Monday, 25 August
Enchanting, refreshing house from Deepblak's Damon Bell for London's Meda Fury division of R&S. Positively spilling over with good vibes, 'Hue-Man Made' serves five tracks of Afro-centric rhythms sprinkled with lush keys and radiant synths to mark out ground between Jamal Moss at his most lucid, and the supple grooves of Mr Raoul K or Aybee. Check for the breezy strums and triplet gyrations of 'Hue-Man Made' or the beaming cosmic grooves of 'Radius' and 'Enthusiastic Minor'.
End-of-the-rope business from Sweden's D.A.R.F.D.H.S., debuting on Opal Tapes after a dread-filled slab for Clan Destine. 'Fã-Rintelsen & Dã-den' is possibly the bleakest Opal to date, conducting a stygian descent to blank-eyed doom scapes prodded by icy pulses and systolic bass thru the buried harmonics of 'Andens Desperata Framåtanda' to the pealing breakdown of 'Dödsuppväckningar' and paralysing torture chamber ambience of 'Vaneföreställningsvärlden' and the utterly gutted gangster dread dub 'Kadaverdiciplin'.
Slickly irresistible swing-jaxx from one of the biggest UK house production units. 'Mistakes' is a perfectly measured, in-the-pocket burner with sweet vocal, '90s Korg M1 riff and supple subs; 'Dimensions' is tuffer, reminds of Karizma productions; 'Bird Flu' is a freakier tribal driver with wicked balance of dark stabs and frothy 4th world vibes; 'Foorest' is a sonar-scanning reduction of trippy bleep techno and skanking minimal house.
'Our Love' is the 2nd single from Dan Snaith aka Caribou's upcoming 4th solo album of the same title. A predictably sweet dancefloor move meshing froth, airy vocal processing with a rugged house bump, subtle Reese surges and disco strings until it turns into a full blown big room romp.
Bobby Champs, West Norwood Cassette Library, Kevin McPhee and J. Tijn as remixed by J. Tijn, Knowing Looks, Kamikaze Space Programme, and WNCL. J. Tijn turns Champs' 'Krenshaw' into a bruising/bruised techno tool and Knowing Looks sparks WBCL's 'Drop' as a breakbeat 'ardcore ruction. Kamikaze Spacxe Programme runs roughshod over Mcphee's 'In Circles' for a rugged drum tool, and WNCL cools off on a remix of J. Tijn's 'Flat'.
BNJMN nails a darker, heavier sound on his first 12" for Technicolour. On 'Tonight' he teases a snatch of This Mortal Coil's 'Song To The Siren' over strobing chords and submerged 4/4 welt to come off like The Field's up-for-it alter ego. Flipside, 'Arc' hews closer to that psycho-acoustically attuned techno sound also done by Actress and Lee Gamble, and 'IV' gets under the skin with opiated Eastern string samples rolled in murky EBM/house rhythm to gloomy effect.
Following a cool Public Information album, Austin Cesear's debut for Anthony Naples' Proibito is by turns one of the label's lushest and most challenging releases to date. On one hand you've got a dreamy deep house groove rich with warm sub-bass and strewn with breezy soul-strung samples on the B-side '1 Year', while the flipside is all about deferred gratification and experimentalism, with the filtered, detached loops of 'Yep' and the brittle strangely compressed space and unyielding build of 'Slink'.
Anthony Naples mans up the 3rd 12" on his Proibito label after sessions from Huerco S (Royal Crown Of Sweden) and Local Artist. Side A jams hard with booty-slamming kicks and filtered synthlines coming off like Delroy Edwards reworking old skool Daft Punk before sailing out to a finale of lush new age chords. On Side B he comes craftier with nifty drum programming and shifty, strangely dubbed-out chords, again descending to a blown-out breakdown only to return groggier and washed out. Canny stuff, check it oot.
Thursday, 21 August
**Edition of 500 copies housed in an ace spot-varnished jacket designed by Guy Featherstone. Mastered and cut by Matt Colton at Alchemy** Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile str… Read more
**Spotgloss printed jacket. Includes download code. Numbered edition of 300** Mike Paradinas sticks his butterfly net back in the murky space between Ekoplekz' ears for a diverse follow-up to 'Unfidelity'. Spawned from the same sessions at its predecessor, 'Four Track Mind' is not so much the offcuts, as the bits that were too dark, detached, for the psychedelic swirl of 'Unfidelity'. There's eleven of 'em, making for one of Nick Edwards' moodiest collections, all hingeing on silty rhythmic currents filter-clogged traces of melody fanning out from the Skaters meets Goblin on 'Ariel Grey' to… Read more
*Initial copies on White vinyl* Utterly enchanting, joyfully whimsical return from Portland, Oregon's acoustic/ambient-pop hypnotist, Sean Byrne aka Bugskull. Returning to Digitalis a half decade on from the much-loved 'Communication' album, his sound on 'Collapsed View' is mostly as charmingly concise and somnambulant as we remember, but also offers three slightly extended views where he really takes flight. The A-side yields five sun-dried ambient pickings, moseying from woozy harmonica, organ and acoustic guitar strums cuddled to tape in 'Heaven/California', thru the smudged dirge of 'Old… Read more
**Includes digital download voucher redeemable from the label** From hooded Wegie scamp to world-taking producer, Rustie continues to blaze a neon trail with his crackshot 2nd album, 'Green Language'. Packing all the stomach-churning, heart-bursting rush of a triple-barrelled mitsi, it's a dancefloor melding, accelerationist expression of emotions that can't be adequately summed up in the English lexicon, amped with guest vocals by D Double E, Redinho, Danny Brown and Gorgeous Children. It scales up the thizz attacks of 'Glass Swords' to impossibly ecstatic levels with his signature blend of … Read more
**First ever reissue of the pioneering ensemble's 1973 release, featuring a young Ennio Morricone** "Considered the first collective of experimental composers, Gruppo d'Improvvisazione Nuova Consonanza formed in 1964 in Rome to chase the expressive potential of live improvisation to its furthest reaches. Led by Franco Evangelisti, Gruppo also included Ennio Morricone before he found fame composing soundtracks. The ensemble advanced the innovations of 20th century avant-garde in laboratory-like studio settings where the intuitive i… Read more
From hooded Wegie scamp to world-taking producer, Rustie continues to blaze a neon trail with his crackshot 2nd album, 'Green Language'. Packing all the stomach-churning, heart-bursting rush of a triple-barrelled mitsi, it's a dancefloor melding, accelerationist expression of emotions that can't be adequately summed up in the English lexicon, amped with guest vocals by D Double E, Redinho, Danny Brown and Gorgeous Children. It scales up the thizz attacks of 'Glass Swords' to impossibly ecstatic levels with his signature blend of tiered harmonies, crashing trap dynamics and traces of jaw-breaking… Read more
*CD Edition includes 3 bonus tracks lifted off the DIAG004 EP* Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile strut of 'Astro's Hat' to the burned-out Pump styles of 'Spray Bottle', taking in the rollicki… Read more
Omar S at his very best on FXHE! Detroit's dopest house cat brings the funk like few others with three cuts of driving, airborne electro-soul and techno on 'Annoying Mumbling Alcoholic'. The lead cut is a real blinder, opening with a cheeky vocal snippet before a glyding electro-soul groove takes control, springing crisp, loud boogie drums and greazy bass below a soaring melodic arrangement bound to turn any dance to a loved-up lather. It's a certified anthem! B-side, the chiming cosmic chords and supple thump of 'Serving Cavi on 18 and Garfield' find him at his loosest, jazziest,… Read more
Ric and Max do their bendy, extended remix thing with NoW's bona fide Warp classic, 'Aftermath'. The 24 year old bleep techno template is extruded thru their modular arsenal to resemble a strange older version of itself, the vocal pitched down to a pensioners ramble and all the energy of the breaks and bass diffused into snaking, whirring polyrhythms. Frankly, it's boring. However, their Electric Jazz Version is ace, dicing up sprung drums, darting bass motifs and feathered vocal flits to sound some menagerie of psychotropically-enhanced, flying chimeras performing an ancient ritual involving multi-dimensional time signature switches.
**Full colour version - One sided vinyl with etching on the flip** In the egalitarian, sample-happy spirit of UK Rave, Jamie xx liberally filches from Mark Leckey's 'Fiorucci Made Me Hardcore' soundtrack for his festive anthem 'All Under One Roof Raving'. Flyknit with extra snatches of atmosphere from rave tapes and youtube videos, Jamie underpins it all with rolling subs, crafty 2-step percussion and those signature steel drums to beautiful effect. Long live the spirit!
*Includes Download Code Redeemable From The Label* The Wytches release their debut album ‘Annabel Dream Reader’, recorded at Toe Rag Studios and co-produced by Kristian Bell and Bill Ryder-Jones.
"A rollicking vocalist and gifted harmonica player, Syl Johnson has forged a career in both blues and soul. He sang and played with blues artists Magic Sam, Billy Boy Arnold and Junior Wells in the 1950s before recording with Jimmy Reed for Vee- Jay in 1959. He made his solo debut that same year with Federal Records. Johnson toured with Howlin’ Wolf from late 1959 until 1962, when Willie Mitchell signed him to Hi Records. Johnson recorded for both Twilight and Hi in the late 1960s and early 1970s, clicking with the dance / novelty cut ‘Come On Sock It To Me’ and crackling m… Read more
**Oh buoy, a right headful of eccentric computer music composition from the one and only Goodiepal. Double, heavyweight picture disc set housed in gatefold jacket and printed inners with insert. Mind your stylus on the run-in groove inscription!** "Fonal Records releases a live recording from 2000 in Roskilde. The package is a luxurious double picture vinyl that comes with a four page 30x30cm insert. Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and… Read more
Midland shakes out the swooning house of 'Before We Leave' for Phonica's white series, backed with a cracking Gerd Jansen remix. The original 'Before We Leave' pays dues to classic Pépé Braddock and Schatrax with crisp, shufflin' and swinging drums and lush string arrangement, whilst Gerd Jansen's remix takes it to Frankfurt with slick electro bass line and trim, direct drums.
**180g bone white vinyl reissue with bonus insert. Includes the killer wave groove, 'Now An Explosive New Movie'** "Long out of print and crucial reissue of Australia's Severed Heads (alongside "Since The Accident" also being reissued by Medical). Released in 1985 and features some of the most important yet underrated electronic music of the genre. Characterized by a fusion of experimental tape loop manipulation perfectly integrated into synth-based and quite catchy pop stylized tunes. Features the standout tracks "Goodbye Tonsils, "We Have Come To Bless The House" and the lovely "4.W… Read more
‘Clever Devil’ is the first single to be taken from ‘Disturbing Wildlife’, the forthcoming debut full length from Invisible Familiars, aka Jared Samuel, a New York City-based songwriter and multi- instrumentalist who has long made his living playing music, supporting a variety of NYC artists and now stepping out on his own. ‘Clever Devil’ was recorded with producer / musician Michael Leonhart (Yoko Ono, David Byrne, Steely Dan) and is all at once snaky and vivid, with Samuel’s acoustic guitar and mysterious, breathy melodies complemented by ear-candy flourishes o… Read more
Canada's fertile pop/electronica scene comes good again with Evelyn Mason and Jeremiah Klein's first single as Evy Jane for Ninja Tune. Lest we forget, the duo's debut for King Deluxe was a real burner, every bit as addictive as anything from fellow Canucks, Grimes, Weeknd or Junior Boys. That's in large part due to the smoky allure of Evelyn's vocals, and no doubt due to Klein's subtly exquisite production, which sound at best here in the heaving digital haze and melodic tristesse of 'Closer', in the sweeping sub-bass dynamics and filigree vocals of 'Sosoft', and the Rhythm & Sound meets Junior Boys dub-pop styles of 'Worry Heart'.
*Mastered from the original master tapes - a library re-recording of the previously unreleased Doctor Who score The Invasion. Includes additional electronic tracks from Don Harper’s catalogue and music featured in GeorgeRomero’s Dawn of the Dead.* "A collection of Horror-Electronics, supernatural soundscapes and sinister library muzak from Australian composer Don Harper. Featuring nightmarish cues used in Doctor Who 'The Invasion' and George A Romero's 'Dawn Of The Dead’ Centring on the library music re-recording of the 1968 Doctor Who soundtrack The Invasion (A dark otherworldly Sci-Fi jazz s… Read more
*Hand-numbered edition housed in a custom made Stoughton tip-on box that likes of which have not been seen since the ’70s* Light In The Attic have teamed up with Californian cassette aficionados Burger Records to reissue a series of classic LITA records on tape. Coming From Reality was the follow up to Rodriguez’s classic album Cold Fact, the unlikely anthem to the South African anti-apartheid movement made famous by the documentary 'Searching For Sugar Man'.
**Brilliantly out-of-step free-jazz/improvised fusioneering on Bradford's Bomb Shop institute. After something different? You've definitely found it** "Death Shanties is a new mixed media balls-to-the-wall Free Jazz group featuring Alex Neilson (drums), Sybren Renema (alto/baritone sax) and Lucy Stein (painting/projections). The group combine references to Medieval music, Sea Shanties and Field Hollars with the ecstatic cry of classic 1960’s fire music. Stein uses primitive devotional images, food stuffs and even her own hair in visceral, highly textured painted projections making Death Shanties a unique and immersive live experience."
Deluxe triple gatefold 10" set collecting Can co-founder Holger Czukay's 'Der Osten Ist Rot' (1984) and 'Rome Remains Rome' (1987) together with new remixes. Out of print for three decades, these albums document Czukay's sampledelic prowess, working with an Emulator sampler at Conny Plank's studio to make eerie and enchanting new dimensions drawing upon his time with motorik krautrockers Can and his musique concrète schooling under the tutelage Karheinz Stockhausen. At worst they're dippy exercises in "world" fusion; at best they're psychedelic collages swirling radio signals, MIDI orchestration and even samples of Pope John Paul II.