What does FLAC mean?
FLAC is a lossless audio format designed for superior sound quality.
FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio.

Who’s FLAC for?
You’re a bit of an audio nerd, you regard 320Kbps MP3s to be inferior, you want DRM free, lossless downloads and you want them now! Sound familiar? Then FLAC is for you.
Want to know more? FLAC on Wikipedia

Highest quality
MP3 Format 320Kbps, DRM Free!
MP3s are iTunes / iPod / iPhone compatible

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DEATH VESSEL

death vessel

Stay Close

.The first thing you notice about Providence nu-country act Death Vessel (better known to his folks as Joel Thibodeau) is that he sings like a girl. Now this isn't mere classroom taunting here, he actually does sound just like a girl... it was only because I had it on good authority that he really is a bloke that I stood corrected. Not that this is a bad thing, quite the opposite in fact, his vocals (girlish as they may be) are fantastic, it's just, well freakish. 'Stay Close' was originally released back in 2004, but since Death Vessel have just been snapped up by US indie giants Sub Pop it's as good a time as any to grab hold of this lovingly packaged UK issue of the album. A few years back Country was a dirty word, it was one of those genres (along with opera) that you'd say 'I love all music except', you know country music was Garth Brooks and Billy Ray Cyrus, and nails on a chalkboard don't even go half way to explaining that. Recently however the whole country thing has become somewhat of the moment, I guess with all genres there's a reaction to being desperately uncool and with the help of the alt.country brigade (Lambchop, Calexico, Iron and Wine and friends) we have suddenly seen the American plains become fashionable and enjoyed by hipsters the world over. Death Vessel slots very neatly into this canon, and he manages it by the most simplest of tricks; good ole fashioned songwriting. There's comparisons to be made with pre-'Year of Meteors' Laura Veirs (except that Thibodeau sounds a little more girly...); tight but subtle production, memorable hooks and gorgeously picked acoustic guitar but in the end Thibodeau's voice becomes so memorable in its strangeness that 'Stay Close' becomes a world all of its own, and a damn nice one at that. Country pop music should never be this addictive...