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NINO ROTA
EL RECORDS
MP3 Track // £0.99FLAC Download // £8.99
SOUNDTRACKS / LIBRARY / EARLY ELECTRONIC
Cat. Number: ACMEM192CD
"Maestro Nino Rota is best known for the seventeen film soundtracks he
composed for the great Italian director Federico Fellini. These date from The White Sheik in 1952 to The Orchestra Rehearsal twenty-seven years later. Along the way the composer and director forged a singular creative partnership, capturing the absurdities and romances of Italian provincial life, of the circus and the street parade, of nightclubs and cafes, complimented by that indefinably nostalgic quality that is so characteristic of Rota¹s work. To Fellini, Nino Rota contributed scores for such masterpieces of European cinema a… Read more
NINO ROTA
EL RECORDS
MP3 Track // £0.70FLAC Download // £8.99
SOUNDTRACKS / LIBRARY / EARLY ELECTRONIC
Cat. Number: ACMEM192CD
"Maestro Nino Rota is best known for the seventeen film soundtracks he
composed for the great Italian director Federico Fellini. These date from The White Sheik in 1952 to The Orchestra Rehearsal twenty-seven years later. Along the way the composer and director forged a singular creative partnership, capturing the absurdities and romances of Italian provincial life, of the circus and the street parade, of nightclubs and cafes, complimented by that indefinably nostalgic quality that is so characteristic of Rota¹s work. To Fellini, Nino Rota contributed scores for such masterpieces of European cinema a… Read more
PAN SONIC & KEIJI HAINO
BLAST FIRST PETITE
MP3 Track // £0.99FLAC Download // £8.99
Cat. Number: PTYT051
Recorded only days after their performance together in Berlin that resulted in the powerful and haunting live album " Shall I download a black hole and offer it to you?", "In The Studio" is a more controlled, even tense, affair. Where the participants circle each of like gladiators at the Colosseum. Features Deluxe artwork by Stephen O'Malley.
MP3 Track // £0.99New York-based composer and turntablist Marina Rosenfeld follows releases for Charhizma, Softlmusic and Quakebasket with a showcase of her recorded work for Room40. 'The Conversation' is an electroacoustic work focusing on minimalist piano phrasings encased in processed incidental textures, fragments of crackle and half-formed vocals. You can even hear stammering horn phrases trying to penetrate the mix, but the whole thing remains very quiet and reined in until in its second half the piece ascends to a noisier state loaded with glitches and gnarled drone tones. Offering an imaginary meeting po… Read more
New York-based composer and turntablist Marina Rosenfeld follows releases for Charhizma, Softlmusic and Quakebasket with a showcase of her recorded work for Room40. 'The Conversation' is an electroacoustic work focusing on minimalist piano phrasings encased in processed incidental textures, fragments of crackle and half-formed vocals. You can even hear stammering horn phrases trying to penetrate the mix, but the whole thing remains very quiet and reined in until in its second half the piece ascends to a noisier state loaded with glitches and gnarled drone tones. Offering an imaginary meeting po… Read more
New York-based composer and turntablist Marina Rosenfeld follows releases for Charhizma, Softlmusic and Quakebasket with a showcase of her recorded work for Room40. 'The Conversation' is an electroacoustic work focusing on minimalist piano phrasings encased in processed incidental textures, fragments of crackle and half-formed vocals. You can even hear stammering horn phrases trying to penetrate the mix, but the whole thing remains very quiet and reined in until in its second half the piece ascends to a noisier state loaded with glitches and gnarled drone tones. Offering an imaginary meeting po… Read more
Each Ghost Box release is becoming quite an event for a growing number of folks nowadays, keen to peek through the looking glass into their queerly quaint miniature-village world of psychedelia. The latest trip was invented by Roj Stevens, a former member of close Ghost Box associates Broadcast, and a fellow native of that sprawling grey and green mid-section of England that inspires much of the Ghost Box sound and aesthetic. This release also benefits from an accompanying text by writer Ken Hollings, whose 'Welcome To Mars: Fantasies of Science in the American Century, 1947-1959' touches a subject close to… Read more
Review to follow shortly…
Review to follow shortly…
KARRIEM RIGGINS
Scion Audio/Visual
MP3 Track // £0.99FLAC Download // £6.99
Cat. Number: 00430CDV01HP08
A tremendous selection of hip hop instrumentals from the current scene's leading talents, including Flying Lotus, Bullion, Dorian Concept and Onra. Even from the relatively unassuming O Spindles intro it becomes pretty clear that this compilation is going to be firmly focused on low end heaviness, and sure enough tracks from Dr. Who Dat?, Samiyam and Blu Jemz all arrive with plenty of boom for your buck, but it's down to Flying Lotus to truly pulverise those woofers with his explosive 'Heat Wave 2'. It's not just the warm, saturated bottom end that makes the material gathered here special thou… Read more
DAN MICHAELSON & THE COASTGUARDS
Memphis Industries
MP3 Track // £0.99FLAC Download // £8.99
Cat. Number: MI0134D
Hang on, I recognise that cartoonish baritone croon; it's either the guy from Canadian one-hit woopsies Crash Test Dummies or that guy from Memphis Industries indie rock wrecking crew Absentee. Given that this too is on the aforementioned Memphis Industries imprint i barely need consult Wikipedia to determine that Dan Michaelson is in fact the front person for Absentee, currently behaving true to that band's name and very much on sabbatical, pursuing solo concerns. This album perhaps takes on a broader scope than Absentee's Schmotime album, instead kicking back with expanded arr… Read more
RAYMOND SCOTT QUINTETTE
Basta
MP3 Track // £0.99FLAC Download // £10.99
SOUNDTRACKS / LIBRARY / EARLY ELECTRONIC
Cat. Number: 30-9109-2
This 42-track compilation on Basta represents a very different side to Raymond Scott's oeuvre from his celebrated Manhattan Research-style electronic innovations. Microphone music predates his most renowned work, harking back to the early ensemble recordings made between 1937 and 1939. The repertoire here calls upon not only Scott's own compositions but reconfigurations of traditional tunes and ragtime jaunts. Notably, many of the recordings here appear on CD for the very first time, with several having never surfaced before on any format. "The title refers to Scott's emphasis on the… Read more
RAYMOND SCOTT
Basta
MP3 Track // £0.99FLAC Download // £12.99
SOUNDTRACKS / LIBRARY / EARLY ELECTRONIC
Cat. Number: 90782
The almost unfathomably good, groundbreaking collection of unreleased electronic work from Raymond Scott is thankfully, finally available again!!! This is a 69 track edition of over two hours of Raymond Scott's unreleased electronic recordings from the 1950s and 60s. In 1946, Scott formed Manhattan Research Inc. (MRI), billed as Designers and Manufacturers of Electronic Music and Musique Concrète Devices and Systems. His colleague Robert Moog said, Scott was definitely in the forefront of developing electronic music technology and in the forefront of using it commercially as a musician. Soothing S… Read more
Sporting a line in electronic instruments that brings an entirely new range of meaning to the term lo-fi, Tickley Feather is the stage name of one-woman-band Annie Sachs, touring partner of Animal Collective and a songwriter in the classic Paw Tracks mold, sounding occasionally like a Casio-sponsored Ariel Pink. After a series of cobbled together build-up tracks Sachs gets her act together most convincingly on 'The Python', a tuneful cassette-bound mess of a song that somehow manages to charm you into submission. The occasional interruption from children's voices announcing various quasi-mystical… Read more
Sporting a line in electronic instruments that brings an entirely new range of meaning to the term lo-fi, Tickley Feather is the stage name of one-woman-band Annie Sachs, touring partner of Animal Collective and a songwriter in the classic Paw Tracks mold, sounding occasionally like a Casio-sponsored Ariel Pink. After a series of cobbled together build-up tracks Sachs gets her act together most convincingly on 'The Python', a tuneful cassette-bound mess of a song that somehow manages to charm you into submission. The occasional interruption from children's voices announcing various quasi-mystical… Read more
Sporting a line in electronic instruments that brings an entirely new range of meaning to the term lo-fi, Tickley Feather is the stage name of one-woman-band Annie Sachs, touring partner of Animal Collective and a songwriter in the classic Paw Tracks mold, sounding occasionally like a Casio-sponsored Ariel Pink. After a series of cobbled together build-up tracks Sachs gets her act together most convincingly on 'The Python', a tuneful cassette-bound mess of a song that somehow manages to charm you into submission. The occasional interruption from children's voices announcing various quasi-mystical… Read more
Sporting a line in electronic instruments that brings an entirely new range of meaning to the term lo-fi, Tickley Feather is the stage name of one-woman-band Annie Sachs, touring partner of Animal Collective and a songwriter in the classic Paw Tracks mold, sounding occasionally like a Casio-sponsored Ariel Pink. After a series of cobbled together build-up tracks Sachs gets her act together most convincingly on 'The Python', a tuneful cassette-bound mess of a song that somehow manages to charm you into submission. The occasional interruption from children's voices announcing various quasi-mystical… Read more
Maintaining a release schedule that's as relentless as it is satisfying for its legions of followers, Hot Flush return once again with another debut twelve, this time from Nyabingi. "Belgium Chocolate" (Sic) opens the twelve with elongated strings and a melancholy undertone that's at odds with the sound pallette employed - we like this kind of stripped down production, and when the bass wobble finally drops it has all the space it needs in order to flex its substantial low-end credentials. "Cannibal Run" on the flip utilises a spine one notch lower down the bass register, coupled with eerie samples and … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
Possessing all the grace of a drunk and guitar-slung Schoenberg, Stunt Rock (aka William Flegal) is an unhealthy blast of sample-heavy breakcore(ish) that seems to have a serious bone to pick. Opening with 'Innocence', Flegal ruts Western samples into a beatbox bluster, whilst over the top you're berated ala Cassette Boy with the karma "I f*cking hate this music", before we're merged seamlessly into the Aesop Rock beat and punk rock squall of 'Spite'. Messy to the max, the likes of 'Failure' (an electro Metallica), 'Shame' (Jason Forest in Looney Tunes) and the mucky sex-samples of 'Loneliness', are … Read more
