Thursday, 17 July
*Mastered from the original master tapes - a library re-recording of the previously unreleased Doctor Who score The Invasion. Includes additional electronic tracks from Don Harper’s catalogue and music featured in GeorgeRomero’s Dawn of the Dead.* "A collection of Horror-Electronics, supernatural soundscapes and sinister library muzak from Australian composer Don Harper. Featuring nightmarish cues used in Doctor Who 'The Invasion' and George A Romero's 'Dawn Of The Dead’ Centring on the library music re-recording of the 1968 Doctor Who soundtrack The Invasion (A dark otherworldly Sci-Fi jazz… Read more
*Includes digital download voucher redeemable from the label* *John Hegre, Kjetil D Brandsdal and Jan Christian Lauritzen aka Noxagt return with two new albums* “After an extended hiatus, Noxagt return with two new LPs - both on Stavanger-based screen printing/record company. 'Collection 1' is a compilation of unreleased material from 2001-2004. The band then consisted of Nils Erga on viola alongside the current rhythm section. It contains tracks from the first, unreleased Noxagt album recorded in 2001 as well as a live recording featuring producer Billy Anderson on vocals, a track from a 2004 Peel Session and much more. The LP comes in a 4-colour screen printed cover.
Crushing and febrile club gear from pivotal Austrian artist Philipp Quehenberger. 'Content' feels like a strange, lost transmission or reminder from a bygone European techno era untainted by trend and dedicated to tweaking out the most unusual, awkward sensations from hardware and computers. Rather than crude noise, sleek minimalism or inter-dimensional trippiness, Quehenberger's sound is best defined in terms of raw, repetitive muscularity and dissonant ambient qualities, doing what the likes of Prostitutes or Container do, only far better, and with cooler sense of discipline.
"The original two-disc Deceiver from 1996 is a seminal release in Bryn Jones’ sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones’ sound as Muslimgauze. From its epic, vinyl-side-long title track down to terse, rhythmic snippets like “A Parsee View,” Deceiver set out many of the avenues that Muslimgauze would continue to explore before Jones’ death in 1999. Since then, Staalplaat has continued to release the massive backlog of Jones’ work, with the nine-disc set Box of Silk and Dogs seeing the release of a third volume of Deceive… Read more
**Includes A4 insert** Berceuse Heroique present Koehler's kicking follow-up to his wayward Skudge debut. A-side is given to the bright, prodding synth stabs and guttural garage-techno roll of 'Dynasty; B-side features the synth vignette 'Spiral Light' and the corrugated breakbeat techno flex of 'Deleted Scene'.
**C40. Housed in hand-numbered, folded print with various decorated inserts. "Art Edition" of 34** Dissolving Records' Thomas Shrubsole - aka Sub Loam, In The Field, Jesus On Mars - presents early, archival recordings, using his birth name for the first name. It's a personal and far-reaching suite of disparate sounds tripping from Decimus-like astral chaos thru vivid synth wormholes to surprising Detroit techno deviations , gamelan-like percussive meditations and extended passages of atonal noise, all free as you like and unhindered by anything but his own wild imagination.
"Fueled by the financial drippings of number runners and boosted by Hall-of-Fame running back Jim Brown, Cleveland, Ohio's Way Out Records offered asylum for a rising crop of rogue soul men, rust-belt vocal ensembles, and trial-by-fire producers. Helmed by a friendly consortium of hustlers, police officers, and gridiron giants, pet project beget obsession as Motown arrangers, gospel choirs, and the Cleveland Symphony Orchestra were all beckoned to the wrong side of the tracks to mint masterpieces for the Sensations, Volcanic Eruption, the Exceptional Three, and Bobby Wade, all… Read more
*Vinyl Reissue* “The quintessential scientists of the post-avant-garde abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftsmanship in new compositional areas. Some followers of their earlier material might object to the obvious and comparatively conventional song structure and style that is displayed on Ende Neu -- picking up a power tool to highlight a piece rather than centering the entire work around it, or leaving a stage before setting it ablaze -- but the destruction has already been performed, … Read more
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. "‘Flow Motion’ was the eighth Can studio album. It features the UK hit single ‘I Want More’ which was mixed using binaural stereo, a method of recording sound that uses two microphones, arranged with the intent to create a 3D stereo sound sensation of actually being in the room with the performers or instruments."
**Includes digital download voucher redeemable from the label** "To anyone who has heard the music of Kikagaku Moyo, it should come as no surprise that the band’s origins lie in hours upon hours of late-night jamming, illuminated by nothing more than the geometric patterns playing behind the band’s eyelids, resulting in a natural, free-floating sound, as of-the-earth as it is intergalactic. It may be surprising that the band sharpened their improvisational skills by busking on the streets of their native Tokyo. It may be surprising that the band’s overall sound may owe as much… Read more
*Vinyl Reissue* "This is the fourth album by German avant-garde industrial band Einstürzende Neubauten, originally released in 1987. The bonus track "Adler Kommt Spaeter" is an early version of "Zerstörte Zelle." Considerably lower-key than all their previous releases, Fünf Auf Der Nach Oben Offenen Richterskala(trans. "Five On The Open-Ended Richter Scale"), with especially puzzling, almost country-rock track "Morning Dew," sung in English, but with moments of whip-cracking and atomic explosions. There's the same attention to rhythmic… Read more
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. Considered by many the finest Can album, ‘Future Days’ was the fifth studio album by Can. This is the last album to feature Japanese vocalist Damo Suzuki, exploring the ambient direction they had introduced into their sound on the previous year’s ‘Ege Bamyasi’ creating a landmark in European electronic music.
**180g wax cut by Matt Colton** Houndstooth present their answer to The Knife in Norwegian duo Soft as Snow, backed with an remix from Old Apparatus' Asher Levitas. An experimental pop duo based in Oslo, they arrive at an emotive Scando-pop style on 'Glass Body' after years collaborating in art projects and even starting their own "utopic" art and music festival in a Swedish forest. Their sound is a dramatic and passionate brand of technoid wave-pop, inescapably comparable with the Dreijer siblings or even Grimes, but also sharing moody, synthetic similarities with the likes of Sand Circles,… Read more
*Vinyl Reissue* "This is the third album by Einstürzende Neubauten, also known as Halber Mensch, originally released in 1985. The album opens with the startlingly oppressive, almost fully a cappella title track, with contrapuntal, atonal, en masse chanting. The album progresses to include quite a repertoire of electronically-generated sounds, finding the band developing their mishmash of industrial experimentation matched by terrifying clangs, stomps, and of course, the theatrical, poetic vocal delivery of Blixa Bargeld. An incredibly aggressive album, with insiste… Read more
*Vinyl Reissue* "This is the fifth album by Einstürzende Neubauten, originally released in 1989, now remastered. Highly energetic and possessed of a certain level of danceability, Haus Der Lüge was perhaps the most accessible for the band so far in terms of straightforward industrial-rock, with less grinding experimentation. However, this album is far from any sort of mainstream convention, with some of the most convincing alchemy of the best of the group's sonic clang, combined with some of the most captivating singing by Blixa Bargeld yet. The title track is a th… Read more
**Remastered first ever vinyl edition of 350 copies housed in letter-pressed jacket with double-sided insert** Ghédalia's cinematic 2007 release makes its way to vinyl thanks to Italy's amazing Holidays Records. Conceived as a sort of sui generis "catalogue record" where the artist could dissect musical stereotypes, 'Hystérie Off Music' resulted in one of Ghédalia Tazartès' most layered, epic and dream-like missives. An esoteric soundclash of field recordings, fog horns, symphonic string arrangements and, of course, that tongue of tongues chanting shamanic hymns, emotive glossol… Read more
Reel-skool Detroit house aces from O B Ignitt, peer and collaborator of Omar-S, on his freshly minted OBONIT label. Perhaps best known for his 'Wayne County Hill Cops' 12" with Omar-S, O-B defines his own take on Detroit house with three raw burners dancing between the funked-up, piquant swing of 'Sweaty Dance Flo' to the slamming 'Ignitt Techno' and freaky party sauce of 'Chocolate City (Uncle James' Mix)'. Choice selection for 313 connoisseurs!
In the 'IIVA' EP, Loops Haunt augments the sounds and structures of his widely acclaimed 'Exits' LP with a tuffened, ferric aesthetic. The Scottish producer gives a extended edit of album track 'IIVA' strewn with spring reverb ricochets and radiant harmonic aurora - which NHK remixes as a spiralling folk-techno vortex - and uses a similar palette of destroyed, rusted tones and beguiling spatial convolutions to render further material as urgent, febrile dancers, ranging from the granite techno groove of 'TIIYL' and the unstable 2-step of 'IIHX' to the FIS-alike mulch of 'IILTN' and the grazing roil of Vessel in 'FIISR' and 'RYIIG'.
Twwth pops a pair of heavy ghetto bangers for Fresh 86, the long-running label run by Ipswich's D&B stronghold. The follow-up to his kiler 12" with Vladislav Delay drops the tempo to juggle 130bpm Chicago juke and Euro bass styles in the stop/start fibrillations of 'Ima Drop', and mix breezier 808 bounce with vintage Jungle-style breakdown in 'Need A Refix'. Top riddims.
A centrepiece from Cooper's 'Human' album remixed by Factory Floor and Perc, plus an older tune reworked by Harvey McKay. The grimy techno ruckus of the title cut is set to an even, swinging acid keel by Factory Floor whereas Perc gives a brutal cyborgian deconstruction ranking among his finest workouts. Seth Troxler says "cool!".
*First edition pressing of 500. Includes CD* "The best improvisors are the ones that seem to invent and uninvent their instruments right in front of your eyes and ears. Swedish pianist Sten Sandell and Norwegian drummer Paal Nilssen-Love are two musical champions with a long experience of doing exactly that. ”Jacana”, the latest in our occasional series of unusual duo combinations, features the pair’s sparky improvised set captured at the 2013 Kongsberg Jazz Festival in southern Norway. ”Jacana”’s three tracks find the players flying close to the limits of their comfort zones, … Read more
"The best improvisors are the ones that seem to invent and uninvent their instruments right in front of your eyes and ears. Swedish pianist Sten Sandell and Norwegian drummer Paal Nilssen-Love are two musical champions with a long experience of doing exactly that. ”Jacana”, the latest in our occasional series of unusual duo combinations, features the pair’s sparky improvised set captured at the 2013 Kongsberg Jazz Festival in southern Norway. ”Jacana”’s three tracks find the players flying close to the limits of their comfort zones, sometimes resembling the strange formality of A… Read more
**180g wax in poly sleeve. Vinyl only** Local Action serve a proper summer anthem from Manchester/San Fran's Finn. R&G is the key phrase for his sound, a perfect mixture of American R&B sweetness and rugged UK grime chops finding the tender spot between Timbaland, Terror Danjah at his softest, and recent styles from Bok Bok. Up top, 'Keep Calling' is the big one, cutting male/female vocal samples in a tense pattern of unrequited love over buggin' drums and twanging bass. If you're standing still listening to this, best to move on. Flipside keeps the levels ticking with a Footwork-style display o… Read more
Mute finally release the CAN studio album reissues individually on vinyl. The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore. ‘Landed’ was Can’s seventh studio album, released in 1975. The band upgraded to 16 track recording and had the opportunity to bring out many more layers of sound and an upbeat nature for most of the tracks in the process. The album was produced by the band themselves and it provided the single ‘Hunters And Collectors’, backed by ‘Vernal Equinox’, which was issued on Virgin that same year.
The great Sun Ra Arkestra, recorded live at Jazzgalerie Nickelsdorf, Austria – 11th march 1984. Recording of the whole three hour performance in a deluxe gatefold Digipak.
*Includes Download Code Redeemable From The Label* - "Melt Into Nothing” is Ensemble Economique’s most lucid seance to date. The prolific Humboldt County musician has stripped layers off of his trademark haze but retained the beautiful desolation that’s earned him a rabid fanbase. The solo project of former Starving Weirdos member Brian Pyle, Ensemble Economique has crossed a land bridge from apocryphal world music and dusty soundtracks to gauzy 4AD-style atmospherics. Trellises of guitar embolden Pyle’s whispered, threadbare lyrics. On “Hey Baby”, the itinerant tone feels like… Read more
**180g vinyl. Edition of 300 copies** Intricate, advanced techno from Japan's Imugem Orihasam, backed with an Eomac remix on the Bedoiun label. The originals are densely packed with squirming synths and syncopated kicks, the 2nd in particular sounds like a mutant Powell piece, which receives a hard-stepping overhaul from Eomac.
Shifty-ass techno and breakbeats from the prolific co-founder of Ilian Tape for Will Bankhead's label. Topside rolls out the subaquatic techno-house tool 'Mörsin' and a clattering breakbeat techno slayer called 'Watz'. Flipside gets better yet with the pendulous torque of 'W2' built to raze big rooms to their foundations, plus a warped, abtsract wormhole, 'Banded'. Tipped!
**Heady, discordant and pastoral guitar landscapes from the Charalambides man. Edition of 300 housed in spot gloss printed sleeve** "In some hirsute + spectacled (as well as oft besotted) circles, the storied ramble of American guitarist Tom Carter requires no introduction. Of late, his Kazuyuki K. Null meets Franco Falsini excursionary instrumentalism has taken on an increased luminosity, due in no small part to some unexpected time spent at a certain house on the borderland. In his own words: "Information-inscribed ribbons unravel from a spool spinning into relaxed entropy. Floating smoke… Read more
The legend unfurls three broken beat beauties for Falty DL's Blueberry Records, backed with the label boss' rework. Hot on the heels of his Dego and Kaidi 12", a reissue of his Cousin Cockroach classic 'This Ain't Tom 'N Jerry', and his Theo Parrish hook-up, 'Just Begin', Dego's arguably on classic form right now, turning out the swinging budge of 'Nuts!' and the fluid electro-funk of 'Could Murder A Burger' on top, and the shadier, seductive shuffle of 'Celestian Ditton' on the flip. Falty DL remixes the latter with his signature sense of space and intricate rhythm mechanics, and even a dash of jazzy scat, causing Dego to exclaim "The force is strong with this one…".