978. These two session men were often used at the EMI studio and played in multiple recordings that Iruoje produced throughout the era. This extremely scarce and obscure record features amongst others Ignace de Souza of the Black Santiagos from the city o… Read more
**First run coloured vinyl edition w/ etched 4th side housed in debossed jacket and sealed poly sleeve with download code** Super smart 2nd album from Seattle's foremost hip hop accelerationists. Fronted by Ishmael Butler, formerly of the brilliant Digable Planets, Shabazz Palaces have cornered a unique take on contemporary hip hop melding traces of electronica, cyberactive dub and jazz inna cerebral but instantly gratifying style that swerves self-conscious oddness in favour of genuinely psychedelic lushness and off-the-dome freedom. Borrowing its title 'Lese Majesty' fro… Read more
**Clear vinyl** Tactile, rugged industrial techno experiments from London's Details Sound. There's a range and sensitivity at play here which tends to escape many industrial practitioners, spreading out from stark drone modulations to hypnotic, banking techno pulsers, monotone fibrillations and raspin' rolige compatible with Shifted, Prostitutes or Ron Morelli.
Slicker sophomore EP of mutant bass and twisted electronics from Lorenzo Senni, Daniele Mana (Vaghe Stelle) and Francesco Fantini's One Circle. 'Transparency' follows their 2013 debut for label/incubator, Left Blank with a murkily ambiguous mixture of production fidelities, textures and styles delivered with a unique electronic accent. They and it are testament to a rooted yet accelerated Italian electronic music scene, presenting impressionistic, emotive visions referencing recent and hypermodern styles from a forward, somewhat detached perspective, as with the beautifully garish vision of… Read more
Killer, stark, psychotomimetic jaxxx from the L.I.E.S. stronghold. They're apparently teasers for an upcoming project, leaving us with the taste of sweat and poppers after ingesting the rapid acid flux, spiralling accordion and spiky jack of 'ZKY', and kicking us in the gut with the haughty shunt of 'Image'. You dancing?
Canny meld of folk, R&B and subtle electronics from Floella All and the Various Production duo. The angular, stop-start groove of A-side sorta reminds of FAY's brilliant beat works given a modern London folk-blues vocal; flipside is more of a distant, dubbed, forlorn ditty, at once cute and deeply blue.
Second label comp from ClekClekBoom, featuring exclusive tracks from French Fries, Bambounou, Coni, Aleqs Notal, NSDOS, Jean Nipon and Aethority.
Stump Valley puts a big, slompy donk on it for Rush Hour, backed with two side-winding slow disco percolators. Following up his ace debut for Off Minor Recordings, he runs the chugging mid-tempo bounce of 'The Visitors' with mad phasing breakdown, powerful bass and tweakin' disco arpeggios on the front, whilst flipside yields the dubbed sway and tricksy percussive patterns of 'Galaxy999' and a reshuffled Drum Rave Mix by Mtrpls on the flip. Stick this in your party and watch 'em smoke it.
Cryptic edit workouts for the discerning disco dancefloor. Uptown you'll discover the louche deckside slyde of Serpent Digit's 'Precious Metal Crown'; downtown dips a shoulder to the proggy vocal harmonies and dubbed-out disco-not-disco of Fantasy Mark-Ups' 'Transmitted Contagion' and Dune Sister's 'Kyoto Recital' - an edit of Bene Gesserit's obscure 'Japanese Song'. One for the freaks…
Wayward, tripping acid techno trax from Sweden's Daniel Andréasson - new on Skudge. All about the strange, skippy but sludgy groove of 'Ble3' on top, but there's also some canny moves in the slower, gear-grinding 'Ditehr24' and two Frak style jams on the flip.
"Performed and put to tape at Estuary Recording Facility, The Seeker and The Healer constitutes the first collaborative work by Texas-based sound artist Cory Allen and Louisiana minimalist composer Duane Pitre. The album’s two side-long pieces were developed out of multiple improvisational sessions governed by predetermined rules, sourced from piano, bowed guitar, harmonium and 49-stringed drone harp (a custom-made instrument of Allen’s own design featured here on record for the first time). In the context of both musicians’ discographies, these pieces occupy a unique and… Read more
Disco-ready remix session from The KDMS, Martin Brodin, Leaves & Iron Curtis, Acid Washed, and Nirosta Steel. Highlights include former Arthur Russell collaborator, Nirosta Steel's breezy Eastwood remix and a romantic Acid Washed version.
Snotty swansong from the hard-living punk, Sewn Leather, for Milan's excellent Hundebiss label. 'Freak On Hashish / Longboarding Is A Crime' commendably lives up to at least half its title (we're not what he's got against longboarding, but we're not arsed either way really) with nine blown out, sludgy misshapes that sound too wrecked to get up but still generate enough wretched energy to put off casual listeners and entice the hardcore. It starts up with the bombed-out hip hop bounce of 'Real Recognise Fake' and culminates in a 19 and half minute slayer packing proper punk techno and hip hop nastiness. See ya SewnLeather!
Magical make-over of Burt Bacharach and Hal David's 'Don't Make Me Over', as made famous by Dionne Warwick, now transported somewhere to avant-pop LA.
*Deluxe double vinyl reissue* Initially seen as something of a curate's egg on Sub Pop, Earth have gone on to be one of the most influential bands of recent years, spawning the entire dronecore / death metal scene (Sunn O))) etc.) as well as helping to mould the likes of Mogwai, Jim O'Rouke and (if their reverential appearance on the recent 'Legacy of Dissolution' LP is anything to go by) even Autechre. Back with their first proper album for 9 years ('Hex; or Printing In The Infernal Method'), Earth seem eager to discard the overly distorted sound that has come t… Read more
Reissue of a highly sought-after ghetto house banger from Chicago '93. Same track on both sides.
Psilocybic house and techno funk from Matt Didemus of Juniors Boys' new label. The label's 2nd release is cleft between the mysterious Primitive World and Hamburg's Yør, the former veering between frothy acid and melting techno rhythms spiced with flashes of purple funk, the latter wandering off into Alice In Wonderland techno playzones. Gobble.
*Includes Download Code Redeemable From The Label* Brooklyn's finest minimal wave duo take flight to Ghostly International for 4th album, 'Par Avion'. With their shift to more visible climes of the musical landscape, Liz Wendelbo and Sean McBride have tightened up and honed their already sharp sound to a pop potency, still dealing in romance for a colder age, but now with more variety and contrasts - from upbeat to downbeat, slow to fast, light to dark. "Par Avion's rich diversity of sounds comes at least in part from the fact that it's an album-long ode to synesthesia. As singer Liz … Read more
*Includes 12" Booklet & Download Code Redeemable From The Label* "Land Observations (aka musician and artist, James Brooks) presents ‘The Grand Tour’, the follow up to 2012’s debut album, ‘Roman Roads IV-XI’. Where the debut album was concerned with the roads of communication and conquest that stretched across the former Roman Empire and Republic, the new album creates an imaginary travelogue through Western, Central and Southern Europe with reference to the historic Grand Tour. The album was recorded on the edge of the Bavarian Alps on just one electric 6-string guitar - exploring … Read more
**Cinematic synth themes and sleazy disco from Athens** From the label: "Optimo Music is known as a 12” label, but occasionally something rare and dangerous comes our way that compels us to release a full length album… It’s not exactly a dance album, although there is music you can dance to on it. It’s more filmic in nature, with references to legendary directors like Kubrick and Carpenter that will enthrall a film buff, particularly if they’re interested in electronic and dance music (It compelled me to watch Barry Lyndon again for the umpteenth time after fir… Read more
Aïsha Devi's Danse Noire label really comes into its own with these wild gabber and throat music incursions backed by equally freaked Hieroglyphic Being and IVVVO remixes. Her 'Hakkan Dub' takes the form of dub-spattered drums and blitzkreig kicks haunted by harpy vocals, whereas 'Throat Dub' hollows-out and manipulates the ever-effective sound of Mongolian (?) throat singers for nine minutes of arresting drones. Flipside IVVVO ices 'Hakkan Dub' to a cavernous EBM thump sounding like some lost cut from the Caustic Window sessions, and Jamal Moss gives 'Throat Dub' a squashed, Afro-centric re-wriggle.
Huxley returns to Aus with a second EP, co-produced with S-Man (aka Roger Sanchez) for an anthemic, sub-heavy 4-tracker.
Jay Daniel, Seven davis Jr and Ph0t0machine put a new spin on Four Tet's 'Beautiful Rewind' album tracks. Detroit's yung wunderkind, Jay Daniel rides roughshod drum machine rhythms, dissolving keys and field recordings of birdsong over a sublime rework of 'Aerial'; Seven Davis Jr nimbly tweaks Buchla' into a skipping, floating garage-house groove, and Ph0t0machine gives 'Crush' a mercurial electro-techno momentum.
Slinky, deeper house from Dona backed with Patrice Scott and Vakula remixes. The originals are comparable with Cassy's stripped down electroid swing, Scott gives a ruggedly aquatic remix, and Vakula runs with a raw acid dub sound.
DJ Q and DJ Haus pipe up with a 2nd set of 'floor burnin' garage-house swingers. On top deck they whisk up the champagne bubble and pan pipes of 'Str8 Jugglin' and the ruder rudder of 'Eros Dance'. Below deck they shake out the kinky swing of 'All Nite' and a DJ Q remix fired up with 'ardcore breaks and a West Yorkshire rudeboy stance.
*Limited edition of 270* Includes Optimo remix & download code for The Hill Street OST (SWS004) by Great Lakes Mystery - a soundtrack to a documentary about Dublin's skateboard scene* 1986 electro-pop from ROI's The SM Corporation - who were last heard on the sublime 'Strange Passion' compilation - backed with JD Twitch and Great Lakes Mystery remixes. The pneumatic B-line, industrial FX and blazing female vocal of the original are given a gruffer undertow and feverish, glistening synth makeover by Optimo's JD Twitch, and rent as widescreen, etheric shoegaze-industrial by Great Lakes Mystery.
*3x10" coloured vinyl in a heavy duty box* Wicked dub from mighty King Tubby – a set of reworked sounds from cuts by Jackie Edwards, Johnny Clarke, John Holt, Horace Andy, and others – all given some heavy-bottomed touches by Tubby. The tracks are all instrumentals, with plenty of bass bubbling in an echoey pit – mixed with organ, drums, and especially nice guitar that often glides out highest in the mix – with a slightly cleaner feel than other instrumentation. Titles include "Double Cross", "African Roots", "Iyahta", "Dub From The Roots", "Hijack The Barber", "Invasion", and "Dub Of A Woman".
"A classic from the annals of The Red Krayola, available on vinyl for the first time in many years. The 90s edition of The Red Krayola roared out loud with ‘Hazel’. This album was received rapturously by post-rockers everywhere, and featured Mayo Thompson riding herd over a cast of dozens, including the then Gastr del Sol union of David Grubbs and Jim O’Rourke, along with John McEntire, Tom Watson, Stephen Prina and George Hurley, among many distinguished others."
Baris K compiles fourteen original Turkish Psych, Disco and Folk classics now in on vinyl. As showcased on Bouzouki Joe's brilliant 'Turkish Freakout' compilations and various Finders Keepers records, Turkey had a real thirst for westernized music from the mid-late '60s onwards, infusing and hybridizing with their native melodies and tastes to create a unique form of east-meets-west pop music, to the extent that even superstars such as Johnny Hallyday were recording entire albums in Turkish specifically for the burgeoning and (at the time) prosperous market. Baris K is a… Read more
**Includes Download Code Redeemable From The Label - Remastered with 7 previously unreleased tracks and new liner notes** Reissue of Bikini Kill’s second EP, recorded in 1992 with Tim Green (Nation of Ulysses) at The Embassy - a group-house in Washington, D.C. - and was the first Bikini Kill release to feature the band’s song, “Rebel Girl.” Originally a split EP with Huggy Bear, the b-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile’s Erin Smith, Comet Gain’s David Feck, and the members of Bikini Kill.