Thursday, 20 November
"Flower & Water began with an offer to work with the first Dragon’s Eye release – a flexi-disc with a recording of George Winston playing a blues piano composition called “Medley: Bread Baker’s Stomp” – as source material. Since I am not a true remixer, I decided to modify the track via physical manipulation. Most of the material began with cutting up some of the flexi’s and taping back together in ‘wrong’ ways. I then played (or tried to play) the broken records that had been taped back together, and also putting objects onto the surface of the record while being played with a cheap record p… Read more
Heidi Lord - Wife of Rephlex/WeMe artist Jodey Kendrick. Three of Heidi's tracks are featured on the famous "EDM" Compilation Albums This is the Debut album from Heidi Using a unique pallet of sounds from MRI machines to modular synthersizers to conversations in a supermarket to her own processed voice Co produced by her Husband "I could describe what the album means to me, But i would much rather leave it to listener to experience and feel and to interpret how they see fit"
*Includes sticker and hand-drawn poster* "Run The Jewels, the super dynamic duo of El-P and Killer Mike, two of the most distinctive and celebrated names in rap, release their sophomore album, Run The Jewels 2, featuring Zack de la Rocha and Travis Barker among others.
"After Chris Clark had passed some of Gajeks sheer endless output over to Modeselektor, quite a few listening sessions followed. Ranging from postrocky electronica to complex and moody renderings of intricate introverted beat structures to a mutant dance music, a whole audioscape had to be discovered. There were songs and tracks and experiments there, morphed vocals and reverberated non human instruments, complex percussion patterns and sweet athmospheres, but in all these different paths and moods, a penchant for working with a leitmotif could be traced. As an introduction to expose his particu… Read more
"Gayna Florence Perry and Robin Surtees are perhaps best known for their work with cult 80’s band Shiny Two Shiny. Signed to Red Flame Records, they released one mini LP entitled ‘Halfway Across The Rainbow’ and one single ‘Waiting For us’ c/w ‘Ritual Hate’, in 7” and 12” formats. A mixture of bright and breezy synth pop with some darker undercurrents both records made a dent in the indie charts gaining positive reviews in the music press for releases and live appearances and acclaim from John Peel as well as daytime airplay on Radio 1. They also toured Europe and appeared on TV. A… Read more
*CD digisleeve with card wallet and 8 page booklet* "Submotion Orchestra return with ‘Alium’, their first album for Counter Records. Since forming in Leeds in 2009 Submotion Orchestra have released two albums, ‘Finest Hour’ and ‘Fragments’. The 7 piece band’s fusion of bass heavy electronica, jazz, soul and much more besides has made them a favourite of the likes of Gilles Peterson, Trevor Nelson and Jo Whiley amongst others."
*Obscure Belgian dance tracks and library recordings from the 70's and 80's packaged in a Deluxe Hard Cover 2CD With 36 Page Booklet* "Nowhere in the world will you find a record store with a dedicated section Belgian grooves. There’s not even a record called Belgian grooves. And you won’t find them on Discogs either. So what are they? Novelty? A nifty marketing scheme? Maybe you should try “discovery”; Belgian grooves is a new collective term for the best dance tracks from the beginning of the 70s. Two thirds of the songs on this compilation were made by talented hi… Read more
The Greg Foat Group are currently the resident band at the Playboy Club, located in Mayfair, London. Earlier this year a couple of nights were recorded for Jazzman, and the results are here for all to enjoy. Recorded live and direct onto 1" analogue tape the album captures the energy and atmosphere of the group at their regular gig. Awash with library-esque soundtrack-themed jazz grooves with a modal edge, jazz has never been so much fun! This is the 3rd album by the Greg Foat Group on Jazzman, and is the first album to be recorded live at the Playboy Club for over 40 years.
“Just Us” is the new album from legendary Hamburg band Faust. Founder members Jean-Hervé Peron and Zappi Diermaier have laid down twelve musical foundations which are intrinsically typical of Faust in their own right, yet offer enough space for completely different works to develop. Which is exactly what they hope will happen. Whilst Diermaier largely remains true to his habitual handiwork—drums and percussion—Peron, as we might expect, incorporates all manner of unusual sonic sources alongside his bass, various string instruments and piano, even using a sewing machine as a metronome. Tracks like “nur n… Read more
"Bay Area Retrograde (BART)' compiles both Dark Entries’ compilations of underground music from San Francisco (and the greater Bay Area) made between 1978-1983. Towards the end of the 70s, San Francisco’s experimental music scene clashed with the aftermath of punk and gave birth to a vibrant underground. By the early to mid 80s the DIY music scene of the Bay Area was a hotbed for experimental and quirky new wave, post punk, and synthpop, quite similar to New York’s No Wave scene and Berlin’s Neue Deutsche Welle. This compilation connects the (transit) lines between these varie… Read more
*Die-cut Digipak containing a second sleeve housing rare images as well as brand new liner notes by Devo founding member Gerald Casale* "Spuds rejoice, for the Miracle Witness Hour is at hand! In 1977 DEVO played an intimate show to an eager handful at biker bar turned total dive The Eagle Street Saloon in Cleveland, Ohio. Unbeknown to those canny onlookers, they were to testify to the healing power of DEVO! But what of us now? Beautiful mutants fear not, FUTURISMO are here to rectify your late party syndrome. Televised through the antennas of time we give you DEVOs’ most i… Read more
"Hi Records was founded in 1957 by a group of partners that included former Sun rockabilly artist Ray Harris and two other Sun alumni, Bill Cantrell and Quinton Claunch. The company would become identified with hit instrumental records from the likes of Elvis’ former bassist Bill Black’s Combo and saxophonist Ace Cannon. After a period recording and producing for Memphis’ Home Of The Blues label, Willie Mitchell hooked up with Hi Records. Mitchell’s band would back Black and Cannon, and he began turning out a series of soulful singles and albums of his own, starting with 1962’s ‘The … Read more
"The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidan and Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early Alice Cooper almost as often as it recalls Sun City Girls and 20th-century icons like Ennio Morricone and Serge G… Read more
Thursday, 13 November
*First CD pressing comes in a deluxe oversize 6-panel Digifile* Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’… Read more
Machinedrum brings the 'Vapor City' epoch to a close with this final chapter of 'Vapour City Archives'. Over the last 12 months he's animated a rich sonic fiction informed by psychogeography, Afro-futurism and and new technology over the course of an album, a string of 12"'s and via his subscription series. The hyperstitious results have marked him as a producer apart from the pack thanks to his mercurial meld of footwork, jungle, hip hop and electronica with etheric soul vocals that caught the attention of a lot of listeners looking for a sort of colourful romance and disciplined ener… Read more
The freak pop genius returns sans Haunted Graffiti with the amazing 'Pom Pom', his first "solo" album proper. Aided by collaboration with legendary psych pop producer Kim Fowley, among other as-yet-uncredited contributors, it's a 17-song reminder of Pink's inimitable slant on '70s/'80s pop, applying a magpies eye and vultures beak to the bones of bubblegum garage, glam power pop and sun-kissed indie. We daresay this is Mr. Pink at his very, very charming best, doing ludicrous prog jams such as 'Exile On Frog Street' just as well as jinglistic psych with 'Jell-o' and timeless beachside harmonies in… Read more
With the beautifully introspective 'Sea Island' Loscil taps back into that vein of Kranky ambient loveliness he's owned for more than a decade since his 'Triple Point' (2001) classic. Shaping a misty bridge between dub techno and ambient music proper, his music has long stood out from the crowd for his ability to effortlessly sidestep cliche in a genre swamped by folk happy to infinitely regurgitate the same patterns and pads. And 'Sea Island' shows no sign of that considered approach abating. It makes a marked step towards letting that dub techno bridge evaporate into the background as he adopts a … Read more
Double CD compilation album of the works of Robert Wyatt curated by Robert together with biographer Marcus O’Dair, the two volume album features ‘Ex Machina’, the ideal introduction for the Wyatt novice, compiling tracks from Robert’s entire career to date and acting as a companion to O’Dair’s new biography, also titled ‘Different Every Time’ . The second disc brings together the best of Robert’s collaborations and guest appearances or, as Robert has it, ‘Benign Dictatorships’, including some very special oddities and rarities available here for the very first time.
*First appearance on CD, bolstered by an 11th track: Turn Off Your Guns, recorded during the same sessions which was omitted from the original demo tape* "In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months and only sang lead on one song ("Break In"). It would be nearly another year before he would start playing guitar with the band.… Read more
**Cristian Vogel gets down like few others on his dub-wise, cerebral follow-up to 'The Inertials' for Shitkatapult** "‘Polyphonic Beings’ begins with a surprisingly dub track which twists and turns, the sounds growing darker and more unexpected from track to track, minute by minute. An eerie and unbelievable sound, with all as it should be: every reverb tail, every movement of the fader, every composed note takes the listener piece by piece into Vogel’s own cosmos. He foregoes interwoven elements for swaying towers of rhythm, powerful sound passages, spaces, roads, mirrors and pathway… Read more
"Mark Kozelek's 'Sings Christmas Carols'. The title says it all; straightforward standard Christmas songs, done only as Mark Kozelek can perform them. The album is solo acoustic, recorded during the holidays in 2013.."
Om Unit cracks the glass on Goldie's DAT archive to present 'Inversion', his stunning follow-up to debut album 'Threads'. It's a Metalheadz album from nose to tail, chasing echoes of the label's past to reflect their present position, repping for new mutations of jungle, halfstep D&B and footwork with a timeless, atmospheric soul. There's gotta be few producers that Goldie would allow into his DAT and samples archive - we're imagining a massive oak chest embossed with lions and a Metalheadz logo - but Om Unit is clearly one of them and coolly lives up to the task, combinging his own sounds with Gold… Read more
llum Sphere makes moves with a Fabric selection repping for his quarterly Hoya:Hoya events at the London club. Ticking off stacks of vintage box-ticklers beside their modern analogs, these 24 tracks perhaps better represent Ryan Hunn's more recent and personal tastes, rather than the wonky hip hop and colourful electronica that his Manchester-based Hoya:Hoya club night is putatively known for. Starting up with the cold, Kölnisch ambience of E.M.A.K.'s 'Sein Und Schein', he leads a calculated tour between industrial, post punk, acid and dub touchstones, sparking runs of aces lik… Read more
**19 tracks over 2CDs** "Fantastic new album of disco, modern soul and boogie from 1978-82 on Soul Jazz Records. This album is released to coincide with the massive new 360-page deluxe hardback book Disco – An Encyclopedic Guide To The Cover Art of Disco featuring over 2,000 album cover designs as well as over 700 12” sleeves, including sections on roller disco, disco instruction albums and more. There are also interviews and introductions by Tom Moulton, Nicky Siano, Mel Cheren (West End Records), Ken Cayre … Read more
Ena returns with a ruggedly stripped-down and reconsidered D&B sound on 'Binaural', his 2nd solo album and 1st for Samurai Horo. Tumbling and stepping in space between the unquantised stagger of Fis, Felix K's lightless atmospheres, and the visceral concrète dub grit of Miles Whittaker, 'Binaural' presents 14 unstable, original productions for the dankest heads and listening spaces.
"Voodoo Funk’s latest onslaught of blistering Nigerian disco and Afro-funk . Tony Grey’s two inclusions, from the early-eighties with the Ozimba Messengers, were originally released on different LPs: irresistible Afro-disco, layered with delirious syn-drums and sick keys, and featuring a horn-line bumptiously whipped from Louis ‘Thunder Thumbs’ Johnson’s bass-playing on MJ’s Workin’ Day And Night. Originally from Warri where he stayed throughout most of his career, Tony’s first band was the Famous Latin And His Dominant Seven. He gigged for a while as a James Brown imitator with … Read more
With Dignity, Tenderheart mirrors his soul, his deep wish for peace in a place that has been shaken by colliding political interests. Dignity and music for peace are his reaction to the unstable situation in Eastern Europe. After his Duo EP, which was the start-up for M=Maximal's series "Musik ohne Worte," he now releases his first album on M=Maximal. Tenderheart already gained the attention of the chill out club scene with various contributions to compilations like Cafe De Paris, This Is Deep and Deep Tech House. A great and unconventional music scene in Kiev is the impetus for a multi-colored cl… Read more
*CD version limited to 300 copies with hand-applied wrap around artwork* "Rhyton are the Brooklyn based trio of Dave Shuford (D. Charles Speer And The Helix, No Neck Blues Band), Jimy SeiTang (Stygian Stride) and Rob Smith (Pigeons). Rhyton take ancestral forms, instrumentation and scales, primarily sourced from Middle Eastern and Greek traditions and incorporate them into the context of scorching improvised rock. ‘Kykeon’ was recorded at the legendary Black Dirt Studios (Jack Rose, Steve Gunn, The Black Twig Pickers, etc) in upstate New York with their long- time engineer Jason Meagher."
"Bo Ningen and Savages deliver ‘Words To The Blind’ - a 37-minutes collaborative track. Taking their cross fertilisation a step further, following occasional live appearances together and Savages’ Jehnny Beth guesting on Bo Ningen’s current album ‘III’, ‘Words To The Blind’ is inspired by the Dadaist concept of the ‘Simultaneous Poem’…"