Thursday, 18 September
Liminal Sounds follow that deadly Air Max '97 plate with three grimy jungle and R&B mutations by Berlin's She's Drunk. 'Talk To Them' strikes out with a taut fusion of grimy bass pressure and split jungle breaks alloyed in airborne structures; flipside drops the quickstepping ragga wine-up 'The Wild Yard', and something a bit more unique with the cut-up, 'Mariah Believes'.
**White wax** Billowing, electroid dubstep from down under. 'Champion Dub' weighs out cattle prod snare shocks and 'floor scooping subs on the A-side; 'Invasion' rolls out a dungeon sound beside the coiled, raving tribalism of 'Method IV' on the flip.
Dubstep as hyper trip hop from Phaeleh. His 2nd album of 2014 features guest vocals from Sam Brookes, Fifi Rong and Geode on some tracks, interspersed with emosh ambient instrumentals.
Thursday, 11 September
Keysound's most rooted unit return with a lean suite of broken beat and Afro-centric mutations on 'Islands'. Tied together with Josh Idehen's observant, poetic narration, 'Islands' follows the much-loved 'Routes' (2011) LP with a bright, spacious haul, flexing from wicked breakbeat and bass agitations to eerier ambient interludes. It feels constantly in flux between an omnipresent urban dread and moments of elation, tracing the underground/overground, hyper-capitalist/realist topologies and analogues of London town itself, from the deft bounce of 'New Pen' to lonely, solemn close of 'Island… Read more
Swamp 81 coin the 180g Benton Beats series with a ruff session from Benton clad in artwork by Will Bankhead. Last heard on N-Type's Wheel & Deal Records, Benton brings a dose of rugged drums and bass at 130bpm in three parts: 'The Callin'' reduces old 'ardcore topes to blocky, rigid loops and stabs; 'Airtight' works a mix of sino-grime and breaksy 808 electro; 'BBS Madness' charges up a dubbed-out electro-jungle sound.
Lil Silva reveals his tender underbelly alongside label-mate Banks in the romantic, modern blues of the 'Mabel' EP. Moving much closer to the sound of former collaborator Sampha, the London-based producer balances rhythmic weight with emotional impact in five tracks contrasting metallic halfstep and house flux with heart-swelling trance chords on 'First Mark' or naked, vaulted vocal harmonies in 'Kimmy' and its sister-piece, the bittersweet slide guitar-infused soul surge of 'Don't You Love' with Banks. The title track is best, suspending his vocals in the chromatic ether over a sumptuous, swingi… Read more
Technoid dubstep weight from West Canada via Brooklyn's Tuba Sound. 'Under Pressure' rolls out on top with trancey licks and searing neuro lashes yoked to a billowing bottom end and tumbling drums. B-side, 'Spirit' builds another trancey head of steam, this time on a pneumatic footworking riddim a la Addison Groove, and 'Abyss' bowls into exotic halfstep terrain with shades of vintage Tempa and DMZ 12"s from Skream, Horsepower Productions, Mala.
Thursday, 04 September
Exquisitely iced-out, instrumental grime from the Goon Club Allstars boss. Issued a few weeks on from the haughty hybrids of his eponymous solo debut, the 'Satis House EP' is a high watermark for instrumental grime in 2014. Much like his Keysound stablemate, Logos, these three cuts represent the sound at its most forward, searching, meshing radiant harmonics and crystalline melody more redolent of kosmsiche trance and computer music than anything else, to the stark geometries and dynamics of grime proper. A-side, he orchestrates sweeping arpeggios and shuddering bass waves with the visceral … Read more
Thursday, 28 August
*Includes a copy of the CD free inside* Some of the UK's most colourful producers make-over Joker classics. Swindle deep fries 'Purple City' with typical flair, and Gemmy yokes the bombast of 'Snake Charmer' to leaner hiphop/halfstep. Trolley Snatcha amps the electric potential of 'Newham Generals' with cutthroat dubstep style, and the OG Kromestar reworks 'Tron' with pendulous, cosmic swagger.
Thursday, 21 August
Tensile techno, grime and electro-bass rhythms from the ever-luminous Ikonika for Hyperdub. In contrast to her previous records, there's the feeling she's taken a step back from full-on modernism to bring vintage styles forward in her unique way. A-side, 'Position' jacks up a wily fusion of Dance Mania/Chicago house with Socafied Grime and electroid synthlines, and 'Praxis' twirls a glistening helix of industrial halfstep drums and bittersweet, 3D synth motifs. Flipside is better yet, bringing the crisply punctuated latin freestyle flex of 'Strawberry Underlay' and the dextrous twine of jackin' old skool drums with hairy guitar riffs and Atari blips.
Thursday, 14 August
Killer 2013 debut from Bristol's Facta for fans of Beneath, Rhythmic Theory, Gage, Neana. Check for the rugged grime-techno rolige of 'Montpelier', the coiled torque of 'Kobra', and Kryptic Minds-like dread skank, 'Upsetter'.
Thursday, 07 August
Debut shot of dynamic grime futurism from Chemist for Coyote Records, backed up with Last Japan and Rabit remixes. Twinning his studies in composition and technology for film and games with current strains of HD UK grime, Chemist coins two lucidly detailed, kinetic constructions with the intricate polymetrics and strafing square waves of 'Defiance', and the robotic Eski origami of 'Blocks' marking him out as a slick sound designer. Rabit's remix of 'Defiance' is condenses its energy into pensive, droning subs, militant claps and sino licks owing as much to Angola as An… Read more
Glasgow's highly-touted beat builder debuts with this killer five track EP on Local Action. Since first appearing on Big Dada's Grime 2.0 collection, he's dropped the unique beat suite 'Faded With Da Kittens' for Astral Black and remixed DJ Q's 'Trust Again', synthesising a unique mix of grime, fluoro/sino folk melody and moody technoid pads. 'Crystal Children' gives up his best work to date, including the bubbling grime-techno of 'Zen' and balance of pounding subs with delicate hooks in 'Thinkk Star', whilst the subtler sweetness of 'Daisy Chain's sino-folk licks and the drifting s… Read more
Thursday, 31 July
*Vinyl edition of this excellent No Corner tape which was also included as part of the 'From The Reels' set* Young Echo's El Kid makes his mark on No Corner with a 4-track concept EP featuring the final transmissions of the fictional SS Labyrinth, moments before it reached crush depth. This 30 minute EP employs recordings from "a skeleton radiophonic crew trapped inside a critically damaged nuclear submarine listing in deepest arctic waters", woven with scudding minimal techno and ice-deflected signals, recounting in abstract, subaquatic detail the fictional sub's final voyage, from the A-side's… Read more
*Vinyl edition of this excellent No Corner tape which was also included as part of the 'From The Reels' set.* No Corner continues to quietly carve a reputation as one of the UK's finest yung labels with this exceptional debut album/mixtape by Bristol's Lily. Melting and kneading classic house and slow techno tropes in a warm, fuzzy chrome bath with salty dub FX, 'Modern Malaise' masterfully channels the sort of forlorn techno feelings of Chasing Voices' 12"s with a muggier, off-kilter UK dub sensibility and sense of youthful anxiety/melancholy possibly stemming from data overload and plugged-up … Read more
Thursday, 24 July
Dungeon dubstep tearouts from Brett Bigden aka Leon Switch. It's not very nice, scrawling proper mid-range graffiti all over the caged halfstep beast 'Deadlock', and again with disciplined control in the fierce flipside 'Persepolisia'.
Thursday, 10 July
Lewisham grime prodigy Novelist shows some serious production chops on the follow-up to his vocal for Mumdance's 'Take Time'. Much like his angular, agitant mic style, Novelist's beats are all clipped vectors and kerned bars laced with luminous lines of logic, very similar in fact to the relation between Wiley's vocal and production styles. Anyway, these debut productions are fiyah, popping off from the gunshots and snake-charming sino-melody of 'Sniper' to the cheeky bubble of 'Christmas Riddim' and the Chipsy-like motifs of 'Mee2 Remix', and the sparring dancer, 'Messy'. Recommended.
“The fourth release from Western Canada’s bleeding edge of bass assimilates dancehall tradition into something fragmented, digitized, and newly coherent. Tiny bits of human voice are appropriated into a dissonant soundscape of shuddering percussive elements, reamplified and decontextualized into a hypnotic computed chant. Love Lies Bleeding leads listeners from euphoric dance to angular breakdown and back again along a shifting path of falling bass tones and modulated drums. Modern Math steps boldly into vinyl’s warm embrace with White Label Renegade and its accompanying Grenier redo."
Thursday, 19 June
Brizzle's Atki2 winds up two bashy waist winders for Frijsfo Beats. The follow-up to his 'Knock Knock' 7" for his home city pals brings a ruder, 'floor-skimming sound with the deft swagger and juggled vocal samples of 'Bubble', whilst he employs some classic pop motifs on 'Galaxy Zoo' for a breezier sort of ambient reggaeton wiggle with infectious percussion and super bright, crisp electronics. Tipped!
Modeselektor slice off a sweet taster for the 3rd volume of their cherry-picked 'Modeselektion' series. L-Vis opens the account with a swaggering future boogie zinger called 'Funk 4D' - presumably a follow-up to 'Ballad 4D' for Night Slugs - and Schlachthofbronx team up with Buraka Som Sistema for the low-slung, fizzing Kuduro/Bass percolations of 'Volumen'. Manchester's Hoya: Hoya cap'n Illum Sphere brings the 4/4 with a poised jacker called 'Bullet', and French Fries rattles off the gritty drum machien patter and cute electronic motifs of 'Shift'.
Thursday, 12 June
Lisbon's Lake Haze represent another strain of that city's unique dancefloor sound with a diverse, expanded follow-up to their debut on UTTU and follow-up for Photonz' One Eyed Jacks label. The Zomby-esque ectoplasm of 'Water Reflection (Intro)' secedes to a nifty R&B-garage sound on 'Brandy Riddim', and full frontal bassline rave on 'Tsunami Riddim' beside the blunted 2-step of 'Vapor Riddim', the West Yorkshire-via-Portugal badness of 'Lightning Riddim' and the R1 Ryders-style tribal futurism of 'Typhoon Riddim'. Maaad!
Thursday, 05 June
Nexx-level club dynamixx from Berlin's M.E.S.H. for new music thunk tank, PAN. As a co-founder and resident at the influential Janus club-night, M.E.S.H. is hard-wired to the core of Berlin's accelerated night scene and deeply connected to the global digital arts diaspora thru collaboration with contemporary artists, Aleksandra Domanovic, Fatima Al Qadiri, Arca and TCF, among others. Operating at the intersection of electronic hip hop, techno and chimeric sound design, the 'Scythians' EP motions a bracingly fresh sound modelling skeletal 808 patterns perfused with hyper-criss foley and thrillin… Read more
Radgey percussive dubstep weapons from Mesck on Distance's Chestplate label. 'Conquista' attacks with tungsten-tipped drums coming off like an amped up early Shackleton, and 'Collusion' rears up a snarling halfstep beast.
Turkish-based Algerian, El Mahdy Jr in 'stepping effect on Aisha Devi's (aka Kate Wax) Danse Noire label, backed with a Killing Sound dub burial. As with his haunting drops on Boomarm Nation and Mala's Deep Medi Musik, the 'Gasba Grime' EP explores a unique fusion of styles indigenous to Arabic North Africa and East London, alleviating massive bass weight with floral vocal samples, sweeping strings and serpentine drums. From the Shackleton-esque percussive timbres and overcast atmospheres of 'Zarga' to the twitchy 'Crack Addicted Belly Dancer' he sustains an intense, glow… Read more
Thursday, 15 May
Nomine squares up to Tempa with three cuts of percussive, D&B-indebted Dubstep and darkside house pressure. It's a heavy sound, ranging from SP:MC-alike drum workout 'Enma' and the Horsepower Productions-styled atmospherics of 'Zen Circle' to the canny, 120bpm dub-house-stepper of 'Mindfulness'.
**2LP cloudy/clear wax** Skweee's founding fathers, Flogsta Danshall, mark their tenth anniversary with 20 tracks of "synthetic electronic bastard funk" in the 4th 'Museum Of Future Sound' volume. All your favourite Skweee heroes (Skweeroes?) contribute to the party: Daniel Savio, Claws Costeau, Joxaren, Coco Bryce, Slow Hand Mötem, Wankers United, Randy Barracuda, Limonious, Yöt, Easy & Centre Of The Universe, plus some new names (to us at least) in the lieks of Stiletti-Ana, Keff, Cache, Poborsk, and DKSTR.
Thursday, 08 May
*Mastered and cut by Rashad Becker at D&M, pressed on 140g white vinyl, housed in a silk screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas* Beneath pulls up to PAN with a super forward platter of UK bass/techno dreadnaughts. Combining archival rolige with up-to-the-minute missiles, PAN's 51st release operates at the crucial nexus of dubwise dancehall science and minimalist techno, pairing uniquely sculpted rhythm dynamics with a filigree feel for aerated electronic timbre. Most importantly it's aimed squarely at the 'floor with 20" rimmed riddims bound to bounce any stack, but it's… Read more
For the 1st time, sibling labels Night Slugs and Fade 2 Mind join forces to present a reissue of DAT Oven's darkside tribal banger 'Icy Lake' (1998), backed with killer re-swerves by Total Freedom, L-Vis, and DJ Rashad & NA. The original was recently rediscovered by Fade 2 Mind's LA captain Total Freedom and could hardly be a better fit for current dancefloor aesthetics with its uncannily Eski-ish hook, welting drums and tracky Chicago stabs. Also factor in that plain weird answer phone message motif and you've got a straight ace, whatever the weather. Remixing, Night Slug L-Vis 1990 knocks the gro… Read more
Thursday, 01 May
Reissue packaged with sticker featuring download for the full Extended Edition digital version which features nine additional tracks not on CD.
Thursday, 24 April
Buzzin10, Sully, Point. B and Warlock weigh for the 4th volume of Frijsfo Beats. Buzzin10 dances to a organ-bubbling garage groove haunted with slick, noirish strings and Sully makes a welcome return from the cold (where ya been?!) with the devilish dark garage twyster 'Feel It'. Turn it over and Point. B pivots off glancing garage woodblocks into a deep, synth-heavy techno space, and Warlock works out the grubbing acid swing of 'Too Late'.