Thursday, 28 August
**Fascinating, worldly and necessary collection of remastered, rare jazz orchids** "Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed. Having examined spiritual jazz as it was expressed in the US, and followed its messengers and influences in Europe, this fifth installment of our Spiritual Jazz series presents jazz from the rest of the world: a collection of j… Read more
**Fascinating, worldly and necessary collection of remastered, rare jazz orchids. Housed in thick, embossed gatefold** "Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed. Having examined spiritual jazz as it was expressed in the US, and followed its messengers and influences in Europe, this fifth installment of our Spiritual Jazz series presents jazz from th… Read more
The eighties weren't known as Fela's finest period. He was under much pressure from the Nigerian government and extensive touring of the US and Europe lead to a dearth of good material. 'Teacher Don't Teach Me Nonsense' from 1986 is considered the exception, featuring three extended tracks of more melancholy and deeply soulful Afro-Beat expressions.
Light In The Attic have teamed up with Californian cassette aficionados Burger Records to reissue a series of classic LITA records on tape. Hand-numbered and housed in a custom made Stoughton tip-on box that likes of which have not been seen since the ’70s
**Clear Vinyl** Edit Select teams up with Teste to refresh their '92 techno classic 'The Wipe' for 2014, backed with an hypnotic new collaboration. A-side, Edit Select performs a subtle edit, nudging the tempo down for contemporary compatibility, whilst leaving the roiling acid bass and searing hi-end flange more or less intact. B-side, their 'Ascend' hook-up traces a gradual trajectory thru rolling bass modulation and floating, finely-layered synth stata in classic style. Tip!
**Includes download code** "During his eight-year stint with Hi Records, Johnson was in the shadows of both Al Green and Ann Peebles. By 1975, Johnson's partnership with Hi Records started to yield even more success. As this album's predecessors had Johnson vacillating between being a romantic and a wretch, Total Explosion explores his unrepentant side with good results. "I only Have Love For You" is a classic Memphis shuffle and finds Johnson all but boasting about his lack of financial savvy, as he sings, "All I got to give is me." With all of the ill will and venom spewed on Total Exp… Read more
**The distributor find a limited stash of these - get 'em while you can...** "|From 1985 to 1990, Maura Jasper was the go-to artist for “ear-bleeding country” trio Dinosaur Jr. From "Repulsion" to their self-titled debut LP, from You're Living All Over Me to "Freak Scene," from Bug to "Just Like Heaven,” and on posters, videos, and t-shirts, the Dinosaur Jr. look was born of Jasper's love for Norwegian expressionist Edvard Munch and English anarchist Gee Vaucher. Collected inside are Dinosaur Jr.'s first four singles, a bonus fifth 7" pairing "Show Me The Way" with a cover of the Byrds' "Feel A… Read more
**Edition of 200** A brace of Entr'acte regulars remix selections from hamaYôko's four album's for the label. KK Null open the account with a brilliant version of 'Tsumetai Tsuki' veering from discordant, jagged keys and vocals to prime industrial steppers rhythms; Felix Kubin transplants 'NMichelle Moustache' to an alien planet; Modiri Hirano turns 'Senkô Hanabi' into a sweet n sticky glicth pop tune; Dale Cornish squishes and fillets 'LH3373' with electro-acoustic expertise; Lionel Marchetti impresses with a spectacular 20 minute rework of darkside, multi-dimensional chicanery in 'un être en dehors de la Terre'.
Monday, 25 August
Master-craftsman, Kevin Martin absolutely murders it with his fourth and finest LP as The Bug. A perennial pest at the outposts of dub, ragga, extreme noise and electronics, The Bug treats his periodic albums as dispatches from the brink, and 'Angels & Devils' is his most captivating of them all. Blessed with, and structured around sterling vocals from some of his favourite artists - Liz Harris (aka Grouper), Gonjasufi, Death Grips, Copeland, Flowdan, Manga, Miss Red, Warrior Queen - plus a collaboration with JK Flesh, it marks a pinnacle of not only his hard-wrought sound design skills, b… Read more
Sudanim drops a pair of proper bobby dazzlers on Her Records, backed with serious remix treatments from new cats, Drippin and Amotion. 'Pleasure Flood' is a fiercely shark-eyed reduction of ballroom, Baltimore and London club styles littered with the sound of spent shells and, quite brilliantly, not a melody in sight; it's a pure percussive thrill. Likewise, 'Abondance' allows any excess, twysting out industrialised drums and surging bass to steel the best 'floors. Remixing the former, Drippin makes an impressive introduction with his tetchy, quarter-tone edits and trap whirrs, whilst Amo… Read more
Dark0 follows his Lost Codes debut with a lean, trancey grime session for Mr. Mitch's Gobstopper label. Like Slackk or Ikonika's forward styles, Dark0 fuses brittle 2-step/grime patterns with well-oiled, fluoro folk/road melodies in a distinctly UK fashion. However, unlike the aforementioned, his sound also errs close to Hybrid or Sasha-like prog arrangements, and if we're getting wavey in the club at 3am, it's got strobe appeal...
Hot on the heels of his lovely 'King Bromliad' 12", Floating Points deals another one-sided treat for the DJs and dancers. 'Sparkling Controversy' has all the hallmarks of a sterling F.P. joint - cone-caressing subs, dusted drums and effervescent keys - given nuff room to slyde and rub up the slinkiest sorta dancefloor friction.
From hooded Wegie scamp to world-taking producer, Rustie continues to blaze a neon trail with his crackshot 2nd album, 'Green Language'. Packing all the stomach-churning, heart-bursting rush of a triple-barrelled mitsi, it's a dancefloor melding, accelerationist expression of emotions that can't be adequately summed up in the English lexicon, amped with guest vocals by D Double E, Redinho, Danny Brown and Gorgeous Children. It scales up the thizz attacks of 'Glass Swords' to impossibly ecstatic levels with his signature blend of tiered harmonies, crashing trap dynamics and traces of jaw-br… Read more
Masterful modular techno poundings from the Brummie techno boss - his first proper Token release following a remix of Grovskopa's 'Sex and Violins' in 2008. Both cuts are recognisably Surgeon productions, but perhaps not instantly so due to his new palette of modular synths. The original 'Fixed Action Pattern' galvanises signature shuffle and bruising kicks with a bristling, chaotic noise energy that's a thrilling new addition to his sound, whilst the aquatic Dub carves the groove to a solemn halfstep lurch steeped in sepulchral groans and consumed by oncoming waves of masticated electricity. It's a real burner.
Ital continues to twist the putative conventions of house and techno on his third album in two years. 'Endgame' feels light years away from his earliest transmissions of natty, lo-fi house, and much closer to brooding, minimal, modern house and techno styles, eking out a headier, weirder space somewhere between the styles of Tin Man, Kassem Mosse, and Joey Anderson, for comparison. The difference between then and now is perhaps his switch from software to select pieces of hardware, resulting in a more linear plot and liquified, worm-holing momentum on 'Endgame', no doubt enhanced by mixing and mast… Read more
Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile strut of 'Astro's Hat' to the burned-out Pump styles of 'Spray Bottle', taking in the rollicking jag of 'Bingo' and the nitrous-fuelled breakbeat torsi… Read more
*Digital edition with bonus remixes from Perc and Alex Deamonds* Tensile techno, grime and electro-bass rhythms from the ever-luminous Ikonika for Hyperdub. In contrast to her previous records, there's the feeling she's taken a step back from full-on modernism to bring vintage styles forward in her unique way. A-side, 'Position' jacks up a wily fusion of Dance Mania/Chicago house with Socafied Grime and electroid synthlines, and 'Praxis' twirls a glistening helix of industrial halfstep drums and bittersweet, 3D synth motifs. Flipside is better yet, bringing the crisply punc… Read more
Proper bass excitement from Addison Groove featuring a serious footwork soul joint with the late DJ Rashad. Gwan ruffer than his recent album, 'Dat Ass' boots up flashing Chic stabs and killah strings inna pumping Miami Electro mutation, whereas 'Push It' hooks up happy hardcore/jungle samples on a pneumatic footwork bass and 'Masamune' flexes out with forward '97 D&B styles nodding to Source Direct or Photek with a mnml 2014 stance. Best of all is the uncannily titled 'U Been Gone' with Chicago's recently deceased footwork pioneer, DJ Rashad, in flux between Dilla-style soul sample chops, junglist breaks and manic bass cadence. Big shotta!
Blown-out lo-fi house and techno patter from Oakland, CA's Worker Parasite, new on Opal Tapes.
Space-headed slo-mo techno/hip hop trips from R&S's new signing. Five tracks explore downtempo zones akin to Cloud Boat in 'On The Edge Surrounded With The Shores Of Assudrey', beside the sci-fi hip hop noise of 'Deer Drink From The River' and two pieces of scratchy modular noise in 'Dialectic A' & Dialectic B'. Fans of Fhloston Paradigm or Herva should check it oot.
Dank darkside industro-dubs from Italy's Violetpoison - one half of the Violetshaped duo with Shapednoise. This has to be his most diverse yet coherent statement to date in this guise, from the captivating display of voltage control in 'Gabbia Di Faraday' thru some massively killer industrial disco romps in the searing arpeggiations of 'Lisergico' and the Autechrian convolutions of 'Run', to Silent Servant-like 115bpm sleaze in 'The Key' and 'Sovrastrutture'. Definitely the best of Opal Tapes' latest batch - purported to be their last for a little while. Hope this one makes it to vinyl… Recommended!
Nimble, dreamy remixes from LoVil (Ricardo Villalobos and Max Loderbauer) and the Booma Collective's Oren Ratowsky & Solpara. The LoVil version of 'Pendule' is surely one of the best (of many) remixes in recent memory from the venerable Berliners, squashing the groove to a seductively sticky pulp swarmed with old skool early '90s ambient pads inna 2014 hi-tech jazz style. Ratowsky & Solpara's remix is pedestrian by comparison, but useful for dreamier tech-house times.
Utterly enchanting, joyfully whimsical return from Portland, Oregon's acoustic/ambient-pop hypnotist, Sean Byrne aka Bugskull. Returning to Digitalis a half decade on from the much-loved 'Communication' album, his sound on 'Collapsed View' is mostly as charmingly concise and somnambulant as we remember, but also offers three slightly extended views where he really takes flight. The A-side yields five sun-dried ambient pickings, moseying from woozy harmonica, organ and acoustic guitar strums cuddled to tape in 'Heaven/California', thru the smudged dirge of 'Olde Growth', to hazily ramshac… Read more
Traag follows his alter ego Siobhan's 'Southgate' LP for Opal Tapes with a raw, sleazy session for Italy's Gang Of Ducks. Punkishly cocked with drawling vocals and greased up with slow, kinky boogie and electro rhythms, it lands somewhere between '20 Jazz Funk Greats'-era TG and the snottier No Wave styles of Dracula Lewis or $hit & $hine, at best in the loping, reverse edit loops and snivelly delivery of 'Win The Lotto', the mutant disco propulsions of 'Mr. Alan', 'Rubber Doll' and 'Stray Dog', or the coiled electro slither of 'Tropical Fruit'.
"Montreal's Sami Blanco (one half of previous 1080 releasee AT/NU) digs back into the most classic of sungazing rhythmic ambient ideals for "Daydream Drawings". Currently living way out in Yellowknife, Temple Volant made this 60 minute cassette entirely with an Electribe sampler and collages of field recordings, ambient drones, noisier rhythmic textures & lo-fi bath folk. Temple Volant is the supremely colour-drenched celebration of the human body being the vehicle for the soul, with heavy holistic vibes leaned against fuzzy, familiar experimental sonics. “Daydream Drawings” medi… Read more
"Telecult Powers, the candle burning duo of Witchbeam & Mr. Matthews, known for their ritualistic live shows and previous releases on Baked Tapes, Draft, Pizza Night and more, bestow upon us their new album "Black Meditations", a six part sonic meditation on the connections between man, myth & magic. “Black Meditations” taps into the world of folk magic, reaching out to the spirit world through sonic practice, with the duo praying at an altar of bizarre electronic instruments handcrafted by Mr. Matthews. Through this "Hoodootronix" music Telecult Powers taps into the current in… Read more