Monday, 24 November
"Flower & Water began with an offer to work with the first Dragon’s Eye release – a flexi-disc with a recording of George Winston playing a blues piano composition called “Medley: Bread Baker’s Stomp” – as source material. Since I am not a true remixer, I decided to modify the track via physical manipulation. Most of the material began with cutting up some of the flexi’s and taping back together in ‘wrong’ ways. I then played (or tried to play) the broken records that had been taped back together, and also putting objects onto the surface of the record while being played with a cheap re… Read more
Swing Ting co-founder Samrai meets Rüf Dug, on a filtered street-rave tip for UTTU, backed with Hashman Deejay and Zanzibar Chanel remixes. Their first observation muddles Manc dancefloor history with an anachronistic blend of dusted boogie soul and jungle breaks sounding like some mutant Juice Box TP discovered in the Chorlton Oxfam, and likewise, the breathy synth voices, tropical chirps and latinate shuffle of '2nd Observation' could almost be from some Hulme-o-naut's bedroom in '91. Hashman Deejay gives a smoother ambient house re-lick of '1st Observation' and Zanzibar Chanel chimes in with a greased up remix of '2nd'.
"Medical Records presents a very special double A side reissue of Fullerton, CA band Null And Void. Null And Void recorded 3 albums (1980’s “Happiness And Contempt” , 1982’s “Montage Morte” and a 3rd in 2012). Both of the 1980s LPs have relatively short playtimes, so we have decided to reissue both in their entirety on each side of this reissue. Hailing from a very diverse musical scene, Null And Void forged their own sound fusing elements of new wave, post-punk, cabaret and less characterized roots. Both of the LPs have gone long out of print and have become c… Read more
*Murcof returns with a new collaboration with Erik Truffaz, with a special artwork by Enki Bilal* Swiss trumpeter Erik Truffaz has worked with Mexican born sound artist Murcof (originally Fernando Corona) since 2006 when they worked as a trio with Talvin Singh. That fruitful relationship brought together Truffaz’s investment in modern jazz (he has been that archetypal thing, a Blue Note artist), a sharp ear for the new discoveries of contemporary composers like Giya Kancheli and others in the eclectic world of new music, and developed a creative conversation with the world … Read more
Outstanding mid-tempo disco session from Mark E for Futureboogie. Ask us, we'll tell ya this is probably the best we've ever heard from the Brummie producer. The A-side's 'Activity' is a dangerously hypnotic chugger riding the slickest bass arpeggio on astral trajectory to proper, Carpenter-esque peaks; B-side gets right down with the buttered claves and fruity yet minimal synth strokes, and 'Shapes' comes off like some long lost NWAQ production. Choice.
Maoupa Mazzocchetti debuts with the sleazy darkwave allure of 'A-Tranquility' for Unknown Precept, who previously delivered 'The Black Ideal' compilation of noise/techno hybrids. This 12" sees them head down a narcotically sexy avenue of modern hypnobeat, working with a salty, writhing aesthetic highly comparable with your JTC, Traxx or Beau Wanzer bits. A-side delivers three cuts stretched between Carpenter-esque chimes a bubbling jakbeat with lashings of spring reverb and ghoulish chord progressions and B-side comes with the hench industrial swagger of the Skinny Puppy-esque 'Coexistence' and the killer EBM churn of 'Vernacular'. Strong twelve this.
"Lawrence English and Stephen Vitiello are creators of mythology. Their mythology renders a series of acoustic spaces, haunted by narrative and hinting at happenings unseen, but certainly heard. With Fable, we are presented with their second duet. It chronicles three years of intermittent audio communications in search of new collaborative approaches. The results focus on the pair’s joint interests in modular synthesis, field recordings and the blurry boundaries between acoustic instrumentation and electronics. The album’s multiplicity of sources creates a weaving and at … Read more
Jorge Velez puts his Professor Genius alias to bed with a fine debut LP of searching hardware manoeuvres for L.I.E.S. Six tracks spell out a cosmically detached sound scoping out immersive ambient xones in the black hole of 'Blood and Bone' and underwater bliss of 'Wrecks', along with dancefloor-courting mutant chug in 'Festival Mounds' and more abstract, industrial expressions in the murky rhythms and synth washes of 'Curves', or the blunted pulses of 'Ley Lines'.
"If there’s one thing Jonas Kopp has proven over the last decade is that he can turn his hand to just about anything. Since debuting on Pﬁrter’s revered MindTrip Music back in 2006, the Buenos Aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic music’s various forms. From warm Chicago house through to deep, dark and driving techno on labels like Deeply Rooted House, Stroboscopic Artefacts and more, Kopp’s hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to ﬂourish as one of techno’s … Read more
Astral Black bossman Jon Phonics drops three cuts of dreamy new soul thump and psychedelia on Alex Nut's Hotep Records. The big one is 'Elevations', setting Yasine's belting vocal somewhere in the ether with swurling cosmic synths over a staggered soul swagger rhythm. Next to this, 'Naim' is a miore chaotic, frayed instrumental working with spannered claps and zig-zagging synth like some deep fried Om Unit joint, whilst the miniature 'Bazooka' blasts out between Sun Ra and Ras G.
The yung Parisian crew step deeper with the blue sci-fi atmospheres and in-the-pocket grooves of Jean Nipon's 2nd 12" for the label. Sealing the airlock entrance with the near beatless 'Eerie', the session turns to simdeck deep house ambience with 'Daydream Nation' before tucking into the crooked machine patter and sino melodies of 'I Ow You So Much', saving the best for last with a percolating piece of steel drums, jagged drum machine patterns and exotic robo voices in 'Up North'.