Friday, 31 July
Lorenzo Senni's inspired Presto!? imprint presents one of 2015's most singular electronic albums with the solo debut proper from Theo Burt. Originally written circa 2009/2010, it's an album that was never really intended for public consumption but, thanks to Senni's efforts, is now presented here in all it's hugely individual glory. Perhaps best thought of as avant electro-pop or even some sort of Compute/R&Baroque composition, the Casio phase synth-sculpted arrangements of 'Gloss' elicit some of the strangest, most curious sensations, visceral melodies, harmonic convolutions and pol… Read more
**Spellbound archival home recordings revealing the esoteric sonic adventures of David Tyack (1978-2002), a founding artist from Andy Votel's Twisted Nerve label who sadly passed away in 2002. Includes liner notes by Andy Votel** Dave Tyack's haunting/soothing electro-acoustic project Luxury Apartments is given a necessary posthumous release via Andy Votel, Doug Shipton and Sean Demdike's Dead-Cert imprint. A heady mix of improvised electronics, mechanical folk and late night North West ambience, the Luxury Apartments project was completed just months before the G… Read more
Tuesday, 28 July
In this selection we cast an ear over some of our favourite, intimate and far-flung solo string releases from recent times and far beyond. It covers a broad spectrum of emotions and (mostly) instrumental notions, taking in improvisation by US-based Bhutanese guitarist Tashi Dorji, as well as Arthur Russell's cello drone pop and the barely-there presence of Ashley Paul; plus the serrated arrangements of Bill Orcutt and the otherworldly atmosphere of Indonesia's Senyawa; ancient-sounding visions by Dean McPhee and Jozef Van Wissem; and seductive nocturnes by Loren Connor… Read more
Friday, 24 July
Koreless dices with strobing vocals and synths on his widely anticipated return to Young Turks. Last spotted in 2013, with 'YT 140' the Welsh producer whips up a steepled vortex of 32nd note phonemes and synths to a pointillist trance peak on the A-side, whereas the 2nd side fillets gynoid vox into a stuttering, pitching declaration of love maybe best compared with the fine-processed aesthetics of Holly Herndon or Katie Gately.
**SDJR turns out a whole party's worth of funk with an infectious debut album sporting guest spots by Julio Bashmore, fLako and Kutmah** "From time to time a DJ or producer comes along who transcends a particular scene, bridges the gap between disparate movements and unites tribal music fans. Seven has that talismanic quality. His productions have a rawness… a loose-knit, lolloping groove that seduces even the most steadfastly stubborn of hips. Recorded in LA, San Francisco, Amsterdam and London, Universes is a unique exploration of his musical landscape, traversing tempo… Read more
Taut, pressurized drum tracks from Melé. Doin' it for Lobster Boy, the scouse producer charges up a battery of batacuda drums with belting diva drops in 'Ambience', and rolls ruggeder with the tight, bouncing percussion of 'UFO'Z' chopped with natty chords and electrified stabs.
The Mods hock a vitriolic follow-up to their 'Divide And Exit' breakthrough with the 12-song 'Key Markets'. Their latest dispatch from the no-mans-land of Nottingham volleys shots at anyone and everything that comes within Jason Williams' line-of-sight, whilst Andrew Fearn's productions remain ascetic to say the least, but possibly with more bite and itch in the gruds than before, and even a few moments that could be described as abstract when compared with their sternly functional structures. Safe to say they've lost none of their spunky chuff with the advent of bigger stages and audiences at their feet.
"Vinyl Williams is the moniker of Lionel Williams, 25 year old Los Angeles based artist and experimental-pop musician. ‘Into’ - his startlingly accomplished second album - effortlessly fuses psych, krautrock, ambient and shoegaze into a transcendental whole. The record ripples outward into blissful sonic geography. Lead track ‘World Soul’ sounds like celestial soul music; ’Gold Lodge’ floats on jazzy chords and a propulsive baseline; ’Greatest Lives’ and ‘Iguana City’ are loungey new age jams that continually unfold; ‘Xol Rumi’ closes the album in an etheric motorik voyage. Uniquely, all the… Read more
El Gheba' - actually, we jest; we're not sure what Peterson did, but it sounds bloody great - while Modeselektor fuse beefier, bouncing drums to Rizan Said's flowering keys in 'Leil El Bareh' and 'Ensaa El Aatab', and Four Tet infuses the title track with a fluid, heady sort of dancefloor psychedelia. Left to his own devices, however, Souleyman and band provide some of the album's most striking moments in the solemn sway of 'Mawal menzal' and the intricately woven strokes of 'Darb El Hawa', whilst Legowelt yokes 'Bahdeni Nami' to Euro 'floors with a killer New Beat acid styled remix. Pretty hard to deny this is one of Souleyman's best records to date.
Jessy Lanza finds mutual muses in Chicago lynchpins, DJ Spinn and Taso, for the romantic R&B and footwork of 'You Never Show Your Love'. A perfect match of styles, it finds Spinn & Taso working outside their usual tempo bracket with great results, creaming yacht-ready guitar licks on airborne trap triplets, all gilded with Lanza's longing lyrics placing the original up close to FKA Twigs' 'Water Me' whilst the Teklife remix comes off like 4Hero gone footwork with its ornate chords, jazzy arrangement and hi-tek funk pulsations.