Thursday, 30 October
Strictly nasty pounders from repitch boss D. Carbone on Sunil Sharpe's Black Sun Records. No effing about, just getting down to business with gargantuan kicks and prickling melodies doused in salty distortion to taste
**Includes digital download voucher redeemable from the label** "‘Block Boundaries’ is the new album from minimalist composer Ryan Teague building on his previous releases for Type, Sonic Pieces and current label Village Green. Inspired by the theme of Psychogeography, the record fuses acoustic instrumentation with electronic and processed material, taking the listener on a hallucinogenic Ballardian journey through from the thrumming urban activity of New York, Amsterdam and London. Brooding opener "Site & Situation" sets the tone with hypnotic guitar and mallet chimes, emotive cello s… Read more
**Edition of 300 in wrap-around jacket** Killer, crooked post punk swagger from Brisbane, Australia's Cured Pink. Originally issued in 2013 on the Black Petal label, it spits out two sozzled and bandy-legged grooves in the dubbed-off clank and skronk of 'Body Body Body I Need It I Need It I Need It' on the A-side and the stoned, psychedelic lurch of 'Amnesia (As Answer)' on the B-side, coming off like some Finnish freak gear crossed with Gray's industrial downtown dubs. Aces, both of 'em.
Joey Anderson and Deepchord rework rootsy dub house trax from Fluxion's 'Broadwalk Tales' album. Joey Anderson brigns out latent Afro-centric vibes of 'You Don't Know' to the fore with hovering rhythmelodies and alien pads dubbed out to mesmerising effect. On the flip, Deepchord furnish two remixes of 'For You', one with a breezier, light-headed skank, and another sodden with tape FX.
**Hand-stamped transparent green vinyl edition of 300** Greta Cottage Workshop's finest, Mudkid returns with two murky, psychoactive house trips. A-side is a strident late night/early morning winner swarming ghoulish voices around full sunken kicks and ricochet hi-hats to guide you thru the smoke. B-side sticks in that heady territory with skanking dub house groove and pinging metallic tones to rob your mind at 5am.
**Includes digital download code redeemable from the label** Thirteen years since his debut LP, (Chris) 'Clark' strips back his sound to pure techno muscle and brainy arrangements on his 7th album. Presenting his sound as sculpture, thirteen tracks model dynamic electronic spaces flush with intricate, acrobatic arpeggios and endless reverbs urging his melodic flourishes into vaulted harmonies. Consumed as an album rather than individual cuts, it oscillates back and forth from dramatic moments and 'floor-ready slam, at best in the knackered trance chug of 'Winter Linn', the Visionist-like vocaloids flit… Read more
The man best known for his NNF/100% Silk releases returns to Mogwai's Rock Action with two low-flying darkwave missiles. Bearing a much bulkier and spacious sound design than previous efforts, he starts the mission with a moody, furtive swagger in the tight flux and awning arpeggios of 'Cry Havoc', and comes off like some Fever Ray instrumental in the plangent, icy drums and trickling synth romance of the brilliant B-side, 'Heathen Birth'. Great stuff.
Matthew Dear puts his Audion mask on for Kompakt. Teaming up with Troels Abrahamsen 'Dem Howl' he delivers a subtly effective big room anthem splitting the difference between posh trance and tech-house. Michael Mayer gvies a more succinct rework on the flipside, beside a moody blue instrumental version of the original.
**Bittersweet, Latinate pop laced with lustrous electronics and fragile vocals** "Helado Negro, aka Roberto Lange, recorded Double Youth, his fourth LP, in his home studio with a computer, his voice, and telepathic input from a poster he found buried in a closet in his childhood home. Helado Negro owes something to his contemporaries (Chancha Via Circuito, Matias Aguayo, Juana Molina, Bear in Heaven, Prefuse 73, and School of Seven Bells) but Double Youth is more a spiritual long-lost cousin to the great masters of funk, like Parliament, Prince, and George Duke, whose finely tuned beats ma… Read more
**First ever vinyl issue of ace early industrial LP by Severed Heads' Tom Ellard. Includes A3 poster insert** "Tom Ellard is the creative force behind Australian post-punk band Severed Heads. In 1982 he self-released two cassettes of solo material, “80s Cheesecake” and “Snappy Carrion”. These cassettes document the transitional period between the early experimental Severed Heads’ albums “Clean” and “Blubberknife” before the start of something new with “Since The Accident”. With the advent of the then new Roland TB-303 bass synthesizer, a machine synonymous with the acid house sound, … Read more
**Bundled digital download with three bonus tracks** RBMA grads Pick A Piper, Squalloscope and Love Cult team up on a pair of dreamy, jazzy ambient pop drifts. 'Never Get Lost' is angled to early dance floors with soulful indie vocals and laidback strings guided by a Floating Points-style bump. 'Ruin' is more spacious, etheric, finding a way in between Grouper-style vocals, blossoming ambient noise and tumbling, shuffling drums.
Soft As Snow's debut pop shot for Houndstooth gets reworked by Lucy, Gang Gang Dance's Brian DeGraw, Factory Floor, and Maria Minerva. Stroboscopic Artefacts' Lucy turns 'Halo Heart' into a slinky techno burner with strobing snippets of the original vocal slightly reminding of Dettmann's Fever Ray rework; GGD's DeGraw gives 'All Our Beasts' a fidgety electro version; FF's Gabe Gurnsey locks 'Gklass Body' to an EBM coda; Maria Minerva really stands out with a bittersweet, elegant take on 'Black Birds' full of off-key discord and choppy samples.
Contemporary takes on a vintage jungle sound from ArpXP and HLZ. Some real muscle on the B-side's ArpXP & Nitri neuro-ller 'Makes Me Wonder', backed with the slick Optical styles of 'Good Old Days' and the glancing amen breakage of 'Gaia'.
Italian techno producer SNTS returns to Horizontal Ground with a pounding, broken darkside session. Four tracks deep running from roiling steppers to nautical 4/4 navigations cloaked in the most evil 4am drones and spectral pads. Winner.
*Properly licensed rare disco / funk reissue of two superb slices of dancefloor soul from the little known Candy Bowman* “I Wanna Feel Your Love” and “Since I Found You (Love Is Better Than Ever)” were released through RCA on 12” in 1981 under the production guidance of the team behind Stephanie Mills successful 1979 album “What Cha Gonna Do With My Lovin'” (James Mtume, Reggie Lucas), both these tracks exhibit the same smooth, subtle orchestration, instrumentation and soulfulness, and have found a loving home on dance floors and in rec… Read more
*2LP housed in a gatefold “tip-on” jacket, Compilation and notes by Alec Palao with an exclusive new interview with Sly Stone himself and In-depth liner notes with first-hand reminiscences of the Stone Flower era from many of the participants. Features all five Stone Flower produced singles plus ten previously unissued cuts from the label archives. All tracks newly remastered from the original tapes* "In 1970, The Family Stone were at the peak of their popularity, but the maestro Sly Stone had already moved his head to a completely different space. The first ev… Read more
"Blame it on the Ramones. After Deerhoof finished recording demos for La Isla Bonita this past February, they began rehearsing for an upcoming tour. Halfway through a run-through of a long-time Deerhoof live favorite, their cover of the Ramones classic "Pinhead," someone offhandedly asked, "Why don't we ever write a song like this?" So Greg quickly dashed off a song on a scrap of paper, showed it to the band, and they recorded the breakneck stomper "Exit Only" in one take. "And we suddenly realized," Greg says, "this is the whole thing, this is what the whole record is about! A little backg… Read more
Mordant Music surpass themselves again with this unearthed, alien gem by library composer Donald Fraser and British folk band, Steeleye Span, recorded in 1975. The 15 minute 'Locomotion' is a real ace, locked into a tunnel of glue-huffing krautrock groove suffused with the fumes of psychedelic folk and ritual drums. MM's DLR remix squashes the thing to a demented acid church-hall bogle sparked up with gremlin voices and mutant electronics beside a eerily detached, barely-there Ghost Train Version left to roil in the murk. Or, as MM put it: "Radiophonic folk in continual accelerando for Geof… Read more
**Includes download code + stickers** Chaz Bundick (Toto Y Moi) flirts with the 'floor on his debut album as Les Sins. 'Michael' follows a trio of slickly discofied 12"s for Daphni/Caribou's Jiaolong label with eleven tracks indebted to '90s filter house, sytnh-pop and almost Mo'wax style broken beats, all factored with his super keen pop and R&B sensibility. RIYL Falty DL, Four Tet, 100% Silk.
Superb electro-acoustic jazz session from Sähkö's Puu sublabel featuring the legendary Pekka Airaksinen (piano) plus Anton Nikkilä (electronics, guitar), Ari Salonen (bass), and Samuli Tanner (drums, electronics). The mention of Mr. Airiksinen should be ringing alarm bells for anyone aware of his Sperm output or those incredible, cryptic jazz slabs of the '70s/'80s and he's still an endearing presence here, vibing out on the ivories against the skronkiest, sharpest electronics and darting rhythmic calculations. Most importantly, Modern Feelings extrapolate a fresh sensation from well… Read more
*Includes digital download code redeemable from the label* Fresh from his cover feature in The Wire magazine, Richard Dawson rises up from the bed of the River Tyne with a voice that crumbles and soars, steeped in age old balladry and finely-chiselled observations of the mundane. Richard Dawson is a skewed troubadour at once charming and abrasive. His shambolically virtuosic guitar playing stumbles from music hall tune- smithery to spidery swatches of noise-colour, swathed in amp static and teetering on the edge of feedback. His songs are both chucklesome and tragic, rooted in a feb… Read more
Gorgeous, wistful kosmische and new age suite by Norm Chambers, the fella sometimes known as Jürgen Müller. Dialled in from the misty North West climes of Seattle, 'Pavilion' provides refreshingly clean, clear space for contemplation and mental drift; a warm and inviting place where time is slowed and stress is washed away. RIYL Emeralds, Iasos, Jo Johnson, Cluster.
**Includes the tracks RGB and Fall Apart as an instant download** **DELS' sophomore LP starring production by Micachu and Bonobo plus vocals from Tirza, Rosie Lowe, Kerry Leatham** "Kieren Gallear aka DELS returns with his second album, Petals Have Fallen, and makes the step up from potential contender to full scale champ. Delivering on the potential he displayed on his first album, GOB, DELS has developed his own unique take on hip hop – intensely personal and poetic but also funny, scuzzy, raw and sonically adventurous. All the elements were there with his first record, but no one could h… Read more
*Limited Vinyl Edition, includes a copy of the CD free inside* This is the Fourth album by Swedish husband and wife duo Mariam Wallentin and Andreas Werliin. Their first album in four years sees Wildbirds return lean, hungry and defiant . In returning to their roots they have discovered an unblinking directness, a taut muscularity honed from years of intensive live performance . For the first time, the pair wrote, recorded and produced everything in their own Stockholm studio “We wanted it to feel like a live experience. Almost every song is one take. We recorded standing in the same roo… Read more
*Limited Red Vinyl pressing of this album that’s been out of print on vinyl for at least two decades, Soda Pop Rip off has been remastered by TJ Lipple* This pressing of the record has been done on red-colored vinyl and comes with a free digital download coupon for the 13 original album tracks plus the three songs from the What Kind of Monster Are You single. Formed in 1992, Slant 6 was Christina Billotte, Myra Power, and Marge Marshall. Prior to forming Slant 6, Billotte had played bass in Autoclave, who released a 7" single as a collaboration between Dischord and K Records and a post-humo… Read more
Brendon Moeller (BM), Clay Wilson (CW) and Certain Creatures get down on three pumping modular jams for New York's Styles Upon Styles. Born of a 2 hour session in the studio/gym, 'Spectrum' travels from the rugged thump and chaotic surface disturbances of 'Spectrum 1' thru fizzing late night jackin' zones in 'Spectrum 2' and finally to the juggernaut wormhole momentum of 'Spectrum 3', cut loud and effective at 45rpm across the B-side.
Two vintage cuts from Function's Synewave archive circa mid '90s, backed with a rolling, frisky Inland edit. A-side features the smooth techno-house swing and spaced-out pads of 'F3' and the robust, bleeping rolige of 'F4' from the 'F(Q): Function of Bandwidth' (1996) 12". B-side, Ed Davenport aka Inland gives a slippery rework of 'Shift F1' from the 'F(C ): Function of A Constant' 12", getting kinky with the skating 909 hi-hats and dub chord flux.
'That Horn Track' from Bleep's 10 year compilation takes a seeing to from Marcel Dettmann. On the original Untold flashes his new fangled modular system in a knotted, chaotic tribute to Egyptian Empire's 'ardcore classic, which Dettmann duly straightens out for the techno 'floors with stone-cut kicks and combustible, discordant surface disturbances.
*Edition of 500 Copies, pressed on 180g clear vinyl, housed In a 350 gsm, 5 mm spine sleeve* "Limited reissue vinyl pressing of the eerie electronic score by composer Tim Krog, for the 1980 Ulli Lommel cult classic (DPP39 video nasty) The Boogey Man. Composer Tim Krog studied film scoring at UCLA and has created music for film, television, and radio but is probably best know for his work as the composer for The Boogey Man."
Rrose and Dino Sabatini rework Dave Huren and co's Teste techno classic 'The Wipe' for 2014. The Rrose version opens a headlong vortex of mind-swilling synth waves and shuffled drums recalibrating the original to a sexier schematic. Berlin-based Italian, Dino Sabatini switches up with a more fluidly proggy, stark-naked version swept with ghostly, siren-like pads.