Monday, 20 October
Rodion G.A.'s magnum opus 'Behind The Curtain' offers a further nosey into the colourful archives of Romania's synth-y psych-disco pioneer. Following on from 'The Lost Tapes' and the 'Misiunea Spațială Delta' soundtrack, 'Behind The Curtain' rescues another 14 songs from almost certain obscurity on decaying reel-to-reels at his country cottage in Romania. It's a wonder that they escaped the hands of the notorious Romanian authorities, never-mind the oxidisation process, to still convey a life-affirming and joyous take on electronic music romping from the swaggering p… Read more
Rugged, hypnotic house from the virulent Redshape on Running Back. 'Leaves' is a real builder, escalating from locked-in voices and low-pass filtered jack to peak-time party vibes with crafty subtlety, whilst further parts break down to component elements for the DJs.
Prime Numbers collect the entire series of remixes for Trus'me's 'Treat Me Right' album. Highlights include Alan Fitzpatrick's booming rework of 'I Want You', the kinky Truncate remixes of 'It's Slow', and the powerful Skudge rework of 'Moonlight Kiss'.
Madrid's Svreca gives dry, dusty and spaced-out techno remixes of TM404's purist hardware grooves. Fives tracks range from bleak minimal bleeps techno to fizzing dub techno rolige and Raster-Noton-style pulses.
**Hand-stamped white label** Driven but slinky tech-house on Ben Westbeech's Naked Naked label. The work of Leeds-based producer Jordan Saxton aka Viers, both tracks sit comfortably on the label roster with Dusky, Breach, Dark Sky etc, offering pumping techno-house funk of the DVS1 variety up top in 'Ryomi', and a more low-key, proggy vibe with the B-side's Usagi'.
Thurston Moore’s first solo record since 2010’s Demolished Thoughts features James Sedwards of Nought (guitar), Deb Googe of My Bloody Valentine (bass) and Steve Shelley of Sonic Youth (drums), the album radiates with both his signature thrashing electric guitars as well as blissful 12-string acoustic ballads..
"On ‘Industry’ Stefan Goldmann tests how far you can get by using presets only. All sounds are factory presets of 3 obsolete 1990s Japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). These recordings don't rely on successful presets, but on failed sounds of now obsolete synthesizers – industrial assumptions of where culture will go, but where it chose not to. The result is a surprisingly pleasant listening experience with effortless grooves and rich textures – and mildly demonic connotations… Read more
"Infinite Greyscale is delighted to present a new long-form composition by Stara Rzeka. The Polish village of Stara Rzeka and its surrounding countryside were devastated by a huge tornado on the 14th of July 2012. Stara Rzeka is where musician Kuba Ziołek, who adopted the name as one of several artistic projects, spends his summers, and the morning following the storm Ziołek was present to witness the aftermath. This self-titled piece opens to the crackle of electricity in the air and a distinct impression of menace. The distortion softens, but never truly fades, as it gives way to song;… Read more
"With his new album “What's Fruit”, Schlammpeitziger touches the danceﬂoor more than ever before in his 22-year long career. Yet his danceﬂoor is a playful one. The Cologne based composer's sounds electrify with their multi-layered melodic structures. He weaves countless details in perfection, to a high density of musical activity, always focusing on the slow, driving beats which hold everything together. Each of the eight tracks represents shades of the unique humour we love about Schlammpeitziger. Unlike his previous records which had been mostly made with analogue synths, this a… Read more
Cómeme pull in some big guns to rework Philipp Gorbachev's 'Silver Album'. Danny Daze moves further from the Hot Creations sound with a moody drug chug version of 'What Do You Need' and Ana Helder reduces 'New Sound & Silver Symphony' to a slower, stately momentum. Predictably, JD Twitch sounds like he has a tonne of fun with a fierce edit of 'Arrest Me' full of recursive delays and proper, pent EBM funk, leaving Matias Aguayo to jam down on 'Distance' and Barnt to get clinical with strobing synths and mid-tempo jack beats with an Addit of 'Silver Symphony'. Your 'floor needs this.
**Post-punk pop legend returns. RIYL Ariel Pink, John Maus, Woo** "Bringing to the fore Nick’s unique take on lo-fi baroque psychedelia, Space Of A Second bends influences from across time and space into an exhilarating construction that evades easy definition, indeed perhaps in the end the best description comes from The Guardian’s Alexis Petridis who simply hailed nick as “Unique, almost inexplicable”."
Massimo Di Lena and Padice team up on a deep house/disco session for Dekmental. Four tracks cover bases between slinky acid disco in 'Motor'; bumpty Chicago juice in 'Oman Jazz'; wiggly Border Community-style tech-house in 'Design The Future'; grumbling cosmic styles in 'Arctic Lodge'.
Living up to his unrivalled reputation as one of the most versatile and capable producers in electronic music, Mark Pritchard rolls off two of his most deadly riddims for Mala's Deep Medi stable. If you've not caught one of Mark's releases as Harmonic 313, Jedi Knights, Reload or Global Communications you need to go and do some revision mate, but if you've been keeping track of the last 20 years of dance music you'll know what we're talking about. The steamroller subs of 'Elephant Dub' are crushingly heavy, creating a dense pressure that causes the snares to ping off the surface with… Read more
One-sided special request from the hand of Mala. Released to accompany the collector's book, 'Passion For Vinyl', it yields Part 2 of Digital Mystikz' 'I Wait' from the Soul Jazz compilation, 'Box of Dub: Dubstep and Future Dub' (2007). Choice picking for all DMZ completionists and modern digi-dubbers.
Alternate shades of Teutonic tech-house from perennial producer Losoul. The 'Immanent' EP gives the Another Picture label a fine debut with the canny use of a processed sample of The Last Poets threaded thru the head-spinning synthlines and pneumatic jack of 'BZA' for the 5am crew, and the dusted deep house waltz of 'Sediments' taking you to the after hours.
Bumpty Chi-house/disco splice job from some cat called Laurent on the Delroy Edwards-affiliated Gene's Liquor label. It's a while since we've heard this sound done so well, so gritty, with nuff verve and swerve in all the right places. The first cut's the best, full of reverse/forward edits, crispy claps and tricksy filtering to cream the crowd, whilst the other two come with mucky funk a la Shake, Sneak or Van Helden.
Tuff City Kids' Phillip Lauer does it for Beats In Space with two EBM-infected house sure-shots. 'Hands & Feet' balances piano house chords with sharp and sticky electronic drums in a poised Frankfurt fashion. 'Stigma' scrolls back to mid-late '80s styles with uplifting disco/house keys and cantering wave groove softened by lush arpeggios and breathy synth voices.
Award-winning poet, playwright and rapper Kate Tempest drops the 3rd single from her acclaimed album, 'Everybody Down' for Big Dada, backed with crafty Mike Skinner and Micachu remixes. In 'Circles' she's like London's answer to Sleaford Mods, bouncing street-level bars over a skippy minimal backing, whereas 'The Truth' feels more rugged, on the cusp of old electro and hip hop swagger. Miek Skinner jives 'Circles' with elegant triplets and strings, whilst Micachu gives the highlight in a slow-slamming but piquant remix of 'The Truth'.
Like all good parables Jane Weaver’s sixth solo album, a concept album called ‘The Silver Globe’, is as multifaceted as it is beguiling. Part coming of age / part cautionary tale and part romantic paeon, this twelve track synth ridden post- apocalyptic prog pop opus is based on tightly embroidered, non-linear recurring themes and inspired by esoteric stories, cosmic imagery and refiltered past experiences. Written from the optimistic vantage of a long- standing female independent artist, in an desperately evolving industry, Jane’s latest set of self penned pop abstractions combine m… Read more
**Diverse, classy beat suite by Dutch DJ/producer, from neck-snappers to softer soul styles including an ace with Detroit's Guilty Simpson** "Percy Samidjono, better known by his stage name I.N.T. is a Dutch producer, DJ and performing artist originally from Amsterdam and Rwina's newest addition to its artist roster. "Percy La Rock" was the name given to I.N.T. by Charlie Ahearn, the director of Wildstyle. This seven-track EP is a diverse and unique record in the hip-hop/soul spectrum, with dreamy vocals from singers like Steve Hartley and Sasha Vee and some proper brag n' boast raps from… Read more
Huxley deals in rudest, deepest UK dance functions on debut album, 'Blurred' for Aus Music. Hovering around the idea of a deeper UK dance sound, he proves equally effective in a spectrum of styles under the original house umbrella, from D&B, garage and dubstep, to vocal house and rolling electro. Fresh production, smart songs, choice grooves.