Thursday, 20 November
*Die-cut Digipak containing a second sleeve housing rare images as well as brand new liner notes by Devo founding member Gerald Casale* "Spuds rejoice, for the Miracle Witness Hour is at hand! In 1977 DEVO played an intimate show to an eager handful at biker bar turned total dive The Eagle Street Saloon in Cleveland, Ohio. Unbeknown to those canny onlookers, they were to testify to the healing power of DEVO! But what of us now? Beautiful mutants fear not, FUTURISMO are here to rectify your late party syndrome. Televised through the antennas of time we give you DEVOs’ most i… Read more
"The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidan and Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early Alice Cooper almost as often as it recalls Sun City Girls and 20th-century icons like Ennio Morricone and Serge G… Read more
Thursday, 13 November
*First CD pressing comes in a deluxe oversize 6-panel Digifile* Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’… Read more
**Compilation album celebrating 10 years of Perc Trax, with a bonus hour-long mix by Perc** Steadfast UK techno label Perc Trax presents eleven exclusive killers from Kareem, Happa, Drvg Cvltvre, FSG, Perc, Truss and more to celebrate their tenth anniversary. Accompanied by a 64 minute mix from the label's top boy, Ali Wells aka Perc, the session shifts with incandescent energy from the moody, mittel European acid slug of Drvg Cvltvre's '(I Don't Want To Die In) James Franco's House' thru the stoic stare-down of Kareem's 'Just When You Thought It was Over' vi… Read more
Machinedrum brings the 'Vapor City' epoch to a close with this final chapter of 'Vapour City Archives'. Over the last 12 months he's animated a rich sonic fiction informed by psychogeography, Afro-futurism and and new technology over the course of an album, a string of 12"'s and via his subscription series. The hyperstitious results have marked him as a producer apart from the pack thanks to his mercurial meld of footwork, jungle, hip hop and electronica with etheric soul vocals that caught the attention of a lot of listeners looking for a sort of colourful romance and disciplined ener… Read more
The freak pop genius returns sans Haunted Graffiti with the amazing 'Pom Pom', his first "solo" album proper. Aided by collaboration with legendary psych pop producer Kim Fowley, among other as-yet-uncredited contributors, it's a 17-song reminder of Pink's inimitable slant on '70s/'80s pop, applying a magpies eye and vultures beak to the bones of bubblegum garage, glam power pop and sun-kissed indie. We daresay this is Mr. Pink at his very, very charming best, doing ludicrous prog jams such as 'Exile On Frog Street' just as well as jinglistic psych with 'Jell-o' and timeless beachside harmonies in… Read more
With the beautifully introspective 'Sea Island' Loscil taps back into that vein of Kranky ambient loveliness he's owned for more than a decade since his 'Triple Point' (2001) classic. Shaping a misty bridge between dub techno and ambient music proper, his music has long stood out from the crowd for his ability to effortlessly sidestep cliche in a genre swamped by folk happy to infinitely regurgitate the same patterns and pads. And 'Sea Island' shows no sign of that considered approach abating. It makes a marked step towards letting that dub techno bridge evaporate into the background as he adopts a … Read more
Double CD compilation album of the works of Robert Wyatt curated by Robert together with biographer Marcus O’Dair, the two volume album features ‘Ex Machina’, the ideal introduction for the Wyatt novice, compiling tracks from Robert’s entire career to date and acting as a companion to O’Dair’s new biography, also titled ‘Different Every Time’ . The second disc brings together the best of Robert’s collaborations and guest appearances or, as Robert has it, ‘Benign Dictatorships’, including some very special oddities and rarities available here for the very first time.
Still Music's Jerome Derradji and Kevin Starke ov Kstarke Records present a unparalleled haul of hitherto hidden Chicago house weapons in 'The House That Jackmaster Hater Built'. Mixing previously unreleased diamonds that used to be traded on tape between the likes of Ron Hardy and Frankie Knuckles, along with some of Starke's own Jackmaster Hater edits and productions, plus loads more, you kinda get the sense you should be pinching yourself when listening to joints like the demented Ron Hardy edit of 'Happiness' or the freakishly raw funk… Read more
*First appearance on CD, bolstered by an 11th track: Turn Off Your Guns, recorded during the same sessions which was omitted from the original demo tape* "In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months and only sang lead on one song ("Break In"). It would be nearly another year before he would start playing guitar with the band.… Read more
**Cristian Vogel gets down like few others on his dub-wise, cerebral follow-up to 'The Inertials' for Shitkatapult** "‘Polyphonic Beings’ begins with a surprisingly dub track which twists and turns, the sounds growing darker and more unexpected from track to track, minute by minute. An eerie and unbelievable sound, with all as it should be: every reverb tail, every movement of the fader, every composed note takes the listener piece by piece into Vogel’s own cosmos. He foregoes interwoven elements for swaying towers of rhythm, powerful sound passages, spaces, roads, mirrors and pathway… Read more
"Mark Kozelek's 'Sings Christmas Carols'. The title says it all; straightforward standard Christmas songs, done only as Mark Kozelek can perform them. The album is solo acoustic, recorded during the holidays in 2013.."
Om Unit cracks the glass on Goldie's DAT archive to present 'Inversion', his stunning follow-up to debut album 'Threads'. It's a Metalheadz album from nose to tail, chasing echoes of the label's past to reflect their present position, repping for new mutations of jungle, halfstep D&B and footwork with a timeless, atmospheric soul. There's gotta be few producers that Goldie would allow into his DAT and samples archive - we're imagining a massive oak chest embossed with lions and a Metalheadz logo - but Om Unit is clearly one of them and coolly lives up to the task, combinging his own sounds with Gold… Read more
llum Sphere makes moves with a Fabric selection repping for his quarterly Hoya:Hoya events at the London club. Ticking off stacks of vintage box-ticklers beside their modern analogs, these 24 tracks perhaps better represent Ryan Hunn's more recent and personal tastes, rather than the wonky hip hop and colourful electronica that his Manchester-based Hoya:Hoya club night is putatively known for. Starting up with the cold, Kölnisch ambience of E.M.A.K.'s 'Sein Und Schein', he leads a calculated tour between industrial, post punk, acid and dub touchstones, sparking runs of aces lik… Read more
Ena returns with a ruggedly stripped-down and reconsidered D&B sound on 'Binaural', his 2nd solo album and 1st for Samurai Horo. Tumbling and stepping in space between the unquantised stagger of Fis, Felix K's lightless atmospheres, and the visceral concrète dub grit of Miles Whittaker, 'Binaural' presents 14 unstable, original productions for the dankest heads and listening spaces.
"Voodoo Funk’s latest onslaught of blistering Nigerian disco and Afro-funk . Tony Grey’s two inclusions, from the early-eighties with the Ozimba Messengers, were originally released on different LPs: irresistible Afro-disco, layered with delirious syn-drums and sick keys, and featuring a horn-line bumptiously whipped from Louis ‘Thunder Thumbs’ Johnson’s bass-playing on MJ’s Workin’ Day And Night. Originally from Warri where he stayed throughout most of his career, Tony’s first band was the Famous Latin And His Dominant Seven. He gigged for a while as a James Brown imitator with … Read more
With Dignity, Tenderheart mirrors his soul, his deep wish for peace in a place that has been shaken by colliding political interests. Dignity and music for peace are his reaction to the unstable situation in Eastern Europe. After his Duo EP, which was the start-up for M=Maximal's series "Musik ohne Worte," he now releases his first album on M=Maximal. Tenderheart already gained the attention of the chill out club scene with various contributions to compilations like Cafe De Paris, This Is Deep and Deep Tech House. A great and unconventional music scene in Kiev is the impetus for a multi-colored cl… Read more
*CD version limited to 300 copies with hand-applied wrap around artwork* "Rhyton are the Brooklyn based trio of Dave Shuford (D. Charles Speer And The Helix, No Neck Blues Band), Jimy SeiTang (Stygian Stride) and Rob Smith (Pigeons). Rhyton take ancestral forms, instrumentation and scales, primarily sourced from Middle Eastern and Greek traditions and incorporate them into the context of scorching improvised rock. ‘Kykeon’ was recorded at the legendary Black Dirt Studios (Jack Rose, Steve Gunn, The Black Twig Pickers, etc) in upstate New York with their long- time engineer Jason Meagher."
"Bo Ningen and Savages deliver ‘Words To The Blind’ - a 37-minutes collaborative track. Taking their cross fertilisation a step further, following occasional live appearances together and Savages’ Jehnny Beth guesting on Bo Ningen’s current album ‘III’, ‘Words To The Blind’ is inspired by the Dadaist concept of the ‘Simultaneous Poem’…"
*Debut solo album from Sigur Rós' and Jónsi's touring keyboard player/percussionist Óbó* In his passport it says Ólafur Björn Ólafsson - and although comprised of no more than 7 compositions, it does run the gamut of suburban bliss turned upside down: After the LP's minimalistic opener "Úthverfi", a track that melancholically opens up after a long, immensely dark and brooding intro, that ultimately offers some respite in the form of playful Glockenspiel over layers of slow-moving sonic lava, the equally cinematic "Svartur galdur" leaves much room for Óbó's trademark baritone: Like a bespectacled puppetee… Read more
"Featuring guest performances by Alan Bishop (Sun City Girls, Alvarius B.), Sam Chalabi (Land of Kush, Shalabi Effect), Tamer Abu Ghazaleh (Solo Artist/Alif), Khaled Yassine (Anouar Brahem/Alif) and vocals by Egyptian Mahraganat MCs Amr 7a7a and Alaa 50, to name a few. Those who may have heard live iterations of Salute the Parrot at Louca’s jaw dropping shows across the Arab world and Europe over the last couple of years, will encounter a much more complex and hard hitting work of many influences. From psychedelic to Egyptian Shaabi, Louca shatters the confines o… Read more
Thursday, 06 November
Following the frenetic, rhythmic experiments of the Ripatti 12” series, Vladislav Delay returns with his first ambient album in over a decade. ‘Visa’ is a thing of immense, absorbing beauty - harking back to his classic albums for Chain reaction and Mille Plateaux, extending 6 longform pieces over an hour of heady dub reductions. And in the fine tradition of some of the best albums, ‘Visa’ was borne out of serendipity - Ripatti was denied entry to the United States and was forced to cancel an entire tour. Suddenly left with unhindered time and a surplus of creative energy, he produced this materi… Read more
*Includes Download Code Redeemable From The Label* 'Stateless' is Alex Zhang Hungtai aka Dirty Beaches' sweeping, beat-less swan-song under this guise. Where his previous album wallowed in the darkest recesses of post-punk pop composition, this one is still super heavy-hearted, but almost weightlessly so. It was recorded by David Lynch collaborator Dean Hurley and features viola from italian composer Vittorio Demarin meshed with Hungtai's synth and saxophone in four widescreen, airborne compositions laced with an aching sense of melancholia. If we were to read into the music, the sleeve art an… Read more
Keiji, Ambarchi and O'Malley reprise their fearsome Nazoranai trio with a heavyweight 2nd album accentuating their improvised, hard rock foundations. Recorded by Chris Fullard at CCSO, Birmingham 9th July 2013, 'The Most Painful Time Happens Only Once Has It Arrived Already?' barrels right into the mouth of hell from the off. Powered by Ambarchi's thunderous, roiling battery, the cavernous 19-minute space of 'You Should Look Closely Those Shattered Spells Never Attaining Embodiment as Prayer They Are Born Here Again' is deeply infected with sire… Read more
*9xCD Box Set, including 48 Page Booklet and housed inside a deluxe Box* William Onyeabor is a box set of five of the albums elusive Nigerian synth-funk pioneer William Onyeabor self-released between 1977 and 1985 — remastered and officially available for the first time. His music represents the epitome of the golden era of Nigerian funk, before he gave up a life in music to become a devout Christian. Luaka Bop released the critically acclaimed compilation Who is William Onyeabor’s in October of 2013, and has since seen the release of the documentary Fantastic Man, which was… Read more
The master of mottled retro-vintage audio dreams under Mexican Summer's glowing halo with 'Let's Cry and do Pushups at the Same Time'. It's his 2nd LP of 2014 and one of many releases under this moniker and own name, Luke Wyatt, to be released by the likes of L.I.E.S., NNF, NPIP, Rush Hour and his own Valcrond Video label in the last couple of years. Subtly, instinctively combining his background in video art with a real knack for ear-worming hooks and driving, transcendent grooves, his music here is at its most visually appealing, dissolving classic movie and TV im… Read more
"‘The Hum’ comes eighteen months after the band’s debut album ‘Pearl Mystic’, a record that steadily went on to become one of 2013’s most critically beloved releases. Even more ferocious and uncompromising than its predecessor and yet more melodic and focused than the band have ever recorded, ‘The Hum’ further cements the band’s status as a vital force in British independent music."
*Produced by Grammy-nominated Curator of the Alan Lomax Archive, Nathan Salsburg, Features 26 previously unreleased tracks. all remastered from Lomax's original tapes* "Bessie Jones was one of the most popular performers on the 1960s and '70s folk circuit, appearing—usually at the helm of the Georgia Sea Island Singers—at colleges, festivals, the Poor People's March on Washington, and Jimmy Carter's inauguration. "Get In Union" is a collection of her classic recordings with the Singers, combined with many previously unavailable solo and small-group performances captured by Alan Lomax betwee… Read more
*Digipak reissue with liner notes by Asmus Tietchens* Grün appeared in 1981, but contained recordings from the years 1976 to 1980. Schnitzler's tracks in the 1970s were lengthy and shared a musical pattern which varied only minimally. Hence the green album has just one track on each side and any changes in melodic structure are subtle in nature. Both pieces are very much typical of Schnitzler in style, but less so tonally. An analogue rhythm machine ploughs almost brutally through the astoundingly delicate electronic veil of "Der Riese und seine Frau" ("The giant and his wife"), bearing little … Read more