Thursday, 23 October
Clad in killer artwork by Alex Solman, this is a new edition of Sleaford Mod's 2013 single including the spit speckled fury of 'Mr Jolly F**ker' - which actually sounds a bit like a raging MC Pitman on 33 - backed with the rollicking 'Tweet Tweet Tweet'.
Peverelist meets Andy Mac as Zennor with three deeper UK house trax, new on TTT. 'Never In Doubt' is the straight-playing A-side pushing plump kicks and jiggy hi-hats with blue bassline and chord washes to subtly insistent impact. B-side, 'Storms' brings a more rugged take on NYC garage house and Teutonic mnmlsm with haughty bass heft and dancing synth motifs nodding Ben Cenac and STL, leaving 'Tin' on some halfstepping R&Bizzle.
Bruce rolls off an ace 12" for Livity Sound into a trio of murky, mongrel techno trax for Hessle Audio. The lop-sided wamp of 'Not Stochastic' is a refreshing, exemplary take on the noisy, abstract techno nexus; yoking minimal, thrumming techno from the brink of psychedelic chaos to tensely gritted effect. By turns, 'Trip' takes the opportunity to investigate niche ambient zones between Burial, Inga Copeland and Dynamo, before 'My Legs Wouldn't Go Quick Enough' delivers a sort of dream-state return to the dancefloor with tetchy drums and morphing atmospheric pressure. It's a bewt. Tip!
Radge-packet techno from Lyon, France-based Somaticae for the home of spannered Gallic techno, In Paradisum. 'Rexd' jaxx up a gravelly sort of EBM techno slam with proper wrong'un vocals; 'Pacurgis' dries off with a salty, bruxist techno determination; 'Zouk' cuts loose with hollowed metallic breakbeats and tek style bass wallop; 'Feedbacks' describes the title with unflinching force.
Master remixer DJ Koze collects 14 of his best circa 2009-2014 on 'Reincarnations 2'. The first disc highlights his 'floor-raising tech-house remix of Moderat's 'Bad Kingdom' alongside his woozy blue takes on Herbert's 'It's Only' and 'You Saw It All', whilst the second disc presents his expansive, lolling rework of Mount Kimbie's 'Made To Stray' and a slow-building version of Caribou's 'Found Out', among others. Better yet, the third plate includes his mildly lysergic infection of Zwanie Jonson's 'Golden Song', a killer hip hop cut-up of Gonzales' 'Knight Moves' and a chamber jazz-tronica overhaul of Soap & Skin's 'Marche Funèbre'.
"Founding members of the original 'Rock In Opposition' movement and the inventors of 'Chamber Rock', mythic belgian band Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. These recordings were unavailable before as LP format. Longstanding Belgian chamber rockers and avant-garde pioneers led by drummer/composer Daniel Denis, Univers Zero was formed in 1974 with co-composer and guitarist Roger Trigaux (who left the band in 1980). This 2LP documents the final 1980s line-ups before the ban… Read more
**180g wax mastered at Alchemy** Blawan and Pariah back on the banging techno sauce with their 4th Karenn mission for Works The Long Nights. Up top, the party is served with virulent modular synths lashed to quaking kicks under claggiest conditions to suit your drug fug. Flipside, they let the chain off on 'Nelly', a galloping industrial beast that threatens to careen off axis at any point, whereas 'Ballast' resets to a much cannier sort of rolige buoyed by wide, distended subs and stepping drums.
Berlin's Battista brings the dirty house swing on 'Some Flow With…' via his Uaudio label. The title cut is frankly rude as fxxk, fixing foul mouthed samples to jagged dub chords in a pendulous groove running riot with syncopated subs/claps and natty tabla infusions. John Swing chimes in with a more rugged, bucking dub before Battista gets back on it with the crumpled disco sample jam 'Listen (Club Version)' and the puckered peacock strut of 'Dance - Me'.
This has gotta be a first: greaziest boogie styles from Estonian mother/son duo Uku Kuut and Maryn Coote, sourced by Peoples Potential Unlimited. Further to Uku's 'Vision Of Estonia' LP, this 12" features an alternate, formerly unreleased tape version of 'Mayday' with his mum cooing in the background, plus the slinky funk of 'Suggestive' and over to the orientalist motifs of 'Ao', and again with his mum coming in close on 'Dreamboy'...
*Vinyl transfer approval overseen by Mick Harvey, cut at Abbey Road studios, pressed on heavyweight 180 gram vinyl and includes download code redeemable from the label* ‘The Firstborn Is Dead’, co-produced by Nick Cave, the Bad Seeds and Flood, is the second studio album released by Cave & The Bad Seeds, and was originally released on June 3rd 1985. Cave explores his fascination with the American South, with references ranging from Elvis Presley to ‘Blind’ Lemon Jefferson. Recorded in Berlin, Cave later said of this album, "Berlin gave us the freedom and encoura… Read more
WNCL tack to noisy garage-techno with six cuts from C.E.O. This is music for the most mutant 'floors, assaulting the senses with red-lining production and uncomfortably insistent swing rhythms between the salty blast of 'Screeching' to the incessant jabs of 'Zaapp' and the buck-wild styles of 'Loud' and 'Crayons'. TTT and UTTU fans, listen up.
"These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer. This LP represents a significant performance by Salvatore Martirano (1927-1995) on his unique instrument, the SalMar Construction. Under development from the late 1960s, the SalMar is believed to be the first interactive 'composing machine' with digital logic circuits at its heart. The performance took place in the spring of 1983 at the Institut de Recherche et Coordination A… Read more
**Invaluable survey of early and pioneering Belgian post-punk group who would fill roles in Snowy Red, Fad Gadget, The Weathermen…** "Prior to forming Digital Dance in Brussels, in the summer of 1978, Jerry WX (voicen guitar) and Stephan Barbery (guitar) were closely involved in the local punk scene. Jerry WX played with Chainsaw, the very first Brussels punk band in 1976, and a year later with X-Pulsion. Stephan Barbery played with Thrills from 1977 to 1978. During this period X-Pulsion, Thrills and a third band called Streets played many gigs together, often swapping instruments and … Read more
**Dark Entries present an remastered and expanded reissue of Kirlian Camera's 1981 debut, including seven pre-'UNO' demo songs. Includes bonus flexi disc and insert** "Keyboardist/vocalist Angelo Bergamini founded the project in Parma in 1979, initially naming it Suicide Commando, before discovering another project using the same name. By 1980, Angelo had recruited singer Simona Buja, keyboardist Fabrizio Chiari and bassist Mauro Montacchini. Their demo cassette, “Dawn”, attracted the attention of Italian Records, a popular independent label. The following year, Mauro left the band and was replac… Read more
**Hand-stamped, individually numbered edition of 300 housed in debossed PVC sleeve** Traag follows his alter ego Siobhan's 'Southgate' LP for Opal Tapes with a raw, sleazy session for Italy's Gang Of Ducks. Punkishly cocked with drawling vocals and greased up with slow, kinky boogie and electro rhythms, it lands somewhere between '20 Jazz Funk Greats'-era TG and the snottier No Wave styles of Dracula Lewis or $hit & $hine, at best in the loping, reverse edit loops and snivelly delivery of 'Win The Lotto', the mutant disco propulsions of 'Mr. Alan', 'Rubber Doll' and 'Stray Dog', or the coiled electro slither of 'Tropical Fruit'.
Cooly G returns with her unique vision of sex music in 'Wait 'Til Night', her 2nd album and follow-up to 'Playin' Me' (2012). With no verifiable evidence of its efficacy, we're gonna play it straight here and judge it with our clothes on, you'll just have to use your imagination. It's a smart, deliberate shift from her signature house styles to a sort of stark South London R&B, bringing the minimalist sensuality of her earliest 'Dub Organizer' EPs full circle into twelve subtle, well-crafted song structures. The sound is very much about private space, dealing with varying degrees of infatuati… Read more
Great 1970 U Roy chart topper, produced by Bunny Lee. Backed with original 'Non Violence Dub' with Roy replaced by singing organ lead.
Another reminder of Fantastic Mr Fox's dance-pop brilliance with a sterling Visionist refraction. The Visionist mix ain't concerned with pop potential though, flipping Kid A's vocal into wavering, liquid reflections of itself around his signature pads and a re-sequenced bassline right out of the Actress or Zomby textbook.
*Vinyl transfer approval overseen by Mick Harvey, cut at Abbey Road studios, pressed on heavyweight 180 gram vinyl and includes download code redeemable from the label* "With ‘Your Funeral... My Trial’ The Bad Seeds expanded their personnel by adding Thomas Wydler on drums, enabling Mick Harvey to display his considerable multi-instrumental talents. This was the band’s fourth studio album and was released on November 3rd 1986, and was originally released as a double EP, with production duties handled by Flood and Tony Cohen. Cave later remarked "That particular … Read more
Thursday, 16 October
*First pressing on Deluxe 2xLP heavyweight black vinyl, with tip-on sleeve and download code. Photography by Gast Bouschet. Designed by Stephen O'Malley* …And the earth crack'd to reveal Scott Walker & Sunn 0)))'s colossal offspring 'Soused' in its riveting, tragic glory. Four years on from their intended collaboration in 'Monoliths & Dimensions', the arch avant-crooner meets the robed duo (and Tos Nieuwenhuizen) at the apex of their powers, presenting a peerless, operatic vision of doom metal informed as much by Native American history and the underground US psyche a… Read more
**First Pressing now sold out, Re-Press due in late November - all orders for this item will only be shipped then** **140g 2LP mastered and cut by Matt Colton at Alchemy. Photography by Joe Dilworth and spotgloss artwork by Bill Kouligas & Kathryn Politis** Widely championed techno/electronica producer Objekt deposits his detailed and complex debut album on PAN. Since 2011 at least, the Berlin resident known as TJ Hertz has been a vital cog in the European techno machine, self-releasing some of this decade's most vaunted white labels, plus 12"s with Hessle Audio and Leisure System - including this y… Read more
*2LP Edition of 700 copies, includes a free download of the album dropped into your account* Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was later finished at his home studio in Utrecht, The Netherlands. Rather than disco samples, as with his last… Read more
*Vinyl re-pressed for the first time in a decade...new edition has been re-mastered from the original DAT tapes and has been re-cut onto heavyweight collector’s edition vinyl. The original image on the back of the sleeve is now in colour with a spot varnish finish on the images & text alongside the usual Skam Braille sticker* This 35 minute EP from BoC is arguably their most complete outing, having landed a couple of years before their still unbeatable ‘Music Has The Right…’ album and including some of their best material bar none - the brooding Detroit inversi… Read more
Reckno's finest cassette cadets double-down on some of the strongest material in either's arsenal. Following his ace Boomkat Editions LP, Joane Skyler meets Hamish Trevis aka Kinlaw mid-air in eerie digital space, cutting elegant, melancholic figures buoyed by fractured minimal beats - from mutated JB's breaks to coiled, skeletal trap patterns - in refreshingly spacious and subtle arrangements veering from manic 'ardcore cut-ups to gorgeous ambient motifs with an endearingly eldritch eccentricity. It's like some cheeky choose-your-own-adventure mission set in the cutest recesses of youtu… Read more
**Edition of 300** Andrew Pekler and Entr'acte present hypnotic, deviant selections from the installation The Prepaid Piano, recorded 21-24 February 2013 during the Unmenschliche Musik/Inhuman Music exhibition at Haus Der Kulturen Der Welt, Berlin. The title is a very canny description of the installation: a grand Piano was prepared by laying five pre-paid mobile phones on the strings in five different areas on the soundboard, which the audience was encouraged to ring from five stationary telephones. Using contact mics, the vibrations of the strings were then sent to a modu… Read more
Tuffened techno remixes of Pev & Kowton from Tessela and Ilian Tape's Andrea & Stenny. Up top, Bristol native Tessela tweak Pev's 'Aztec Chant' with a longer, tenser intro before giving way to a barrelling breakbeat techno monster galvanized with some vicious electronics. Turn her over and Italy's Andrea & Stenny step up Pev & Kowton's emosh 'End Point' as a fully-charged but beautifully atmopshreic techno romp set to find a home in many discerning record bags across the world. Serious session.
Killer 2nd 12" from Arcing Seas on Sigha's Our Circula Sound label. It's really all about the A-side, 'Tengri', a slinky-assed techno roller with virulent acid lines laced some mad, twitching synth shapes that sound like a huge boiler being tickled to climax. B-side provides more of that agitated synth sound in the sturdy buck of 'Sarka', plus a more standard monotone tool titled 'Incal'. Tipped!
*Limited blue vinyl* Regis and Ancient Methods augment their deadly Ugandan Methods duo with vocals from Prurient on 'Dial B For Beauty' - and it's quite the tantalising prospect. Two years since 'A Cold Retreat' (2012) for Boomkat Editions, UM release the beast in four break-bone techno assaults furnished with Prurient's sharp, visceral holler. On 'Call1' he's in a proper firey mood over pitching war drums, whereas in 'Call 3' he's used as a looming presence akin to 'You Show Great Spirit' over a proper Berlin techno drill. He's further into the murk on ''Call 4' over CUB… Read more
**Yellow wax w/ printed PVC sleeve designed by Cottweiler x felicita** Gum Artefacts serve a shock dose of accelerated plastic pop from Felicita in 'Frenemies'. The London-based producer's vinyl debut (hear the digital types groan) follows on from a cuttingly cute single, '(>'.')>#' with seven brilliantly lurid and upfront constructions coming off like SOPHIE produced by EVOL. As one of the artists championed by bandcamp mole and vaporwave observer, Adam Harper, Felicita's music occupies a wholly new plateau of production aesthetics which has sent poor sods like us grasping for the thesaurus in o… Read more
*Double gatefold vinyl repress with printed inner sleeves and a download card for the full audio* Reissue of Nightmares On Wax’s first and finest album. ‘A Word Of Science’ - capturing the hardcore rave sound of the initial duo line-up of George ‘E.A.S.E.’ Evelyn and Kevin ‘Boy Wonder’ Harper. The original vinyl release of ‘A Word Of Science’ was a single LP which dropped three of the tracks included on the CD version. For this edition Warp have re-cut the album as a double LP for improved bass response and the missing three tracks (‘B.W.T.M.’, ‘Sal Batardes’ and ‘E.A.S.E.’) appear on vinyl for the first time.