Thursday, 27 November
*First time on Vinyl* "Environments 2 is another lost album by The Future Sound of London. These sessions have taken on an almost mythical status with the group's fanbase."
*Ships Friday* Houndstooth bite off the lead cut from Throwing Snow's debut album, backed with a banging VIP and remix of 'Hypnotise' from Will Saul and Komon. The keening string discord and depressed Reese bass of the original is beefed up with bulky Chi-house patterns in a shifty VIP version for the 'floor, as is the swooning 'As You Fall' featuring Py, while 'Hypnotise' is treated to a more rugged, subtly epic remix from Will Saul & Komon.
*First time on Vinyl* "Environments 4 is another lost album by The Future Sound of London. These sessions have taken on an almost mythical status with the group's fanbase, but the difference is the group have been back in the studio adding new ideas to older recordings and 'Murmurations' is a brand new track, recently featured on an exclusive vinyl 10" release for Record Store Day coupled with the iconic 'Papua New Guinea. 13 other previously unreleased tracks also appear - roll on volume 5"
Wednesday, 26 November
We Can Elude Control gets the best out of Ralph Cumbers aka Bass Clef aka Some Truths in the tensile, technoid modular and broken drum-machine deviations of 'Bliss Abyss'. As opposed to his more self-consciously "quirky" gear, there's a taut sense of discipline informed by dancefloor structures in these eight tracks released by Paul Purgas ov Emptyset's label. We can hear ideas filched from Footwork, house, techno and dancehall and wedged into these tracks, along with Cumbers unique feel for melodic arrangement and evolutionary, dub-wise space. Matching the crisp, kinetic aesthetics of recen… Read more
Monday, 24 November
**Blue Vinyl - Another tour of M. Geddes Gengras' wired mind, following the Moog years volume with eight purely modular constructions again for Umor Rex** "New Process Music represents a major aesthetic shift for M. Geddes Gengras, fusing the long-form modular compositions he had been exploring on a bevy of small-run cassette releases with a new obsession with post-production editing to create a deeply tuned aural environment, lush in analog electronics that are gritty along the edges, with rich textures and melodies materializing and wafting away like smoke.… Read more
Thursday, 20 November
*Vinyl Edition of 500 copies, first 200 pressed on Gold Wax, mastered and cut by Matt Colton* Marc Richter is a bit of a musical chameleon, operating at the cusp of experimental music for many years at the helm of the Dekorder label and via his excellent Black To Comm project. His last album for the Type label, 2009’s excellent 'Alphabet 1968’ perhaps didn't quite get the attention it undoubtedly deserved, but it still stands out as one of the most oddly memorable drone-ambient albums we’ve heard this last decade, vaguely tapping into the Hauntological zeitgeist of the day b… Read more
Lars T C F Holdhus follows one of the very best releases of the new millenium so far, the 'Untitled' tape for YYAA, with another cryptic future-shock, his 1st for Liberation Technologies. Continuing a trajectory away from the calculated dance mash-ups of his now-defunct Cracksmurf alias, this project and mini-album is based on a whole other algorithmic strategy, rendering densely coded formulae into utterly mind-boggling and synaesthetically affective compositions. Once you've heard his music and done a little research into his academic background and visual practice - he studied at Frankfurt's f… Read more
Lawrence returns with a new album for Mule Musiq, produced on the road over the last couple of years and then edited back in his backyard studio in hamburg. It’s a sweetly ambient affair in the fine tradition of classic Artificial Intelligence productions, with the title track itself providing a knowing nod to the iconic Selected Ambient Works material. Elsewhere, 'Nowhere Is A Place’ harks black to classic B12 and early Black Dog productions, while ‘Simmer’ situates itself somewhere between the sort of thing the 12k label were releasing back in the mid noughties and Pete Namlook’s most h… Read more
*180g orange with black splatter vinyl plus free download* Drew Lustman aka FaltyDL returns armed with a new 8-track mini album. From the moody chug of ‘Greater Antilles VIP’ - appearing in its original unedited glory - to Lustman’s own bruk beatdown version ‘Do Me’ (“This one is for the kids” he says), the palette here is as rich and diverse as on ‘In The Wild’. The reworks come direct from Lustman’s extended musical family - Planet Mu boss Mike Paradinas (aka μ-Ziq), Blueberry Records’ very own Brrd and the mighty E+E.
**Special double set of COH’s TO BEAT album (released previously as CD) featuring exclusive remixes by Matmos, JG Thirwell, John Parish, Ryuchi Sakamoto and Drew McDowall. Vinyl only. No digital** 'To Beat' is surely the most accessible album in CoH's long and illustrious catalogue of extreme electronic music. It picks up right where 'RETRO-2038' left off on 'Method As Fun' by keenly focussing on the aesthetics of pure sinewaves and rhythm. Like some origami high master, the Swedish-based Russian producer folds and layers sheer tones into pulsing, spitting waves of rhythmic and melodic en… Read more
Heidi Lord - Wife of Rephlex/WeMe artist Jodey Kendrick. Three of Heidi's tracks are featured on the famous "EDM" Compilation Albums This is the Debut album from Heidi Using a unique pallet of sounds from MRI machines to modular synthersizers to conversations in a supermarket to her own processed voice Co produced by her Husband "I could describe what the album means to me, But i would much rather leave it to listener to experience and feel and to interpret how they see fit"
Emotional Response have trawled through boxes of old cassette recordings from L.A multi-instrumentalist Eddie "Secret Circuit" Ruscha to compile a follow-up to 2012's brilliant Tropical Psychedelics compilation. Predictably, the resulting collection is nothing short of brilliant. Typically eccentric, melodious, atmospheric and bristling with interesting ideas, Cosmic Vibrations delves deeper into Ruscha's archives and comes up with gold. Highlights are naturally plentiful, but keep an eye out for the psychedelic ambience of "Electric Brain", the analogue electronic explorations of "… Read more
"After Chris Clark had passed some of Gajeks sheer endless output over to Modeselektor, quite a few listening sessions followed. Ranging from postrocky electronica to complex and moody renderings of intricate introverted beat structures to a mutant dance music, a whole audioscape had to be discovered. There were songs and tracks and experiments there, morphed vocals and reverberated non human instruments, complex percussion patterns and sweet athmospheres, but in all these different paths and moods, a penchant for working with a leitmotif could be traced. As an introduction to expose his parti… Read more
Thursday, 13 November
'Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appe… Read more
**180g mastered and cut by Matt Colton. Debossed jacket includes postcard insert** Akkord's 'HTH020' 12" undergoes exceptional transformations at the hands of The Haxan Cloak and Vatican Shadow for Houndstooth. It's arguably a pinnacle of the label's sustained attack since emerging in 2013, due in large part to The Haxan Cloak's shocking render of 'HTH020'. In the course of nearly eleven minutes, the original is hard-panned for gold, sweeping from stereo-strafing concrète dynamics into a staggering display of head-compressing delays and chest-bursting post-rock/metal dynamic… Read more
**5 new instrumental songs dialled in from the former Emeralds man's space pod above LA and Cleveland, Ohio. Includes download code** "'Noctilucence' is a new 12" recorded between in 2013 and 2014 between Los Angeles, California, and Cleveland, Ohio. The term "noctilucence" comes from "noctilucent clouds", the name given to clouds which, for some reason, emit a brilliant vibrance at night. On this recording we find our subject diving into the electric waters of the night sky, in long drives across the vast deserts of America. It's a recording about the discovery and understanding of the sh… Read more
Slightly missing the moment, Hypercolour drop Luke Vibert's 'Halloween' backed with Space Dimension Controller remix. The lead cut is one of Vibert's acid specials, alloying the creamy crunch of the 303 with spooked out, theremin-liek tones and cheeky Chi grooves to great effect. Flipside, he slows his roll with the TNT/JTC style 111bpm acid bogle of 'Jack U Whole', which receives a plusher 1988 Vibe mix from SDC.
Lonelady breaks a four year hiatus with a return to Warp with the retro-post-punk disco of 'Groove It Out' backed with a murky Ekoplekz dub. The Michigan Dub featured a heavy motorised bassline and lean, snappy machine rhythms, whereas the Ekoplekz dub flings the sound somewhere far messier, mutant.
**Hand-numbered edition of 1000 housed in screen-printed jacket** 19 year old Vegas resident Shamir Bailey's arresting vocals are the star of his debut EP, delivered on XL. Set to slightly tepid disco house backing by Godmode's Nick Sylvester, their gender-bending timbre allures over safe, standardised grooves, at best in the strutting lead cut 'If It Wasn't True', and the gospel-influenced torchsong 'I'll Never Be Able To Love'. Look forward to hearing what Shamir does next, provided it's with another producer…
Portland, Oregon's BAT notches up his 2nd vinyl release with the murky post techno of his 'Neon Razor Chain' for Left_Blank. For the past few years he's become a bit of a cult concern in the hardware-fetishising tape scene and beyond, drawing favourable comparisons with everyone from Basic House to Prostitutes, Vessel and Container. Revving up the buzzsaw grine and haunted space of title track 'Neon Razor Chain', he gets grittier with the blown-out, tetchy techno charge of 'Strobic' in the front, before inverting the formula to crushed dub styles with 'Jackal Code' and more wayward, plonging ambient dub in 'Digi Hex' and 'Anti Code'.
*Includes Download Code Redeemable From The Label* "Berlin based songwriter Dan Bodan was born in the wide open Canadian prairies and raised in Montreal. Reared on the city’s underground noise and experimental music scene, Bodan moved to Berlin eight years ago. Blossoming in the city’s unique mixture of crumbling old-world European values, start-up philanthropy, sleepless techno and epic grey skies, he began writing songs to soundtrack his train rides through the city and make sense of it all. For fans of LCD Soundsystem, Shit Robot and Holy Ghost."
Monday, 10 November
Thursday, 06 November
**2LP gatefold** Primo Roman sound designer Giuseppe Tillieci aka Neel takes to Spectrum Spools with his debut solo album proper, inspired by the entropic, 50 million year lifespan of Mars' 2nd and larger moon, Phobos. It's a spellbinding attempt to deal with sound on the vastest scales imaginable, using a combination of modular synths and hardware to traverse the full frequency range and achieve an immense soundscape streaked with massive sound objects and microscopic details. We were lucky enough to catch him perform a similar sound live alongside his Voices From The Lake partner, Donato Dozzy, at Rom… Read more
Always coming with the strangest new creatures, NPIP present the compelling debut of an 18 year old South London composer called Nathan Geyer aka Jire. Emerging from a background in classical composition, Jire's 'Kiowa Polytope' is a keenly considered new take on classical minimalism, acoustic improvisation and lower case electronica woven with inspiration from "across the visual arts and literature". In it he employs elements of rhythmelodic tribal percussion, acousmatic sampling and concrète process to shape four buckled structures at once recalling the crooked designs of Micachu and the de-co… Read more
**Edition of 500 with download code** Raw, visceral psych-dub killers by a wicked new duo featuring Valentina Magaletti, who drummed on Raime's 'Quarter Turns Over A Living Line' LP. Hailing from London and releasing on Hands In The Dark - which released albums from Co La and Ensemble Economique, a.o. - their 'Futura Grotesque' side weaves and frays the lines between Gruppo Di Improvvisazione Nuova Consonanza's jazzy avant-garde incursions, the possessed communal percussions of Cannibal Movie, and the wavey, dubbed-out post-punk of Gray or Not Waving. Mark our words: this one will travel. TIP!
*Includes Download Code Redeemable From The Label* The master of mottled retro-vintage audio dreams under Mexican Summer's glowing halo with 'Let's Cry and do Pushups at the Same Time'. It's his 2nd LP of 2014 and one of many releases under this moniker and own name, Luke Wyatt, to be released by the likes of L.I.E.S., NNF, NPIP, Rush Hour and his own Valcrond Video label in the last couple of years. Subtly, instinctively combining his background in video art with a real knack for ear-worming hooks and driving, transcendent grooves, his music here is at its most v… Read more
**Includes bonus Peel Session 12" and digital download code redeemable from the label** Rough Trade finally reissue Ultramarine’s pioneering electronic album ‘Every Man And Woman Is A Star’. Acclaimed and respected at the time of it’s original release on Rough Trade in 1992, it now stands as a classic of it’s genre, an electronica record made before the term was coined. This reissue includes additional John Peel Session tracks available for the first time and recorded in 1992, featuring the tracks; ‘Saratoga’, ‘Nova Scotia’, ‘Honey’ and ‘Pansy’.