Monday, 18 August
‘Out Of Reach’ has been unavailable in any official format since its original release in 1978 and is one of Can’s rarest, lesser-known albums. This is due in a large part to the fact that bassist Holger Czukay left the band and drummer Jaki Liebezeit has a reduced role, leaving most of the rhythm duties to percussionist come-lately Reebop Kwaku Baah. As on the group’s proper swansong, 1977’s ‘Saw Delight’, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is marvellous, especially on the centrepiece improvisations ‘November’ and ‘Serpentine’.
Melbourne's Mark Wundercastle serves 1080p their heaviest techno session to date with the 'Cell' EP. Six tracks take inspiration from 2nd wave Detroit techno, cyber cafes and early '00s Euro bangers, ranging from the bouncing jack of 'AC' and moodier synth streaks of 'FRDM' to the Shed/Soloaction-style breakbeat rave techno of 'Gute Zeiten' and 'NZ721'.
Percolating psych-dub stepper from Peaking Lights. Aaron Coyes juggles sprightly dub bass, piquant chords and electronic gremlins below Indra Dunis' breezy delivery, replete with a chorus you can sing-a-long to. Just don't tell the Balearic types that they're dancing to a dubstep rhythm…
Ghostly International's most emotional artist makes good with the shoe-gazing, euphoric electronica of 'Spectre', blessed with a tender, jazzy Bibio rework. The original is all heart-rending guitar chords and stadium-sized dance-rock thump, whereas Bibio's remix is dead sweet, reworking the chords on acoustic guitar with little reverse tape loops and Rhodes fills burnished with bird song and quiet, rustic drums.
Luke Slater remixes Marcel Dettmann in a trio of wicked PAS versions. 'Apron' from MDR 06 is condensed to a tripping wormhole of flickering rimshots, hypnotic bass and lip-bitingly tight hi-hats in the 'Tubed Mix 2', and properly roughed up in the Rhythm Mix. 'Rush' on the other hand, is rearranged for 'Deep Release', meaning a steady build and filtered white noise breakdowns designed to take the big rooms by hook or crook.
*Reissue on Superior Viaduct* "San Francisco's first and only rock n' roll band, Crime loomed over the entire Mabuhay Gardens scene with their blistering 1976 single "Hot Wire My Heart." Crime's loose, damaged rock n' roll was as immediate as it was controversial. They were Punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest moves was playing in the San Quentin prison yard. Formed by guitarists/vocalists Johnny Strike and Fr… Read more
**Deliciously strung out twilight music for fans of Ensemble Economique** "Legendary Hearts ooze an elusive chemistry. The collusion of Andrew Cowie’s disembodied synth sensibility and Kieran Hegarty’s fluorescent liquid guitar lines result in strange medicated states not easily grasped on first pass. Their previous (and only other) recording, 2012’s Songs From The Elevator, plays a little like the softest soft-rock sieved through a porridge of melted pills: chemical, blank, alluring, indistinct. The duo’s latest psychoactive sculpture garden, Aerial View, takes inspiration from a s… Read more
*Incredible new album from one of the most intriguing artists on the Hospital Productions roster, mining the precious, uncomfortable space between early ‘80s Italian industrial music and the claustrophobia typified by Coil* Lussuria came to prominence with the release of three tapes as part of the ‘American Babylon’ series in 2012 which where eventually championed by the likes of Blackest Ever Black who listed them at the top of their 2012 year-end charts. Lussuria's opiated atmospheres bring together dark and brooding Industrial signatures with augmented and re-purposed fragment… Read more
**Ambient pot-pourri from St, Petersburg via LA** "“…our music goes to ambient, and sometimes atmosphere, of disturbance and worry, sometimes meditation. But it doesn’t lie.” So sayeth singer/soothsayer of Saint-Petersburg haunted romance duo Delicate Features, Radmila Nikogosian. We’re fully of the mind to concur. Nikogosian and bandmate/beau Pavel Diakov-Astvatsaturian have been lurking in the off-grid steppes for roughly two years, scotch-taping microphones to fragile percussive objects and folk flutes amidst glowing grey electric swells of depressive sensuality. The Passenger… Read more
"'December' is the new project from respected french Techno producer Tomas More. After a steady slew of well received productions, including a split 12” with Roman Flugel 'December' becomes the realm in which Tomas is able to expose and indulge his love of harsher, less dancefloor focused textures, pluming his signature gritty techno ambience into the depths of no wave and mutated motorik. The sounds given on this debut release have always been there within his dancefloor productions but when that familiar and comforting pulse is removed these productions become something totally new and other… Read more
Ketev is the work of Berlin based Yair Elazar Glotman, here following up his well received debut Cassette on Opal Tapes with the full length 'Singular Stare'. Ketev's sound is one that you cannot help but give your whole self over to. There's a uniqueness in his mantra, he achieves an engrossingly lucid state within listening that is quite unlike anyone else currently working within the realm of damaged and mutated techno ambience. Ketev's music initially sounds as if it's purpose is to illicit fear within the listener, but once immersed within opener 'Remains as a burning coal' it's clear … Read more
Proper feminine presha from skipmaster DJ Q and Butterz player, Flava D. 'PS' burns up tropical chords, sweetest Todd Edwards-style vocal chops and singeing Bassline melodies with the slinkiest flair and funk. There's gotta be a month of summer left, make the most it!
2014's most anticipated release is finally in our grubby mitts, marking a new pinnacle of R&B/pop composition. Helmed by the visionary singer, producer, writer, multi-instrumentalist and dancer Tahliah Barnett, 'LP1' sets a high benchmark for new pop and R&B, pulling together some of the most interesting studio alchemists around right now - Arca, Clams Casino, Paul Epworth and Devonte Hynes - for a project that far outweighs the sum of its parts. Augmenting the sublime templates of her two mind-blowing EPs, 'LP1’ slots everything together with a hyper-lucid logic and unreal geomet… Read more
Big room thunder from UK survivor Mark Broom, backed with a stripped, insistent Edit Select dub. Broom pulls out his best kicks and some patiently developed drones to raise the roof with a blistering noise finale, Edit Select duly temper to a monotone, shark-eyed pounder.
M=minimal presents a guided tour of their neatly formed catalogue via music from Borngräber & Strüver, Superconnection, Andreas Reihse, Denseland, and Ernestalbrecht Stiebler. Core to the Berlin since 2010, local duo Borngräber & Strüver make three appearances, Borngräber solo with the mannered downbeat keys of 'Tiem Teller', and in duo for the darker krautrock thrust of 'Reise' and the haunting swell of neo-classical strings and ghostly soprano swept up in 'Wellen'. Meanwhile, Superconnection rolls out the slow, pendulous momentum and overcast melancholy of 'S-Bahn', contrasting sharply with … Read more
"James Yorkston, an artist not unfamiliar with the notion of collaboration, has opened the studio doors to a broad and brilliant selection of players on this his eighth studio album. Produced by Hot Chip’s Alexis Taylor in London’s Livingston studio, it features KT Tunstall, The Pictish Trail, Rob Smoughton, Fimber Bravo and his long term collaborators Jon Thorne and Emma Smith. ‘The Cellardyke Recording And Wassailing Society’ finds James at his most personal and reflective, following 2012’s ‘I Was A Cat From A Book’. What James and his collection… Read more
*Expanded edition - doubled in length to include his cover of Cat Power's 'The Greatest' and an ambient collaboration with Richard Formby* "Halls - the solo project of 23 year old South London musician Sam Howard - released a debut album, ‘Ark’, in November 2012. A long twelve months later - after rapt reviews and a stint modelling for Hedi Slimane in Paris - Howard’s second album is here, and the changes are marked. “This is an album about opening up. Ark is the cold album, closed-off, obscure and confusing. I obscured lyrics and hid behind reverb and mumbling. For this albu… Read more
Esher (ov Blocks & esher) rolls out two forward D&B riddims for Doc Scott's 31 Recordings. 'Deep Architecture' locks off a big boy bass roll with tight tribal drum loops slashed by minimalist synth licks. Proper 2014 jungle pressure. 'Spirits Bounce' is more sci-fi romantic, contouring oily Reese bass to sparse, tech-stepping drums and panoramic pads. Gotta be one of the most stylish, emotive new D&B singles we've heard this year.
Stunning release from Cristian Vogel and SØS Gunver Ryberg as SGR^CAV for The Tapeworm. The label informs us that "Their compositions encourage the listener to observe and explore the resonances of a powerful musical awareness" and 'Moved By Magnets' exhibits a keen sense of spatial perception, tone and presence which entirely justifies that claim. Over four pieces they explore diffuse, free-formed spaces charged with a slow-moving, chaotic sort of energy ranging from the shuddering metallic resonance and bleak, streaking industrial tones of 'Qzhyd' to t… Read more