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Tuesday, 11 November
Cooly G returns with her unique vision of sex music in 'Wait 'Til Night', her 2nd album and follow-up to 'Playin' Me' (2012). With no verifiable evidence of its efficacy, we're gonna play it straight here and judge it with our clothes on, you'll just have to use your imagination. It's a smart, deliberate shift from her signature house styles to a sort of stark South London R&B, bringing the minimalist sensuality of her earliest 'Dub Organizer' EPs full circle into twelve subtle, well-crafted song structures. The sound is very much about private space, dealing with varying degrees of infatuati… Read more
"Every clap, breath, harmony, and note was performed by Gabriel direct to 2" tape through a Helios console in real time. Aside from a dip into Pro Tools to loop the 25 overdubs that build the claps & stomps of "6 8" and drum programming on “Me Alone” and “Pour Maman”, computers had little place in Gabriel's world. Not to imply Bishouné is a product of vintage fetishism; rather, the songs are a humble and urgent bout of self-expression guided by the natural limitations of a solo performer. Gabriel's compositions revel in such unabashed personhood. "Everything Is Everythin… Read more
Monday, 10 November
A prime, if lesser-known, Drexciyan classic finally reissued. Like the album it accompanied, 'The Opening of the Cerebral Gate' is notable for its stripped down and bass-biased electro-techno aesthetic, yielding three tracks which stand out uniquely from the duo's oeuvre: the funky trudge and sonar melodies of 'Power Of The 3rd Brain'; the spine-shivering all time classic 'Disrupted Neural Gateway'; an abyssal electro monster named 'Do You Want To Get Down'. Yes please, all day.
Friday, 07 November
**Deluxe gatefold edition - includes insert, extensive sleeve notes, exclusive photography, original art work, bios & digital download voucher redeemable from the label** Soul Jazz explore Calypso in its many forms - from its birthplace, the island of Trinidad, as well as other Caribbean islands (Jamaica and The Bahamas) and its subsequent onwards journey (Britain, Panama and the United States), recorded during the years 1955-69. Calypso’s aristocracy and royalty - Lord Kitchener, Lord Cobra, Lord Growler, King Fighter, Lord Byron, The Mighty Viper, Lord Ivan… Read more
*Gatefold Vinyl Edition - Includes download coupon redeemable from the label* Seb Gainsborough's debut album as Vessel arrives on Tri Angle, immediately expanding what the label stands for even as it reinforces some of its central tenets. But what's important about this splendid record isn't what label it's on, it's the music itself - and we have to say that the Young Echo member has really excelled himself, crafting a nocturnal epic of a depth, breadth and maturity remarkable from one so young. Sculpting a self-contained sound-world largely distinct from anything he's released b… Read more
Thursday, 06 November
Back in stock. Moritz Von Oswald is a name that needs little introduction to anyone who has followed Techno, Dub or any kind of electronic music over the last 15 years. Since the early 90's he's tirelessly applied his discipline to a range of styles and genres with seminal work as part of Maurizio, Basic Channel, Rhythm & Sound and his own name besides a mind blowing number of side projects, mastering jobs and engineering work. His most recent project has attempted to consolidate the studio processes which have defined the majority of his output with a live or improvisational e… Read more
Following the almost unanimous praise for their previous studio masterpiece, Moritz Von Oswald (Maurizio/Rhythm & Sound), Max Loderbauer (Nsi./Sun Electric) and Sasu Ripatti (Vladislav Delay) present 'Horizontal Structures', the jazz-suave and rolling x-axis to the kosmische y of 'Vertical Ascent'. The curve of their projections becomes more complex with the addition of Paul St. Hilaire (aka Tikiman) on guitar and ECM artist, Marc Muellbauer's double bass infusing deeply instinctive jazz moves into the cats-cradle of organ, percussion and electronics. There's a more level… Read more
*First time this classic Tim Hecker album has been available on vinyl* Incredibly rich, sumptuous album from Tim Hecker, layering his particular blend of organic ambience with slivers of piano, found sounds and the quiet hum of abandoned machinery. Playing counterpart to the processed acoustic transmissions of Fennesz, Hecker takes a much darker route, only offering relief from the mass of textures he concocts with deep buried remnants of melody and light. As a follow-up to Mille Plateaux's sublime "Radio Amor", "Mirages" is an even more majestic album, striding with a confident heaviness further out into the wilderness, deep into the night.
Wednesday, 05 November
The yung Parisian crew step deeper with the blue sci-fi atmospheres and in-the-pocket grooves of Jean Nipon's 2nd 12" for the label. Sealing the airlock entrance with the near beatless 'Eerie', the session turns to simdeck deep house ambience with 'Daydream Nation' before tucking into the crooked machine patter and sino melodies of 'I Ow You So Much', saving the best for last with a percolating piece of steel drums, jagged drum machine patterns and exotic robo voices in 'Up North'.
Hydraulik techno momentum from Manni Dee on Osiris UK, backed with a head-chopping Monic remix. No doubt: this is the best we've yet heard from Manni Dee, drying and concentrating his sound to a futurist industrial palette with the evil, poised rolige of 'Nicotine Kisses' and the sinuous, Surgeon-style tuck and shuffle of 'Sister Nobody', whereas 'Man Is Free, Man Is Freedom' dices with more abstract dub techno shapes a la Porter Ricks. Kryptic Minds own Mønic weighs in with killer blow, remixing 'Sister Nobody' with brutal concrète techno dynamics.
*Reissue of the long sold out Sandwell 12" on RRose's own Eaux imprint* 'Primary Evidence' consists of two tracks of wormholing Techno from this incognito producer. A-side 'Secretion' bucks off thwacking claps and is driven by an evil synthline grind primed to do the damage. B-side 'Bare Hand' is more restrained, deploying elegantly minimal percussion and a super crisp, oscillating acid line that's making our teeth ache. For our money it's either Derren Brown or Guru Josh behind this. Onwards!
**The third title in the re-release series of early Rrose titles on his/her own label, Eaux** Rrose presents another deep tripping episode of mottled, murky darkside Techno. A-side 'With All Faces Bleached Out' stoically channels sewer ambience over lurching subbass and steady bleeps in a unique style reserved for imaginative DJs and home appreciation alike. Flipside 'Worn/Scarred' refuses to resolve the rhythm in any conventional sense, arranging offset, discombobulated ketamine patterns with into a sludgy descent, while 'White/Drip' pensively precipitates Sähko-esque bleeps rendered with infinite reverbs. Ace.
Prostitutes proceeds his Diagonal EP with another salvo of grotty, throbbing machine music for the Avian-affiliated Mira imprint. Blessed with one of the best titles of recent times, 'Truncheon Cadence (Part One)' hems close to that stoically purist sound James Donadio has established with his self-released LP and issues for Opal Tapes and Digitalis over the last couple of years. It includes some of his strongest club tracks in the rolling industrial thump of 'Led Up Garden Paths' and the dubbed-out techno skanker 'Odd Dog End', but our favourites have to be the skudged, gru… Read more
*Features a translation of the original track notes that accompanied the original limited Belgian pressing* Lucien Goethals was born in 1931 in Ghent, Belgium. He completed his musical education at the Royal Academy Of Music in 1956 where he was awarded the highest accolades for advanced organ, history of music and theoretic notions, after which he eventually pursued his studies of seriated music technique and electronic composition with GM Koenig. He was awarded further awards for composition in both his own country as well as abroad and was a member of the renowned Spectra work gro… Read more
*Comes in a deluxe Gatefold Sleeve* Ahhh this one’s a real peach. Veering far from what we expected, ‘Games Have Rules’ is a brilliant late night excursion made in the spirit of classic Artificial Intelligence albums, instantly reminding us of that killer first Reaganz (Move D & Jonah Sharp) album from ’94 with it’s atmospheric soundscaping and nods to John Carpenter. In fact it’s not all that removed from the better end of the Fax/Rather Interesting catalogue - especially those Atom Heart/Namlook collabs that seemed to go on forever and soundtracked m… Read more
Tuesday, 04 November
20 years since completion of their foundational 12" series, Basic Channel present a full 14 minute version of 'Q-Loop' backed with first ever vinyl cuts of 'Q 1.2' and 'Mutism' - previously found on the 'BCD' (1995) and Scion's 'Arrange And Process Basic Channel Tracks' releases. Need we say any more?
**Initial copies on transparent green vinyl w/ download code** "The Body and Sandworm are two bands with roots in the Providence underground that take unbridled negativity and spin it in opposite directions. The Body, legendary in both underground extreme music enclaves and the wider community of metal fans, are masters of expansive expressions of pure sadness that incorporate sounds and instruments far beyond what is typical in the realm of heavy metal. Sandworm is the young and hungry duo of Ben Eberle and Pat Reilly, bursting out of the gate on this, their first proper release, with a… Read more
**Avant-leaning psych rock experiments by the artists behind legendary library work used for 'Living Dead At The Manchester Morgue' and 'The Underground'** "Collectively known under their production pop group moniker The Pawnshop, Italian Giallo/Spaghetti legends Alessandro Alessandroni, Giuliano Sorgini and Giulia De Mutiis (using their Giallo-psych alter egos of Braen, Raskovich and Kema) would reconvene behind the curtain in 1973 to craft this lost full-length LP as a mythical addition to their tiny group discography. Pin-pointing a bona fide crossroads between the composers’ … Read more
*Deluxe Triple Vinyl gatefold pack, includes a download code redeemable from the label* Underground provocateur and beat maverick triggers 33 sawn-off rave-refractions, 'With Love'. After maintaining an unusually low profile for the 2 years since 'Dedication', Zomby is set to convince more heads with this ambitious double album of gloomy electronics and UK soul. And that's not soul of the Beverley Knight type: it's a poignant, more relevant sorta soul; a metaphysical essence that percolates its dilated pulsewidth and comes laden with a very particular emotional and cultural bagga… Read more
*Re-Press* A companion to his acclaimed Ravedeath 1972 set, Dropped Pianos collects sketches for that album recorded by Tim Hecker last year. While on paper it might sound like something for completists only, trust us when we tell you that this LP is a beguiling listen in its own right: shorn of the disruptive electronic processing which defined Ravedeath, what you get instead is a series of exquisitely reverbed and layered piano instrumentals which showcase Hecker's gift for minimalist composition and mournful melody. Richly evocative of rainy, post-war cityscapes, of mortality and of thwa… Read more
Monday, 03 November
Limited Edition Reissue faithful to the original vinyl release and pressed on 180gm vinyl. Includes Download Code Redeemable From The Label.
**Remastered edition** C & C's 'Heartbeat' is one of the holy grails of electronic music. Nearly 30 years after initial release on Rough Trade, Chris Carter and Cosey Fanni Tutti's masterpiece is reissued on their CTI imprint, putting a mountain of recent dark/cold/new wave revisionism into much needed context. The album was the first of C&C's post-Throbbing Gristle missives which would define the electro and synthpop underbelly of the 1980s and cast a towering shadow of influence over so much machine made music to come, from Juan Atkins and Drexciya to successive waves of sy… Read more
*Finally available again* If you'd told us back in 2009 that Hype Williams would one day be releasing an EP on Hyperdub, we'd have raised our eyebrows, but a year or so later it actually makes sense - Dean Blunt and Inga Copeland's predilection for sickly-psychedelic synths, rugged beats and a sense of occluded urban dread making them a simpatico if still bold addition to Kode9's stable. Have they altered their sound for the bass-heads? Nah, course not, and nor do they need to - for all its lo-fi patina, Hype's music has always been heavy-as-f*ck on the subs. That said, op… Read more
Luke Younger's Helm returns to PAN with four vital incursions marking his first new material since the sessions that birthed his acclaimed 'Impossible Symmetry' and 'Silencer' releases these last couple of years. Since those releases Younger has been hard at work building his Alter label into one of the most interesting imprints around whilst also honing a petrifying, improvised live set that's turned our bones to stone every time we've heard it. 'The Hollow Organ' delivers four tracks of spirit-grinding constructs gleaned from a visceral palette of tormented machine voices, sub-zero drones and… Read more
*One of Prurient's most sought-after albums now issued on vinyl for the first time, remastered and cut by Matt Colton, housed in a hot-foil printed sleeve* At long last Prurient presents his incredible 'Cocaine Death' pressed on vinyl for the first time. Collecting three C10 tapes individually issued in 2007 - 'Cocaine Death', 'Caribbean Overdose' and 'Tylenol Murders' - released on CD in 2008, it serves to highlight some of the most viscerally affective, evocative material in Dominick Fernow's arsenal. The opening "Pretext (Bahamian Burial)" sets the scene well and avoids easy c… Read more
Limited blue vinyl - few copies back in. 'Remember Your Black Day' features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory by contrast, balancin… Read more
Anjou is the beautifully enigmatic reunion of Labradford's Mark Nelson (Pan American) and Robert Donne with fellow Kranky star, percussionist Steven Hess. The result of four years writing and editing, it marks Donne and Nelson's first collaboration since Labradford's 'fixed:content' (2000) and the first meeting of Pan American's Nelson and Hess since 'Cloud Room, Glass Room' (2013). Now older, wiser, quieter, the trio offer a subtly involving, hazily detailed ambient suite gleaned from an intricate process of modular synthesis, Max/MSP programming and live instrumentation. Essentially it takes the trio'… Read more
**Strictly limited vinyl copies back in stock - Includes Download Code Redeemable From The Label* It's always worth considering the route Scott Walker could have taken following his flirtation with the charts back in the sixties - an endless procession of 'farewell' tours, some dodgy dance collaborations and a slew of moribund chat-show appearances. He might have even got rediscovered at Glastonbury. However, rather than set-off down the tried and tested slope of endless rehashing of the mythical glory years, Scott Walker has somehow installed himself as one of our most esoteric songwriters -… Read more
Friday, 31 October
*Now available on vinyl* It's funny how much the loss of something can force you to realize how much you took it for granted, and with Berlin-based pianist and producer Nils Frahm the loss was his thumb, which he broke after falling out of a bunk bed. We may giggle at the circumstances, but for a pianist that's the loss of ten percent of your craft, and so in the period of inactivity Frahm came up with these nine (geddit?) sketches which he fleshed out once the thumb had healed. Coming across like a love song to Frahm's chosen instrument these are delicate, short pieces about and for … Read more
*Now in on limited vinyl* There's a very literal reason for the title of Nils Frahm's new album, Felt. He wanted to play the piano during the dead of night, without disturbing his neighbours, so he layed thick felt in front of its strings to muffle the sound. Rather than being frustrated, he unexpectedly found himself enchanted by this dampened sound, and it opened up new compositional as well as playing possibilities for his inquisitive mind. The resulting work is varied in style but it all has a close, confessional, nocturnal quality that's beautifully wrought and expertly rec… Read more