Monday, 24 November
**Another tour of M. Geddes Gengras' wired mind, following the Moog years volume with eight purely modular constructions again for Umor Rex** "New Process Music represents a major aesthetic shift for M. Geddes Gengras, fusing the long-form modular compositions he had been exploring on a bevy of small-run cassette releases with a new obsession with post-production editing to create a deeply tuned aural environment, lush in analog electronics that are gritty along the edges, with rich textures and melodies materializing and wafting away like smoke. For New … Read more
Swing Ting co-founder Samrai meets Rüf Dug, on a filtered street-rave tip for UTTU, backed with Hashman Deejay and Zanzibar Chanel remixes. Their first observation muddles Manc dancefloor history with an anachronistic blend of dusted boogie soul and jungle breaks sounding like some mutant Juice Box TP discovered in the Chorlton Oxfam, and likewise, the breathy synth voices, tropical chirps and latinate shuffle of '2nd Observation' could almost be from some Hulme-o-naut's bedroom in '91. Hashman Deejay gives a smoother ambient house re-lick of '1st Observation' and Zanzibar Chanel chimes in with a greased up remix of '2nd'.
"After Chris Clark had passed some of Gajeks sheer endless output over to Modeselektor, quite a few listening sessions followed. Ranging from postrocky electronica to complex and moody renderings of intricate introverted beat structures to a mutant dance music, a whole audioscape had to be discovered. There were songs and tracks and experiments there, morphed vocals and reverberated non human instruments, complex percussion patterns and sweet athmospheres, but in all these different paths and moods, a penchant for working with a leitmotif could be traced. As an introduction to expose his p… Read more
**Extended post-punk/doom session from an Ascetic House artist defected to Downwards** "Marshtepper resides somewhere on the other side. Gutter intellectualism put to sound, their first proper vinyl release is an extreme meditation on the reintegration of desire and the legitimation of individual corporeality, which reaffirms the hermeneutics of the unspoken. This is music that adds to the validity of the natural, an illusion of millennial hedonism."
Outstanding mid-tempo disco session from Mark E for Futureboogie. Ask us, we'll tell ya this is probably the best we've ever heard from the Brummie producer. The A-side's 'Activity' is a dangerously hypnotic chugger riding the slickest bass arpeggio on astral trajectory to proper, Carpenter-esque peaks; B-side gets right down with the buttered claves and fruity yet minimal synth strokes, and 'Shapes' comes off like some long lost NWAQ production. Choice.
Heads-down in the dance with four brooding breakbeat and ambient garage figures from Synkro for Apollo. 'Someone' tugs on the heart-strings with solemn arrangement of sweeping pads and Toasty-style breakbeats; the ghostly 'Transient' flits around Burial and dBridge-style late romance; 'Contact' slips into something more comfortable with silky dowsntrokes and a vocal reminding of Steve Spacek; 'Falling' nods to mid '00s electronica with a poised blend of Ulrich Schnauss and Arovane-esque motifs anchored by a minimalist UK groove.
"Medical Records presents a very special double A side reissue of Fullerton, CA band Null And Void. Null And Void recorded 3 albums (1980’s “Happiness And Contempt” , 1982’s “Montage Morte” and a 3rd in 2012). Both of the 1980s LPs have relatively short playtimes, so we have decided to reissue both in their entirety on each side of this reissue. Hailing from a very diverse musical scene, Null And Void forged their own sound fusing elements of new wave, post-punk, cabaret and less characterized roots. Both of the LPs have gone long out of print and have become c… Read more
Latest Bubblers compilation from Gilles Peterson’s Brownswood, including tracks and exclusives from Lil Silva, Photay, Zackey Force Funk, Moonchild, Hakim and many more.
"Lawrence English and Stephen Vitiello are creators of mythology. Their mythology renders a series of acoustic spaces, haunted by narrative and hinting at happenings unseen, but certainly heard. With Fable, we are presented with their second duet. It chronicles three years of intermittent audio communications in search of new collaborative approaches. The results focus on the pair’s joint interests in modular synthesis, field recordings and the blurry boundaries between acoustic instrumentation and electronics. The album’s multiplicity of sources creates a weaving and at … Read more
*Murcof returns with a new collaboration with Erik Truffaz, with a special artwork by Enki Bilal* Swiss trumpeter Erik Truffaz has worked with Mexican born sound artist Murcof (originally Fernando Corona) since 2006 when they worked as a trio with Talvin Singh. That fruitful relationship brought together Truffaz’s investment in modern jazz (he has been that archetypal thing, a Blue Note artist), a sharp ear for the new discoveries of contemporary composers like Giya Kancheli and others in the eclectic world of new music, and developed a creative conversation with the world … Read more
*A new label from Shapednoise, featuring a remix from the man himself* "Centaure is artist Franck Vigroux’s newest solo studio effort, following a period of both live and studio collaborations (with artists such as Ben Miller, video artist Antoine Schmitt as Tempest, and Mika Vainio) and music specifically written for multimedia performances. As the inaugural release for Cosmo Rhythmatic, the 12” sees Vigroux indulging in his taste for dynamic intensity, pairing abstract freenoise of the heaviest sort with a taste for dense electronics beats, in order to explore new structural possibilit… Read more
"For his debut full length on Planet E, the dexterous producer has crafted an album of contrasts that gleefully scribbles outside the lines for an otherworldly 12-track trip of galactic proportions that mines inspiration from everyone from Todd Terje to Marvin Gaye and Quincy Jones, while retaining an undeniable thread to the Motor City. Launching with the steely tension-filled ‘Born To Be Wise’ that sounds somewhat akin to the opening musical score of a Bond film, if said flick was set on Mars, the tempo is soon set to disco via the ultra-smooth vocal injection from Hard Ton o… Read more
Strident posh trance and minimal tech-house from the BPitch and Kompakt regular. Zug Um Zug' is a nicely off-kilter builder with keening, awning kosmiche drones, and 'Alles Im Allem' canters to a more exotic, almost Middle-eastern vibe.
"If there’s one thing Jonas Kopp has proven over the last decade is that he can turn his hand to just about anything. Since debuting on Pﬁrter’s revered MindTrip Music back in 2006, the Buenos Aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic music’s various forms. From warm Chicago house through to deep, dark and driving techno on labels like Deeply Rooted House, Stroboscopic Artefacts and more, Kopp’s hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to ﬂourish as one of techno’s … Read more
"The Exaltics is back with a new EP on Shipwrec that comes with a remix by Unit Moebius and artwork by Jaco Putker. The Exaltics is co founder of the Solar One Music label and has turned out a steady stream of EPs and LPs for Trust, Creme Organization and Clone West Coast Series, always coming on strong with a dense techno style. Opener 'The New Beginning' continues in that tradition where electro drums are run through with racing acid and more serene and tender synths colour in the backdrop. 'Coroded' is a much more bulky and brutal techno affair with tough drums that roll up and down, even… Read more
"A playful electronic musical journey evocative of Brian Eno’s ‘Music For Films’, Oneohtrix Point Never, 8-bit soundtracks and prog-infused 70s synth epics and executed with a rigorous conceptual framework worthy of John Cage or the radical film experiments of Lars Von Trier. ‘Solarispellis’ is the follow up to Arandel’s 2010 debut album ‘In D’ and similarly continues to be entirely in his signature key (a nod to minimalist godfather Terry Riley). From woozy electronica to emotive techno and the most vertiginous Krautrock, the tempos, moods and subjects are intertwined, covering an array o… Read more
Getting better with each release, the Strange U hip hop crew come correct for Par Excellence. The title cut rolls out some dusty bleeps and gruff raps like a long lost MF Doom joint produced by Dilla - sh*t you not! 'Sprites' is more robotic, abstract, reminding of Divine Styler, and 'Summertime Skeetin' gives it some low slung UK rap attitude besde the frazzled lurch of 'Monster'. Doubt you'll hear anything quite like this from UK in 2014.
Jorge Velez puts his Professor Genius alias to bed with a fine debut LP of searching hardware manoeuvres for L.I.E.S. Six tracks spell out a cosmically detached sound scoping out immersive ambient xones in the black hole of 'Blood and Bone' and underwater bliss of 'Wrecks', along with dancefloor-courting mutant chug in 'Festival Mounds' and more abstract, industrial expressions in the murky rhythms and synth washes of 'Curves', or the blunted pulses of 'Ley Lines'.
"Hi Records was founded in 1957 by a group of partners that included former Sun rockabilly artist Ray Harris and two other Sun alumni, Bill Cantrell and Quinton Claunch. The company would become identified with hit instrumental records from the likes of Elvis’ former bassist Bill Black’s Combo and saxophonist Ace Cannon. After a period recording and producing for Memphis’ Home Of The Blues label, Willie Mitchell hooked up with Hi Records. Mitchell’s band would back Black and Cannon, and he began turning out a series of soulful singles and albums of his own, starting with 1962’s… Read more
The yung Parisian crew step deeper with the blue sci-fi atmospheres and in-the-pocket grooves of Jean Nipon's 2nd 12" for the label. Sealing the airlock entrance with the near beatless 'Eerie', the session turns to simdeck deep house ambience with 'Daydream Nation' before tucking into the crooked machine patter and sino melodies of 'I Ow You So Much', saving the best for last with a percolating piece of steel drums, jagged drum machine patterns and exotic robo voices in 'Up North'.