Monday, 28 July
Circle Traps step to Lex Records for their most developed, impressive release following 12"s for Opit and Five Easy Pieces. Comprising producer Will Ward with Duncan Bellamy and Jack Wyllie from Portico Quartet, Circle Traps draw on a reserve of revered "musicianship" and sharp dancefloor chops to realise a sound strung between knackered house, twisted techno a la Call Super, and epic '80s FM synth sounds recalling Com Truise.
Afro-centric house heat from East London's DrumTalk. Drawing on all the classic references - Chicago, Detroit, New York, London - as well as new ones from Kwaito to Azonto and Funky, DrumTalk's debut for GetMe! backs up its intentions with robust, effective productions resulting the shape-cutting stride and lilting drum cadence of 'Super Vega' on one side, and the writhing syncopation of bouncing, technoid drums and wheezing melody in flipside, 'SNB'.
'Wilderness of Mirrors' is a harrowing and compelling slab of dense ambient doom from esteemed Room40 proprietor, Lawrence English. Two years in the making and arguably ranking among his finest works, 'Wilderness of Mirrors' is, as English puts it, "reflection upon reflection, a pure white out of absolute aurality". Taking its title from a phrase rooted in T.S. Eliot's poem 'Gerontion' and later used to describe the misinformation campaigns of the cold war, it finds English channelling inspiration from the affective dynamics of Earth, MBV and Swans, together with his own f… Read more
Wildest Dreams are a Modern Day Equivalent of the L.A wrecking crew. They make music inspired by the landscape of L.A and it's surrounds for your road and acid trip. The brainchild of DJ Harvey as a means to keep his multi-instrumentalist hand in so to speak. The album was recorded over a week a couple years ago and unearthed by Smalltown Supersound.
First new Monobox gear from Rob Hood on M-Plant since 2001! Following the gospel truths of his Floorplan alias, Hood explores his most minimal side with two supple, rolling aces: 'Film' meets noirish, stealthily building chords with panther-style bass and chiming martian harmonics; 'Rectangle' is signature Rob Hood - tight chord flux and poised, kicking Motor City techno groove.
Mathew Jonson and The Mole, Peter Van Hoesen, and Blue Hour remix tracks from Tobias.' 'A Series Of Shocks' LP for Ostgut Ton. Canadaians at the controls, Jonson and The Mole give a masterclass in the art of subtle, swinging build with trimmed electro drums and pendulous, scissoring synthlines guaranteed to trap bvodies ont he floor, whereas PvH takes a more atmospheric route with his acidic rework of 'Cursor Item Only' and Blue Hour burns up 'He Said' as an alarming techno romp.
Outta nowhere, Downwards present Autumns' fully formed debut record of ghoulish, drowned lo-fi productions. Described as "Jesus and Mary Chain meets Joe Meek and Ride head on" it perfectly captures that sensation of hearing a band playing from two rooms away whilst locked in paralysis brought on by quaaludes. We're sure you know the feeling. There are six tracks, each placing a noisy barrier of indeterminable distance between the charmingly rudimentary songs and the listener, at best in 'Tired Eyes' with its machine gun drums swirling against salty but sweet jangles and drugged vocals, or the dancefloor-ready sway and alluringly emaciated synths of 'Gerascophobia'.
Delectable deep house, Berlin style, from Workshop founder and caretaker, Jens Kuhn aka Lowtec. One year on from the squashed functions of his 'Port Carbon' 2LP, he's operating at infectiously dope levels on three tracks taking in the two-part, ten minute swagger of 'A1' - switching from sub-swung beatdown to something like BoC's 'Twoism' - on thru the gently levitating waltz house and occidental cuteness of 'B1', to the slompy wooden knock and drowsy Berlin 'tronics of 'B2'. Witness a master at work.
Shifted bosses it up on three crafty, Birmingham-style techno tools plus an industrial intermission. 'Sickness By Means Of Clairvoyance' is the follow-up to his 'Crossed Paths' album, following that trajectory into the walloping, corrugated gallop of 'Chapter' and the MB-like offcut 'Feeding'. Flipside the Brum accent is more pronounced in the Regis-style foundry work of 'Aun Weor' and with the oxidised textures and throbbing force of 'Unveiled'.
**Super slick, synth-heavy and seductive soul-funk from Nigeria 1978** "Originally recorded for the EMI Nigeria label and produced by legendary producer Odion Iruoje 'Keyboard' was a one-off studio project formed by Brodricks Majuwa and Isaac Digha from circa 1978. These two session men were often used at the EMI studio and played in multiple recordings that Iruoje produced throughout the era. This extremely scarce and obscure record features amongst others Ignace de Souza of the Black Santiagos from the city of Cotonou, Benin and Jonni Wood from the band SJOB movement. Lilting, laid-back, s… Read more
"Ziguri is a project formed by Krautrock legends Gunter Schickert, Udo Erdenreich and Dieter Kolsch. Active only from 1987 to 1997, the trio reformed in 2011 and now present their first album - some 27 years after they they broke up to be exact. The music: hypnotic trancepsychic rockdriven repetitive beats & bass lines, overlaid by floating patterns from Schickertís inimitable echodrive guitar."
Simple/Aus Records boss meets longtime collaborator Tam Cooper on two dubbed and gritty tech-house groovers. 'Pedal Power' plays dry and rugged with plonging acid bass and skittish drums before a widescreen atmospheric breakdown, and 'Valhalla' aims higher with swinging jackers tackle rent skyward with massive reverbs and woolly ambient motifs.
By jove he's back - Chilean producer Visonia melts our hearts again with his 2nd EP and follow-up to the Dopplereffekt-starring 'Die Reisen' anthem. Again it's an unmissable example of trancing retro-futurist synth music nodding to classic Italo, Techno and Electro with meticulous production values and undeniable effect. 'Journey To Humility' kicks off with a proper techno symphony melding epic synth arrangement to slick Italo-techno bassline, before 'Deception' rolls out an NRG electro anthem sounding like the bastard offspring of I-F and Ultradyne. 'Fake Smiles' is more desolate, g… Read more
Tlaotlon gives 1080p their most frayed, cheeky release to date with 'Ektomists'. Hewing to a crooked axis of air-tumbling house drums and buoyant bass, Tlaotlon sparks off all manner of corkscrewing pings, synth stabs and scrambled electronics in a psychoactive manner belying his participation with wayward acts such as Finnish psych troupe, Kemialliset Ystävät. The results range from psilocybic sequencer arrangements like the Larry Heard-meets-Fonal styles of 'Spetra' thru the 4th world jack of 'Novodene' to the skudged, noisy disarray of 'Juicerays', and unstable house in 'Fuji VI', all keenly recommended if you like FAY, Ital, Jamal Moss, Noleian Reusse…
*Includes bonus track 'Segelboot'* Taron-Trekka follow 'Purple Magic' with their 'Yellow Magic' EP of laid back, swinging house on Freude Am Tanzen. It's a lean and gritty but sophisticated session, flexing out from the sub-hinged swing and skip of 'Yellow Magic' to the Teutonic deep house of 'Consoli' and 'Segelboot', and Herbert-styled rhythms of 'Trsnumak'.
Shapeshifting, footworking techno/bass prisms and ADD editing from Russia's Pixelord, backed with Curl Up, Druid Cloak and Thomas White remixes. 'Polygone Fane' is a kinetic colourburst of ideas twining garage techno helixes in 'Oasis' alongside the staggered Detroit-style hi-tech jazz of 'DSL Dream Corp', the chromatic waltz of 'Tumblr Girl' and lushest boogie footwork romance on the title track.
Classic Derrick May rarities, now available to download. Taut, minimalist, moody Detroit techno funk from 1989…
Collecting all four editions of the 7" series on digital format; from Lockah's 8-bit hip hop bouncers to a pair of footworking percolators by Yoin, the etheric rhythm structures of Grobbie, and moody slow/fast winners by Bones & Money.
"Land Observations (aka musician and artist, James Brooks) presents ‘The Grand Tour’, the follow up to 2012’s debut album, ‘Roman Roads IV-XI’. Where the debut album was concerned with the roads of communication and conquest that stretched across the former Roman Empire and Republic, the new album creates an imaginary travelogue through Western, Central and Southern Europe with reference to the historic Grand Tour. The album was recorded on the edge of the Bavarian Alps on just one electric 6-string guitar - exploring the potential of the instrument in relation to layers, rhythm… Read more
Magical make-over of Burt Bacharach and Hal David's 'Don't Make Me Over', as made famous by Dionne Warwick, now transported somewhere to avant-pop LA.
James Harmon Stack finally delivers a debut album of Baltimore, House, Grime and R&B hybrids for Innovative Leisure.
Italy's Aconito Records cap their digital series with the aquatic techno motions of Nicola Ruffino aka Ink's 'Exploring Planet X'. Nicola's previously contributed to 'The Acromorphe' 12" but this is his solo debut proper. It's a powerful, immersive sound, fathoming the distant dread rumble and coruscating shimmer of 'Unknown Land' and the swarming underwater phantoms of 'Amygdaloid Voices / On The Threshold' beside the cold shuddering pulses of 'Underworld Jungle' and drone roller 'The Ancient Being Is Dancing In Your Mind'. Fans of Milton Bradley, Alan Backdrop, Donato Dozzy should check this.
Deep and techy London house music from Rinse FM's Funk Butcher. Swerving the prevailing Dutch house sound, Funk Butcher hits a more indigenous mixture of swinging garage-house and broken beats with that unique UK accent, from the tempered burn of 'Logan's Run' with Whitney Williams to scuffed skip and wobbly funk of '4ward Thinking Retro' and the technoid reinforcements of 'Adventurous'.
**Cinematic synth themes and sleazy disco from Athens** From the label: "Optimo Music is known as a 12” label, but occasionally something rare and dangerous comes our way that compels us to release a full length album… It’s not exactly a dance album, although there is music you can dance to on it. It’s more filmic in nature, with references to legendary directors like Kubrick and Carpenter that will enthrall a film buff, particularly if they’re interested in electronic and dance music (It compelled me to watch Barry Lyndon again for the umpteenth time after… Read more
Mutant hardstyle/bass music from Eprom and Bong-Ra. The dense, focussed energy and razrored trap patter of American producer Eprom's 'Center of the Sun' is channelled into the crushing junglist torque of Bong-Ra's remix and a scything, blown-out halfstep VIP.
Hard-to-resist techno from American producer DVS1 for Ben Klock's label. 'Black Russian' is a timeless piece of rolling, swinging 4/4 momentum and teasing blue chord progressions primed for anthem status; 'Creepin' is shades darker, lurking; 'Spying' gets crafty with a stop/start, Something In The Sky-style Millsian techno shuffle.