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JOHANN JOHANNSSON - The Miners' Hymns image
JOHANN JOHANNSSON - The Miners' Hymns image JOHANN JOHANNSSON - The Miners' Hymns image
Vinyl 2LP
£15.99
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Johann Johannsson

The Miners' Hymns

Label: FatCat
Format_dot_vinyl
Format: 2LP
Released: May 2011
Catalogue Number: LP1313
Tracks for: The Miners' Hymns
Time
1. JOHANN JOHANNSSON : 01
2. JOHANN JOHANNSSON : 02
3. JOHANN JOHANNSSON : 03

Boomkat product review for:

johann johannsson - The Miners' Hymns

Few could deny the inherent, unmistakable grandeur of Johann Johannsson's compositions, and 'The Miners' Hymns' might just be his grandest statement to date. The record finds our Icelandic protagonist tackling characteristically difficult subject matter; the plight of the Durham miners as their industry was brought down to rubble over the last hundred or so years. Notable too is the fact that Johannsson's score is a companion piece to a new film from celebrated artist Bill Morrison (he of 'Decasia' fame), so already there is a feeling that a certain air of substance surrounds the album. Play this against Johannsson's clever use of instrumentation as he tackles brass for the first time since 2004's genre defying 'Virthulegu Forsetar' and we're left with a mesmerizing record, and one that could stand as the finest addition to Johannsson's canon thus far. The subject matter lends a distinct weight to the already emotive songs, but the truth is that the music stands alone without this kind of contextualization. While it is definitely cinematic, those chilling brass tones (influenced in part by Durham's rich history of brass bands) stand strong as part of Johannsson's singular musical vocabulary, and the narrative he tells needs little imagery to enhance its appeal. 'The Miners' Hymns' might be his most subtle work to date, and I get the feeling that he has allowed far more space and much more time in each piece on the record. These are slow moving, slow burning, brooding epics, and while they share stylistic traits with 'classic' soundtracks of the past there is a sense that Johannsson is more willing to allow his pieces to dwell in the darker recesses of the mind. You can almost hear the cavernous mineshafts and their ominous heritage in the brutal electronic treatments, and hear the creaking, crumbling landscapes beneath the haunting brass. I'm reminded of Gavin Bryars's seminal 'The Sinking of the Titanic', and if any body of work compares favorably to that classic composition then it has to be a good thing. 'The Miners' Hymns', simply put, is a crowning achievement for Johannsson. Highly Recommended.