Thursday, 16 October
*First pressing on Deluxe 2xLP heavyweight black vinyl, with tip-on sleeve and download code. Photography by Gast Bouschet. Designed by Stephen O'Malley* …And the earth crack'd to reveal Scott Walker & Sunn 0)))'s colossal offspring 'Soused' in its riveting, tragic glory. Four years on from their intended collaboration in 'Monoliths & Dimensions', the arch avant-crooner meets the robed duo (and Tos Nieuwenhuizen) at the apex of their powers, presenting a peerless, operatic vision of doom metal informed as much by Native American history and the underground US psyche a… Read more
**First Pressing now sold out, Re-Press due in late November - all orders for this item will only be shipped then** **140g 2LP mastered and cut by Matt Colton at Alchemy. Photography by Joe Dilworth and spotgloss artwork by Bill Kouligas & Kathryn Politis** Widely championed techno/electronica producer Objekt deposits his detailed and complex debut album on PAN. Since 2011 at least, the Berlin resident known as TJ Hertz has been a vital cog in the European techno machine, self-releasing some of this decade's most vaunted white labels, plus 12"s with Hessle Audio and Leisure System - including this y… Read more
*2LP Edition of 700 copies, includes a free download of the album dropped into your account* Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was later finished at his home studio in Utrecht, The Netherlands. Rather than disco samples, as with his last… Read more
*Vinyl re-pressed for the first time in a decade...new edition has been re-mastered from the original DAT tapes and has been re-cut onto heavyweight collector’s edition vinyl. The original image on the back of the sleeve is now in colour with a spot varnish finish on the images & text alongside the usual Skam Braille sticker* This 35 minute EP from BoC is arguably their most complete outing, having landed a couple of years before their still unbeatable ‘Music Has The Right…’ album and including some of their best material bar none - the brooding Detroit inversi… Read more
Reckno's finest cassette cadets double-down on some of the strongest material in either's arsenal. Following his ace Boomkat Editions LP, Joane Skyler meets Hamish Trevis aka Kinlaw mid-air in eerie digital space, cutting elegant, melancholic figures buoyed by fractured minimal beats - from mutated JB's breaks to coiled, skeletal trap patterns - in refreshingly spacious and subtle arrangements veering from manic 'ardcore cut-ups to gorgeous ambient motifs with an endearingly eldritch eccentricity. It's like some cheeky choose-your-own-adventure mission set in the cutest recesses of youtu… Read more
*10th Anniversary Edition with two bonus tracks "The Future Will Be Different" and "Tree"* 'Venice' was the follow up to the groundbreaking 'Endless Summer', a record with a legendary pedigree and with sales substantial enough to have shaken up its label. Musically, 'Venice' is a much more varied affair, reflected by the contrasting imagery in the cover photography. Check the heartbreak melancholy of the opener 'Rivers Of Sand' to the somewhat playful 'Chateau Rouge', the freeze framed longing of 'City Of Light' and 'Circassian' featuring the searing guitar of Burkhard Stangl… Read more
**Edition of 300** Andrew Pekler and Entr'acte present hypnotic, deviant selections from the installation The Prepaid Piano, recorded 21-24 February 2013 during the Unmenschliche Musik/Inhuman Music exhibition at Haus Der Kulturen Der Welt, Berlin. The title is a very canny description of the installation: a grand Piano was prepared by laying five pre-paid mobile phones on the strings in five different areas on the soundboard, which the audience was encouraged to ring from five stationary telephones. Using contact mics, the vibrations of the strings were then sent to a modu… Read more
Tuffened techno remixes of Pev & Kowton from Tessela and Ilian Tape's Andrea & Stenny. Up top, Bristol native Tessela tweak Pev's 'Aztec Chant' with a longer, tenser intro before giving way to a barrelling breakbeat techno monster galvanized with some vicious electronics. Turn her over and Italy's Andrea & Stenny step up Pev & Kowton's emosh 'End Point' as a fully-charged but beautifully atmopshreic techno romp set to find a home in many discerning record bags across the world. Serious session.
Killer 2nd 12" from Arcing Seas on Sigha's Our Circula Sound label. It's really all about the A-side, 'Tengri', a slinky-assed techno roller with virulent acid lines laced some mad, twitching synth shapes that sound like a huge boiler being tickled to climax. B-side provides more of that agitated synth sound in the sturdy buck of 'Sarka', plus a more standard monotone tool titled 'Incal'. Tipped!
*Limited blue vinyl* Regis and Ancient Methods augment their deadly Ugandan Methods duo with vocals from Prurient on 'Dial B For Beauty' - and it's quite the tantalising prospect. Two years since 'A Cold Retreat' (2012) for Boomkat Editions, UM release the beast in four break-bone techno assaults furnished with Prurient's sharp, visceral holler. On 'Call1' he's in a proper firey mood over pitching war drums, whereas in 'Call 3' he's used as a looming presence akin to 'You Show Great Spirit' over a proper Berlin techno drill. He's further into the murk on ''Call 4' over CUB… Read more
**Yellow wax w/ printed PVC sleeve designed by Cottweiler x felicita** Gum Artefacts serve a shock dose of accelerated plastic pop from Felicita in 'Frenemies'. The London-based producer's vinyl debut (hear the digital types groan) follows on from a cuttingly cute single, '(>'.')>#' with seven brilliantly lurid and upfront constructions coming off like SOPHIE produced by EVOL. As one of the artists championed by bandcamp mole and vaporwave observer, Adam Harper, Felicita's music occupies a wholly new plateau of production aesthetics which has sent poor sods like us grasping for the thesaurus in o… Read more
*Double gatefold vinyl repress with printed inner sleeves and a download card for the full audio* Reissue of Nightmares On Wax’s first and finest album. ‘A Word Of Science’ - capturing the hardcore rave sound of the initial duo line-up of George ‘E.A.S.E.’ Evelyn and Kevin ‘Boy Wonder’ Harper. The original vinyl release of ‘A Word Of Science’ was a single LP which dropped three of the tracks included on the CD version. For this edition Warp have re-cut the album as a double LP for improved bass response and the missing three tracks (‘B.W.T.M.’, ‘Sal Batardes’ and ‘E.A.S.E.’) appear on vinyl for the first time.
Anjou is the beautifully enigmatic reunion of Labradford's Mark Nelson (Pan American) and Robert Donne with fellow Kranky star, percussionist Steven Hess. The result of four years writing and editing, it marks Donne and Nelson's first collaboration since Labradford's 'fixed:content' (2000) and the first meeting of Pan American's Nelson and Hess since 'Cloud Room, Glass Room' (2013). Now older, wiser, quieter, the trio offer a subtly involving, hazily detailed ambient suite gleaned from an intricate process of modular synthesis, Max/MSP programming and live instrumentation. Essentially it takes the trio'… Read more
*Japanese Pressing* "In the heyday of the Rocksteady era of Jamaican music in 1968, the Winston Turner Quintet was blending in the cool new sound with Calypso, Jazz, Bossa Nova, Pop and Ballads down at the Hilton Hotel in Kingston. The Quintet's lost classic of down tempo and mood music, originally released on Federal, is now re-issued for the first time. This is the lounge vibe that beautifully crowned those sultry Jamaican nights. (Photograph taken at the Jippi Jappa Lounge with Madam Wasp)."
**The download version bundled free with this release includes two bonus mixes** Dusk & Blackdown seal a vintage year for Keysound Recordings with the darker pressure of their 'Back 2 Go FWD>>' doublepack, including remixes by Horsepower Productions and Facta. The pair's first material since the 'Dasaflex' (2012) album finds them reminiscin' about the red-lit sweatbox at Plastic People, which used to host the foundational FWD>> events - the Rinse-affiliated precursor to the DMZ events and today's influential Boxed nights. But Dusk + Blackdown don't feel beholden to it, instead findi… Read more
Beau Wanzer raids his archive circa 2002-2008 and comes out dripping with wave filth. 'Untitled' is the Chicago artist's 1st album collection, following years of service with Civil Duty, Hypercube, Mutant Beat Dance, and Streetwalker. It's an urgent, cryptic dispatch from the brink of hardwave, minimal electronics and post punk, driven by arcane machines and infected with an oppressive, melancholic urban atmosphere. There are ten track on board, each framing Wanzer at his moodiest, most obtuse, from the recursive delays and snake-hipped shuffle of outstanding opener, 'Groove's No Zone'… Read more
2nd volley of Jamaican-inspired house and techno from Glasgow's JD Twitch (Optimo) and friends. The boss steps out with D. Jah Clark aka Sparky on the dubbed-out wave house of 'Soul On Fire', and Jabru keeps up the label punnery with a fine dedication to Lee "Scratch" Perry in 'Whiteboard Jungle'. Pon di flip, Richmond & Lord Sheraton load up a mad one with the Sleng Teng f**kery of 'Under Mi Flat Cap' and a properly messed-up version rife with hardstyle stabs. Only in Glasgow...
*180g heavyweight vinyl version includes a download card for rarities by The Pop Group* "Cabinet Of Curiosities is a brand new, nine-track compilation which kicks off with the fractured future-funk single 'Where There's A Will', described by Sager (guitarist) as "The group's best attempt to mix a message with a groove plus some real free playing. If you are really unhinged you may be able to dance to this.” Next up is the unheard, original previously unreleased version of 'She Is Beyond Good And Evil', probably the band's most infamous song and more recently covered by St Vince… Read more
Burnt Friedman returns to Nonplace accompanied again by vocals from American actor and musician, Daniel Dodd-Ellis. In 'Cease To Matter' Friedman nudges his explorative Berlin dub sound somewhere more sensual, soulful, with no loss of his exotic and otherworldly aesthetic. Incorporating impressions from Friedman's Sub-Saharan concert tour of 2013, together with inspiration from Aldous Huxley's Brave New World - who's sampled on the two-part title track - the album takes shape as a worldly, futurist premonition of decaying, transitional metropolises and cultural melt … Read more
Killawatt continues to explore techno styles and tempos with severe results on his debut for Tom Dicicco's Run Out Run label. Four tracks veers farther than ever from his dubstep output and into a twisted form of techno resembling something like Rrose raised in bassbin. The A-side tweaks out a proper minimal vortex in 'Convoys' beside the offset stagger and tribalist cadence of 'Ball & Socket'; B-side ' arches up a hairy-backed stomper called 'Primary Panic', and gfets back to breakbeat business with the taut, Fairlight-style bass lashes and gear-grinding drums of 'Sinkhole'.
AnD deliver their long-coming debut LP, 'Cosmic Microwave Background' for Speedy J's Electric Deluxe label. It's a proper session, choking back 12 tracks (eight on LP) of galloping productions and acid with all the brute force and caustic atmosphere you'd hope for. But it's actually at its best when they step out of the loops and repetitive tricks into more wayward structures, as with the crushing lurch of 'Relic Radiation', the masticated industrial funk of 'Galactic Motion', or the plangent Alien transmission of 'The Surface Of Last Scattering'. If you're craving the out-and-out ba… Read more
Updated yet timeless Italo-disco by Dimitri From Paris collaborator, DJ Rocca. Frontside fires up the original 'Flying Mix' of 'Destination To The Sun' replete with dreamy vocal and well toned 12-cylinder bass arpeggios. Backside drops the vocal for a driving, elated Dubstrumental, and a more spaced-out remix from Leo Mas & Fabrice.
Hydraulik techno momentum from Manni Dee on Osiris UK, backed with a head-chopping Monic remix. No doubt: this is the best we've yet heard from Manni Dee, drying and concentrating his sound to a futurist industrial palette with the evil, poised rolige of 'Nicotine Kisses' and the sinuous, Surgeon-style tuck and shuffle of 'Sister Nobody', whereas 'Man Is Free, Man Is Freedom' dices with more abstract dub techno shapes a la Porter Ricks. Kryptic Minds own Mønic weighs in with killer blow, remixing 'Sister Nobody' with brutal concrète techno dynamics.
*LP packaged with a printed inner sleeve and free download card. Initial copies pressed on pink vinyl* Oozing Wound is a thrash trio featuring veterans of Chicago’s underground scene. ‘Earth Suck’ is the explosive follow up to the band’s breakout debut ‘Retrash’, which earned them praise from the New York Times, Pitchfork, Decibel and more
Big people's D&B/dancehall minimalism from Fracture, Sam Binga and Rider Shafique backed with a weightless Logos remix. 'She Want It Ruff' is a self-explanatory tale of bedroom athletics set to tight-belly minimal wine; 'Back It Up' keeps it lewd on a dark 'n slow flex with squirting synths; 'Bubble' takes it to the dancehall proper. Check the Logos Space Jam of 'She Wants It Ruff' for a more sensuous, tactile inversion of the original's pent energy.
*Limited Japanese pressing* "Trinidad born legendary guitarist, Lynn Taitt, who brought the first wave of Rocksteady to the Island, and Gladdy Anderson who is well known as a Skatalites' pianist, got together to record this Rocksteady instrumental album 'Glad Sounds' at Federal Studio in 1968. Released from the Merritone label, which was managed under Federal, the album depicts the heyday and best sound of Rocksteady as well as the label itself. This album is for the first time reissued by Dub Store Records. The album tracks consist mainly of cover versions of popu… Read more
DJ Ford Foster breaks the back on it with the bucking chunks of his 'Gold Cans' EP. Only slightly refining the styles found on his two Opal Tapes releases, the Leeds-based box banger drives from salty jaxx in 'Gold Cans' to the killer sub-low bounce of 'Fake Shoes' and fidgeting Dance Mania styles in 'Gone Ham' and 'Black Candles'.
*Japanese pressing, comes with obi-strip* "Jamaica's national treasure. Legendary Jamaican Jazz. Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965. Ernest Ranglin is a guitar player who represents Jamaica as well as one of the forefront personals who took Jamaican music to the world. As an arranger and a musical director, he contributed with his talent in the development of Jamaican music, including Ska and Reggae, from the origins. Musicians who have started their career at the time, still look up to him as a m… Read more
Haunting, classic Bunny Lee production for super soulful Johnny Clarke vocal, 'I Don't Want To Be A Rude Boy'. Backed with totally stark and killer dub.
"On ‘Industry’ Stefan Goldmann tests how far you can get by using presets only. All sounds are factory presets of 3 obsolete 1990s Japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). These recordings don't rely on successful presets, but on failed sounds of now obsolete synthesizers – industrial assumptions of where culture will go, but where it chose not to. The result is a surprisingly pleasant listening experience with effortless grooves and rich textures – and mildly demonic connotations. Fr… Read more