Thursday, 24 July
**Exclusive Edition only available to buy at boomkat pressed up on military grey wax with 4 x Screen Printed inserts (A4) of redacted documents and artwork** 'Intercepts' is a declassified dispatch of industrial espionage and ambient adventures from the chambers of Pye Corner Audio and Alessio Natalizia aka Not Waving. Inspired by the arcane, furtive world of spy rings - from the Rosenburgs to the Cambridge Five and the Duquesne case - they present encrypted analog communiques resonating with the mystery and drama of those covert operations… Read more
**One-sided pressing cut at half-speed by Matt at Alchemy for maxxximum presha!** Killing Sound version '$ixxxx Harmonie$' with serious tech-step jungle swerve for BEB. Separated from the 'Killing Sound' double-pack, the near-ambient original is extended and reinforced with dreadnaught jungle rhythms and possessed warehouse vibes for a properly altered, shark-eyed swerve. We'll be damned if it ain't the deadliest thing we've heard from either Vessel or El Kid, the Bristolians behind Killing Sound, and surely marks a massive highlight of BEB's darkside operations. Miss this at your peril.
*Craig Leon-approved reissue of his two solo albums Nommos and Visiting as a 2LP set in gorgeous packaging with two essays by Leon and a download coupon* Issued respectively by John Fahey’s Takoma label in 1980 and Leon’s Arbitor private press in 1982, Nommos and Visiting were the twin brainchildren of studio wizard Craig Leon. Leon’s production was pivotal in realising the debut recordings by Ramones, Blondie, Richard Hell and Suicide. While those albums broke ground in new worlds of sound, Leon’s own debut album was arguably, if not literally… Read more
*Packaged in a heavy-duty screen printed cover, one-sided LP with the B side screen printed, mastered at D&M, individually numbered edition of 500 copies* 'Circle Three' is the first new release in the Circle series from Eleh since 2010's Repose. Described by Important simply as "Literal synthesis”, the album is at once familiar and a bit of a revelation as far as the Eleh discography to date is concerned. Although the trademarked frequency studies seem as bare and isolated as ever, there is a strange progression working within these pieces, pulsating bass notes slowly become env… Read more
**Die-cut jacket and printed inner with download coupon** The 1st in a fleet of 3 instrumental EPs from SBTRKT paving the way for his 2nd album. On 'Transitions 1' you'll find two mercurial grooves, melding an aviary of electronic chirrups and whirring garage techno in 'Gamalena', and a bittersweet blend of itchy, bit-crushed drums with cascade of Zomby-esque melodies in 'Hold The Line'.
**Die-cut jacket and printed inner with download coupon** The 2nd in a fleet of 3 EPs from SBTRKT paving the way for his 2nd album. We find the masked man at his most contemplative with the beautifully sullen chamber-pop chords and white noise snare punctuation of 'Resolute' backed by the Koreless-meets-Haruomi Hosono occidental chiptune winks of 'Kyoto'.
**Die-cut jacket and printed inner with download coupon** The 3rd in a fleet of 3 instrumental EPs from SBTRKT paving the way for his 2nd album. He's on a forward UK soul tip here with the spiralling battery acid licks and plump subbass of 'Highs + Lows' and the gangsta waltz of 'Stifle'.
**Super slick, synth-heavy and seductive soul-funk from Nigeria 1978. 180g vinyl reissue housed in tip on-style jacket with download code. Edition of 1000** "Originally recorded for the EMI Nigeria label and produced by legendary producer Odion Iruoje 'Keyboard' was a one-off studio project formed by Brodricks Majuwa and Isaac Digha from circa 1978. These two session men were often used at the EMI studio and played in multiple recordings that Iruoje produced throughout the era. This extremely scarce and obscure record features amongst others Ignace de Souza of the Black Santiagos from the city o… Read more
**First run coloured vinyl edition w/ etched 4th side housed in debossed jacket and sealed poly sleeve with download code** Super smart 2nd album from Seattle's foremost hip hop accelerationists. Fronted by Ishmael Butler, formerly of the brilliant Digable Planets, Shabazz Palaces have cornered a unique take on contemporary hip hop melding traces of electronica, cyberactive dub and jazz inna cerebral but instantly gratifying style that swerves self-conscious oddness in favour of genuinely psychedelic lushness and off-the-dome freedom. Borrowing its title 'Lese Majesty' fro… Read more
Super smart 2nd album from Seattle's foremost hip hop accelerationists. Fronted by Ishmael Butler, formerly of the brilliant Digable Planets, Shabazz Palaces have cornered a unique take on contemporary hip hop melding traces of electronica, cyberactive dub and jazz inna cerebral but instantly gratifying style that swerves self-conscious oddness in favour of genuinely psychedelic lushness and off-the-dome freedom. Borrowing its title 'Lese Majesty' from a French term for offending about offending the dignity of a royal, the album is framed as a "…sort of sonic attack on the "me-mania" that… Read more
**Clear vinyl** Tactile, rugged industrial techno experiments from London's Details Sound. There's a range and sensitivity at play here which tends to escape many industrial practitioners, spreading out from stark drone modulations to hypnotic, banking techno pulsers, monotone fibrillations and raspin' rolige compatible with Shifted, Prostitutes or Ron Morelli.
Enveloping 38-minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art. 'For Moussavi Atrium' marks the first new Eleh material since 2012, following an invaluable programme of reissues for their Important early releases during the 2013. It starts off in near silence before fleshing out a supple sinewave flux modulating at rapid intervals to a pulsing, brain-worming coda that'll hypnotise and control anyone susceptible to a good 'wave. This is one of those instances where the format plays some part - the clarity and duration afforded by the CD really holds us… Read more
*Remastered Edition - first vinyl pressing in years* What do you mean you've never heard of White Noise? White Noise is the musical lovechild of producer David Vorhaus and electronic music pioneer Delia Derbyshire. There's little to connect this to her more well-known work as part of the Radiophonic Workshop - White Noise is at its core a psychedelic record, albeit with some incredible electronic production. The Silver Apples or the United States of America (considered by some to be White Noise's US equivalent) would be good reference points, but what Wh… Read more
Slicker sophomore EP of mutant bass and twisted electronics from Lorenzo Senni, Daniele Mana (Vaghe Stelle) and Francesco Fantini's One Circle. 'Transparency' follows their 2013 debut for label/incubator, Left Blank with a murkily ambiguous mixture of production fidelities, textures and styles delivered with a unique electronic accent. They and it are testament to a rooted yet accelerated Italian electronic music scene, presenting impressionistic, emotive visions referencing recent and hypermodern styles from a forward, somewhat detached perspective, as with the beautifully garish vision of… Read more
Killer, stark, psychotomimetic jaxxx from the L.I.E.S. stronghold. They're apparently teasers for an upcoming project, leaving us with the taste of sweat and poppers after ingesting the rapid acid flux, spiralling accordion and spiky jack of 'ZKY', and kicking us in the gut with the haughty shunt of 'Image'. You dancing?
Canny meld of folk, R&B and subtle electronics from Floella All and the Various Production duo. The angular, stop-start groove of A-side sorta reminds of FAY's brilliant beat works given a modern London folk-blues vocal; flipside is more of a distant, dubbed, forlorn ditty, at once cute and deeply blue.
Widescreen visions of modern classical and electronics on the debut album from American Men's Claude Speeed. Ostensibly the odd one out in LuckyMe's fluorescent roster, the Glaswegian artist actually shares a lot in common with his native label-mates, in terms of proggy compositional nuance and his taste for glittering, emotively synthetic backdrops. Distilling a mixture of ebullient grandiosity and majestic melancholy at its core, it percolates a spectrum of modern music from the stadium rousing epics of Mogwai and Rustie to the subtler tones and sweeping, folksy arrangements of BoC or Konx… Read more
Second label comp from ClekClekBoom, featuring exclusive tracks from French Fries, Bambounou, Coni, Aleqs Notal, NSDOS, Jean Nipon and Aethority.
Stump Valley puts a big, slompy donk on it for Rush Hour, backed with two side-winding slow disco percolators. Following up his ace debut for Off Minor Recordings, he runs the chugging mid-tempo bounce of 'The Visitors' with mad phasing breakdown, powerful bass and tweakin' disco arpeggios on the front, whilst flipside yields the dubbed sway and tricksy percussive patterns of 'Galaxy999' and a reshuffled Drum Rave Mix by Mtrpls on the flip. Stick this in your party and watch 'em smoke it.
Cryptic edit workouts for the discerning disco dancefloor. Uptown you'll discover the louche deckside slyde of Serpent Digit's 'Precious Metal Crown'; downtown dips a shoulder to the proggy vocal harmonies and dubbed-out disco-not-disco of Fantasy Mark-Ups' 'Transmitted Contagion' and Dune Sister's 'Kyoto Recital' - an edit of Bene Gesserit's obscure 'Japanese Song'. One for the freaks…
Wayward, tripping acid techno trax from Sweden's Daniel Andréasson - new on Skudge. All about the strange, skippy but sludgy groove of 'Ble3' on top, but there's also some canny moves in the slower, gear-grinding 'Ditehr24' and two Frak style jams on the flip.
"Performed and put to tape at Estuary Recording Facility, The Seeker and The Healer constitutes the first collaborative work by Texas-based sound artist Cory Allen and Louisiana minimalist composer Duane Pitre. The album’s two side-long pieces were developed out of multiple improvisational sessions governed by predetermined rules, sourced from piano, bowed guitar, harmonium and 49-stringed drone harp (a custom-made instrument of Allen’s own design featured here on record for the first time). In the context of both musicians’ discographies, these pieces occupy a unique and… Read more
Disco-ready remix session from The KDMS, Martin Brodin, Leaves & Iron Curtis, Acid Washed, and Nirosta Steel. Highlights include former Arthur Russell collaborator, Nirosta Steel's breezy Eastwood remix and a romantic Acid Washed version.
Snotty swansong from the hard-living punk, Sewn Leather, for Milan's excellent Hundebiss label. 'Freak On Hashish / Longboarding Is A Crime' commendably lives up to at least half its title (we're not what he's got against longboarding, but we're not arsed either way really) with nine blown out, sludgy misshapes that sound too wrecked to get up but still generate enough wretched energy to put off casual listeners and entice the hardcore. It starts up with the bombed-out hip hop bounce of 'Real Recognise Fake' and culminates in a 19 and half minute slayer packing proper punk techno and hip hop nastiness. See ya SewnLeather!
"Every year requires winter records. Those sounds that you reach for when cyclical freeze triggers a craving for icy synthesizers and sinister drums. This is where you’ll find Alias’ Pitch Black Prism, an alternately bleak and beautiful album built for headphones and hailstorms. “The image that stuck in my head for its tone was a figure illuminated just beyond the range of complete darkness,” says Alias. “I worked on it mostly it night, so it definitely has more of a nocturnal feel than any of my previous albums.” It’s a fitting metaphor for the Maine resident. Few places boast such a severe c… Read more
Magical make-over of Burt Bacharach and Hal David's 'Don't Make Me Over', as made famous by Dionne Warwick, now transported somewhere to avant-pop LA.
*Deluxe double vinyl reissue* Initially seen as something of a curate's egg on Sub Pop, Earth have gone on to be one of the most influential bands of recent years, spawning the entire dronecore / death metal scene (Sunn O))) etc.) as well as helping to mould the likes of Mogwai, Jim O'Rouke and (if their reverential appearance on the recent 'Legacy of Dissolution' LP is anything to go by) even Autechre. Back with their first proper album for 9 years ('Hex; or Printing In The Infernal Method'), Earth seem eager to discard the overly distorted sound that has come t… Read more
Reissue of a highly sought-after ghetto house banger from Chicago '93. Same track on both sides.
Psilocybic house and techno funk from Matt Didemus of Juniors Boys' new label. The label's 2nd release is cleft between the mysterious Primitive World and Hamburg's Yør, the former veering between frothy acid and melting techno rhythms spiced with flashes of purple funk, the latter wandering off into Alice In Wonderland techno playzones. Gobble.
*Super-loud, super-heavy triple vinyl with free download code and standalone digital download album redeemable from the label" "New collection spanning Studio One’s dancehall period - singers and deejays on classic Studio One rhythms, studio and electronic wizardry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance. When Clement ‘Sir Coxsone’ Dodd first ruled the dancehalls of Kingston in the 1950s, fighting off the soundsystem competition of Duke … Read more