Monday, 08 December
**2x140g vinyl mastered + cut by Rashad at D&M. Artwork by Bill Kouligas & Louis Reith** Easily one of our most anticipated LPs of 2014, Afrikan Sciences' 'Circuitous' transcends jazz, techno and hip hop with pineal Afro-futurist vision. Hailing from Saturn via Oakland, CA, Eric Douglas Porter aka Afrikan Sciences has carved an elliptic orbit thru the sonic cosmos with three albums and a string of 12"s for Aybee's Deepblak label, an empathetic home for his abstract, groovesome suppositions improvised on turntables, upright bass, and a matrix of digital tablets. Now taking flight with… Read more
The Advisory Circle return with a new album and a much darker sound with 'From Out Here', the enchanted follow-up to the pastoral ambience of 'As The Crow Flies'. Masquerading under this guise, Jon Brooks reveals what is quite possibly his strongest work to date; an 18 track suite drifting from brassy cosmic warning signals to ancient-futurist miniatures reminding of the fragile motifs in Actress' 'R.I.P.' album. The common theme is undoubtedly Brooks' exquisite sound design, uniting a series of individual themes that add up to what Ghost Box describe as "a Wyndham-esque scienc… Read more
Triple-disc set spanning 20 years, 33 tracks of seminal and influential Detroit techno by the maestro, Robert Hood. Alongside Jeff Mills, Mad Mike and Carl Craig, Mr. Rob Hood is a noted pioneer of Detroit's 2nd wave, first setting up Underground Resistance with the Mills and Mad Mike, before establishing the M-Plant label in 1994 as arguably the birthplace and incubator of minimal techno. This 'M-Print' collection is a cherry-picked and comprehensive survey of pretty much all you need to know about the label, ranging out from his timeless blueprint, 'The Grey Area'… Read more
The beastly '11-14' collects all of Powell's incendiary solo 12" club trax on 2CD for the first time. It arrives as the man-machine rides a crest of adulation for his recent live show debut at Unsound '14 and a string of ruthless DJs sets that have seen him put his mutant mechanics firmly into action for Boiler Room and clubs/warehouses across the world. Spanning 3 years, 18 tracks, including the searing 'Maniac' collaboration with Russell Haswell, it frames a singular, ground-breaking body of work that consolidates, without compromise, the intentions and effects of D&B, techno and industria… Read more
Only 15 years since their seminal 'Multi Ordinal Tracking Unit' 12" (reissued in 2012), Unspecified Enemies launch a sick 2nd 12" of hi-tech funk. Two London-based producers with a serious thing for Detroit, Unspecified Enemies are separately known as Simon Walley and Louis Digital. Together they craft some of the sharpest techno tackle known to mankind, exemplified here in the turbulent cut-up of 'Ms. 45' and the Lauren Hill-slamming booty pressure of 'Chip Mode' up top, while the iced shake of 'Liquid Floor' and gritty funk friction of 'Lifestyles of the Minidisc Era' get nasty wid it on the back. Premo gear, this.
Golden Püdel's Helena Hauff and F#X charge a rampant 2nd session of gristly hardware roil as Black Sites for PAN. Relentlessly bloody-minded and primed for strobe-and-smoke-lit 'floors, both sides give up some of the most damaged no wave/acid that we've heard all year. A-side: 'Unit 2669' locks lampin' kicks and mind-swilling 303s to a rusted thumb piano/cowbell motif for 12 minutes of noxious, incessant club fuel in the mould of classic Bunker/Acid Planet bangers. B-side: 'Mockba' is a different kettle of radioactive, three-eyed fish, fxxking the beats off in favour of pulsing S.O.S. signals and waves of tarry black noise with a chaotic rhythmic agenda.
Regis, Evian Christ, HTRK, Kangding Ray and Dutch E Germ line up suitably epic, brooding remixes for Ben Frost's 'A U R O R A' album. In pole position, Evian Christ takes 'Venter' to his anti-G club space with sprung trap drums and iridescent trance chord blooms, whereas Dutch E Germ dismantles, guts and reassembles the same original stems in a battered, noisy dub, and HTRK retune those elements in their own sallow image with slow cooked machine rhythms and elusive, opiated synth tones. On the flipside Kangding Ray turns 'No Sorrowing' into a moody roller with a patented, muscular dynami… Read more
*Gorgeous collaboration between Jóhann Jóhannsson & BJ Nilsen featuring Hildur Guðnadóttir on cello* The enigmatic Ash International imprint yields the willowing beauty of Jóhann Jóhannsson & BJ Nilsen's original score for 'I Am Here' (2014), written and directed by Anders Morgenthaler. The score also features guest contributions from Hildur Guðnadóttir (cello), and the celestial voices of Elfa Margrét Ingvadóttir and Guðmundur Vignir Karlsson, it's a deeply effective synthesis of BJNilsen's intangible electro-acoustic atmospheres and Jóhannsson's celebrated string arrangeme… Read more
Prosumer loads up Fabric's 79th mix CD with 24 golden house selections. Following his 'Panorama Bar 03' CD, the former resident of Berlin's vaunted danceteria steps to Fabric with a direct and bang-up-for-it selection cruising between classic cuts, percy obscurities and unreleased new gear. It's testament to Prosumer's uncanny knack for picking and flawlessly blending pure belters that he's now releasing his second official mix CD, edutaining the masses to raw-ass foundations like the Traxxmen's 'Emergency' as well as exposing new talent such as Wilma with the gorgeous 'Fabio', whils… Read more
"Lapalux drops the stone cold dancefloor killer "Make Money" as featured on Flying Lotus's "FlyLo FM" radio station for Grand Theft Auto V."
Before New Age hit terra firma at the dawn of the 1980s, the classically-trained Bay Area composer Jordan De La Sierra’s consciousness soared with cosmic concepts. With cues and lessons from the great minimalists La Monte Young,Terry Riley, Pandit Pran Nath, and help from the venerable public radio program Hearts of Space, De La Sierra embarked on a journey in alternate tunings and resounding reverberations, transporting entranced listeners from the Golden Gates to the intergalactic. Take an interstellar ride on the sensory engulfing space piano with this lovingl… Read more
We Can Elude Control gets the best out of Ralph Cumbers aka Bass Clef aka Some Truths in the tensile, technoid modular and broken drum-machine deviations of 'Bliss Abyss'. As opposed to his more self-consciously "quirky" gear, there's a taut sense of discipline informed by dancefloor structures in these eight tracks released by Paul Purgas ov Emptyset's label. We can hear ideas filched from Footwork, house, techno and dancehall and wedged into these tracks, along with Cumbers unique feel for melodic arrangement and evolutionary, dub-wise space. Matching the crisp, kinetic aesthetics of r… Read more
Already established as one of D&B's yung hopes, Clarity cements his status with debut album, 'Infinite'. Since 2012 he's been a noted presence via releases for Exit Recordings, Horizons Music, Nu-Directions, and most recently Samurai Music, whose fwd family provide focussed context for his precision-tooled blend of minimal D&B, techno, dubstep and ambient tropes. Stepping up to the album format, he elevates and expands his sound, exploring a wider range of BPMs and rhythm structures with clinical execution. His D&B peer Skeptical appears on the super tight, 'Warhead'-like tribal minimalism of '… Read more
Richard H Kirk and Ancient Methods rip the skin off Powell's mutant 'Club Music' EP in a quartet of killer remix pillages for Diagonal. Rigorously tested everywhere from Mancy warehouses to Berlin power stations, the Ancient Methods mixes of 'Club Music' are among their very finest; whether in the rictus EBM funk of the 'Körpersaure91' version with its stentorian Front242-style bark and graphene-tipped snares, or the 'phet-sparked clobbering of the manic 'Pogo Im Säurebad' - surely their maddest outing ever. Richard H Kirk, however, takes a different tack entirely with 'So With Went El… Read more
Diverse, techi dubstep and D&B torsion from Gijs Snik aka Proxima, including a collaboration with his brother, Jeroen Snik aka Icicle, and vocal by P Money. First plate comes with the creepy darkside lurch and Coki-style bleeps of 'Trapped' beside the grimy slaughter of 'Pressurized' with P Money and the raving old skool Skream styles of 'In Vacuo'. 2nd plate is all about the pensile pressure of 'Gravity' and the aforementioned, killer D&B mutant, 'Redshifted' featuring Icicle.
Lawrence English and Werner Dafeldecker tantalise and excite our spatial and textural perceptions in this deeply involving collaboration recorded across the Antarctic Peninsula and later produced in Brisbane, Australia. 'Shadow Of The Monolith' features electroacoustic transformations of atmospheric, hydrophonic and ionospheric materials which have been layered, processed and restructured into a spectrum of of microtonal gradients, vibrant frequencies and fractured nonspaces. Basically, it vascilates between dark as hell and white as snow, quite as you'… Read more
Double CD compilation album of the works of Robert Wyatt curated by Robert together with biographer Marcus O’Dair, the two volume album features ‘Ex Machina’, the ideal introduction for the Wyatt novice, compiling tracks from Robert’s entire career to date and acting as a companion to O’Dair’s new biography, also titled ‘Different Every Time’ . The second disc brings together the best of Robert’s collaborations and guest appearances or, as Robert has it, ‘Benign Dictatorships’, including some very special oddities and rarities available here for the very first time.
**The 300th NNF catalogue number!** "Philly trawler Noah Anthony’s pulverized industrial designs under the black Profligate flag have grown increasingly caustic and cracked, culminating in the eight misery beat clawhammers comprising his sophomore full-length, Finding The Floor. What’s particularly impressive given Anthony’s history in form-frying outfits like Form A Log and Social Junk is how deft and purposefully these pieces are arranged – asylum weaponry fashioned from scavenged hardware. Of the record’s eight cuts, only “Can’t Stop Shaking” has seen release before (though the L… Read more
Teched-out, Afro-centric grooves from Pedestrian & Jasperdrum backed with a sharp jungle/footwork remix by Alix Perez. With 'Origin' Pedestrian & Jasperdrum find their groove in tight, shuffling drums and offset steppers bass at a laidback swing urged on by chants and darker neuro stabs. B-side: Alix Perez turns their 2013 tune, 'Kalakuta' into a hovering, quicksilver piece of slow/fast bass twists and rapidfire drums balnced with sweet chords.