Thursday, 04 September
*Ships for Sep 15th release date* American artist, composer, essayist, Seth Cluett returns to Line with a patiently glacial follow-up to his acclaimed 'Objects Of Memory' (2011) work. Again, 'Forms of Forgetting' focusses on one of the central themes of his oeuvre, the fidelity and nature of memory, manifest over an extended electro-acoustic studio construction intended for immersed, concentrated listening with the potential to warp our perception of time and space.“It is then no longer oblivion that materiality begets, forgetting by the effacement of traces, but forgetting in terms of… Read more
"Fury and Hecla is a meeting of worlds. Named after a near mid-point between the residences of artists Fieldhead and Loscil, it explores both the familiar and the foreign. Although not a collaboration in the strictest sense, sounds were shared by each artist allowing for a sort of aural infusion between the compositions. The results are a series of fragments and quotes that appear and reappear - sometimes in ghostly form - throughout each artist’s tracks. The serene ambient compositions of loscil come courtesy of Vancouver-based musician Scott Morgan. Taking his moniker from the “looping o… Read more
"Interpol release their first album in four years, ‘El Pintor,’ on Soft Limit. Recorded at Electric Lady Studios and Atomic Sound in New York City, the ten tracks on ‘El Pintor,’ – taut and epic in equal measure – find the band completely reinvigorated after a three year break from touring. All songs on ‘El Pintor’ were written and produced by Interpol, with Daniel Kessler playing guitar, Samuel Fogarino on drums, and Paul Banks on vocals, guitars, and taking over bass duties for the first time. The album also features Brandon Curtis (The Secret Machines) playing keyboard on nine songs, Roger Josep… Read more
*CD in digipack with clear tray. Rollfold booklet lyric sheet. CD features secret track ‘Bone Structure* "Busdriver’s 8th studio album proper, ‘Perfect Hair’, features production from Mono/Poly, Jeremiah Jae, Great Dane, Kenny Segal and Riley Lake. Album artwork courtesy of the legendary and talented John Lurie (formerly of the Lounge Lizards and known for his roles in Jim Jarmusch films amongst others). The album features guest performances from Detroit’s irrepressible Danny Brown (Fools Gold) and NYC’s unflinching Aesop Rock (Rhymesayers / Def Jux). Hellfyre affiliates Open Mike Eagle and Ver… Read more
*Comprehensive double CD bringing together the hidden, lost and forgotten sounds of the North-West grunge era. Fantastically in-depth sleevenotes featuring band interviews and exclusive photographs - All tracks have been remastered* "Initially a marginalised phenomenon, the underground grunge scene of Washington had barely a handful of adherents, strung out in isolated towns across the vast state of Washington. In those early days bands who showed an allegiance to their roots of punk risked social ostracism and worse, yet this community of outsi… Read more
**2014 Reissue** Another phenomenal Pauline Oliveros re-issue from Important Records, 'The Wanderer' originally surfaced back in 1984 and is a collection of her seminal accordion work and a companion record to the hugely influential 'Accordion & Voice'. The first piece here is a peculiar meditation in restrained playing and silence, sounds emerge from the instruments and then drop into nothingness just as quickly as they had arrived. It's strange but you begin to sink deeper and deeper into the quality of the room, the recording itself as you hear the two musicians (Olivero… Read more
**2014 revised reissue - deluxe 2CD digipak edition with bonus tracks** Given the amount of Iraq we all see daily on our TV screens, it seems almost abhorrent as to how ignorant the West (and by West, read 'me') are in respect to their cultural output. Bar the odd mention of Mesopotamia on the History Channel, or the fleeting insights afforded by blogs such as Salam Pax, I know fuck all about Iraq's art or music; a situation that is thankfully rectified (in part at least) by Sublime Frequencies franky indispensible collection of … Read more
"‘Decimation Blues’, Raymond Raposa’s sixth release as Castanets, marks a decade of scavenger architecture. ‘Decimation Blues’ sees Raposa stepping out in front of the hermetic persona he’s crafted over ten years. There have always been shards of pop songs glinting in the dark corners of Castanets records. Here we get whole gleaming edifices. ‘Decimation Blues’ is the music of a man who’s learned to live and build among the wreckage - twelve seemingly offhand, secretly meticulous tracks that we can hunker down in. “Still always good to be alone in someone else’s home,” Raposa sings. Come in… Read more
A pop-infused, electronic album, littered with vocals from Zyra, Py, Shy Girls and Madelyn Grant.
Thursday, 28 August
KILLER Ruffneck griot rap and tumbling mbalax from Senegal circa 1994: another stunning discovery by Awesome Tapes From Africa! Showcasing the remarkably fierce "taasu" - a form of oral poetry set to sabar and tama drums - style of Aby Ngana Diop, the undisputed "taasukat" of her generation, 'Liital' presents a shock of six cuts charged with ferocious talking drums, subtle DX7 tones, and Diop's stentorian call-and-response vocals. Whilst many of us have heard the mbalax style via classic recordings from Youssou N'Dour and even Mark Ernestus' Jeri-Jeri ensemble, we, for one, have never heard such… Read more
Doom rock's sandman, Dylan Carlson returns with Mark Lanegan (QOTSA) and Rabia Shaheen Qazi (Rose Windows) in tow for Earth's 7th full-length studio album. 'Primitive and Deadly' by name, it yields seven signature pieces of crushing, tectonic guitar chords leavened by poised vocals from the aforementioned, and augmented by Brett Netson ov Built To Spill's 2nd guitar. The addition of another axe, together with the extra vocals makes for a more proggy, psychedelic affair than their previous 'Angels of Darkness, Demons of Light' dispatch, to these ears at least.
Black Rain dials deep into the Blackest Ever Black psyche with 'Dark Pool', its first new material in 18 years. An eagerly awaited follow-up to 'Protoplasm' (2012) and 'Now I'm Just A Number: Soundtracks 1994-95' (2012), it features New York's dark interpreter, Stuart Argabright - Ike Yard instigator and erstwhile member of Dominatrix, Death Comet Crew - realise his starkest sci-fi fantasies in degrees of pitch black relief streaked with strobing neon flashes and whirring tribal/industrial rhythms comparable with his label-mates, Regis or Cut Hands. Thematically it builds upon the literary influe… Read more
*New reissue and repackage via Temporary Residence of WIlliam Basinski's legendary series* For all those wondering where the reissue of Basinski's first instalment of the 'Disintegration Loops' series was, your wait is over! Having been held back till last, the anticipation surrounding this release could cripple a lesser man; but Basinski more than matches the task. With the back story of their inception now well documented (detailed in the liner notes) Basinski seems to have captured a sound that would overtly suggest death (i.e.. the decay of archiv… Read more
**Lou Reed's totemic 'Metal Machine Music' is tackled with fiery finesse by Reinhold Friedl's Zeitkratzer Ensemble** About 10 years after their first, critically acclaimed performances of Lou Reed’s adventurous album, zeitkratzer presents an audacious new interpretation of this 20th century avant-garde classic. Here, for the first time ever, all four parts of Metal Machine Music played by zeitkratzer on one recording! Seriously "clangorous"! Metal Machine Music has become even more intense and worked out during the ten years of zeitkratzer playi… Read more
German house and electronica's most enduring producer presents a deadly new album - only his 2nd solo LP in 18 years! In contrast to 2011's 'Fatty Folders' side, 'Happiness Is Happening' is more inquisitive, lush but gritty, and still crafted with the same exquisite delicacy we've come to expect from the man behind total classics as Acid Jesus, Warp 69, Alter Ego, and not least Eight Miles High. It starts out with fine nods to motorik kosmische styles in the grinding momentum and smudged celestial synths of 'Connecting The Ghost' and the Kraftwerkian elegance of 'Friendship Song' b… Read more
'Imagin' is the eagerly awaited debut album from Dark Sky for Modeselektor's Monkeytown label. Since their early 12"s for Black Acre and Pictures Music, we've witnessed Dark Sky evolve from a dextrous duo dealing in twisted post-dubstep, pop and techno hybrids to a canny trio pushing near-symphonic big room electronica/techno on a level with the likes of Jon Hopkins and Modeselektor. It feels very much of its time, spanning murky trip hop/dubstep-pop references in 'Nothing Changes', 'Vivid' and 'Rainkist' alongside lean, techy London house in 'Odyssey', and at best in the Kraftwerk-meets-Thom Yorke st… Read more
In 1994 the seminal electronic duo Cluster (Dieter Moebius & Hans-Joachim Roedelius) continued what they had begun in 1990 with 'Apropos Cluster', their comeback album. The more mature 'One Hour' condenses essential passages from two lengthy sessions into 60 minutes. We hear sprawling soundscapes, clear acoustic sketches, musical extravaganzas, in short: highly impressionistic electronica. Liner notes by Asmus Tietchens. Originally released 1994 on Prudence Records.
Some of the UK's most colourful producers make-over Joker classics. Swindle deep fries 'Purple City' with typical flair, and Gemmy yokes the bombast of 'Snake Charmer' to leaner hiphop/halfstep. Trolley Snatcha amps the electric potential of 'Newham Generals' with cutthroat dubstep style, and the OG Kromestar reworks 'Tron' with pendulous, cosmic swagger.
*Second album from founding member and principal songwriter of acclaimed collage-pop duo the Books. Features guest vocals from Daniela Gesundheit of Snowblink* "Following the dissolution of his groundbreaking collage-pop duo, the Books, Zammuto rebounded with an eponymous debut album submerged in transitional anxiety and audio effects designed to intentionally obscure the very humanistic qualities that marked Nick Zammuto's best work in the Books. An enormous weight has been lifted from Nick Zammuto, and you can hear as much in the opening minutes of Anchor. The arrangements have more space, the songs … Read more
**Ram jam with edits of Fela classics plus an exclusive live track** "The soundtrack to the documentary, ‘Finding Fela,’ directed by Acadamy Award winning director, Alex Gibney. The film tells the story of Fela Kuti’s life, his music, and his social and political importance contrasted against the hit Broadway musical, Fela! and culminates in the bringing Fela! to The Shrine in Lagos, Nigeria. This in-depth look at the man who created Afrobeat (the fusion of Jazz, traditional West African rhythms, Funk, Highlife, and psychedelic rock) includes 17 of Fela's classic tracks plus a never-before rele… Read more
**Fascinating, worldly and necessary collection of remastered, rare jazz orchids** "Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed. Having examined spiritual jazz as it was expressed in the US, and followed its messengers and influences in Europe, this fifth installment of our Spiritual Jazz series presents jazz from the rest of the world: a collection of j… Read more
**Edition of 200** A brace of Entr'acte regulars remix selections from hamaYôko's four album's for the label. KK Null open the account with a brilliant version of 'Tsumetai Tsuki' veering from discordant, jagged keys and vocals to prime industrial steppers rhythms; Felix Kubin transplants 'NMichelle Moustache' to an alien planet; Modiri Hirano turns 'Senkô Hanabi' into a sweet n sticky glicth pop tune; Dale Cornish squishes and fillets 'LH3373' with electro-acoustic expertise; Lionel Marchetti impresses with a spectacular 20 minute rework of darkside, multi-dimensional chicanery in 'un être en dehors de la Terre'.
"German minimal composer Ernstalbrecht Stiebler celebrated his 80th birthday this year. M=minimal honours the work of this master of reduction with the third release dedicated exclusivly to his work. Unlike many modern composers that use avantgardistic special effects, Stiebler builds his compositions around small sound spaces. As the composer himself said in an interview, his music is not intended to be easy. He demands a certain concentration of his listeners. Once you accept it you get rewarded with shifted time perception. A piece of 15 minutes duration can be perceived as 45 … Read more
"Two years after leveling the expectations of critics and listeners alike with Atma, doom trio powerhouse YOB unleashes Clearing The Path To Ascend, an aptly titled album for what will undoubtedly be the crowning achievement for a band whose journey now nears two decades of creating music as commanding as it is cathartic. As is the YOB way, the tracks here don’t simply offer a vacuous glimpse into the already riff-soaked doom genre While giving due sonic credit to cornerstone influences such as Cathedral, Sleep, Electric Wizard, and Black Sabbath – YOB immediately set out to define a s… Read more
"Following his acclaimed 2CD (Compositions For Geomungo and Gayageum) here is Baudouin De Jaer's new album: Crocus, performed by Fabian Fiorini (piano).. Five crocuses have ben selected for this cd. From 2004 to 2007, i reduced the music i wrote between 1979 and 1994 to monophonic strands, sonic dna, although some of the chords survived. Some of these strands went into sonates curieuses for muted violin, while others turned into 10 crocuses with sustained notes. Crocus is notated in a classical fashion with bars; it is visual music, each musical element a picture. Interpretation is cold, neu… Read more
"As a body of repertoire, these works are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most 'musical' of the experimental composers). The Project Wolff uniquely blends experimental concerns with classical tendencies.In these pieces not only are older composers referenced (Ives, Schumann) but Wolff's love of clarity of line and transparency of texture betrays an empathy with Webern, Haydn and Bach. This aesthetic is, however, combined with a tendency toward discontinuity and fragmentation, isolated sounds and silence, and, perhaps mos… Read more
Thursday, 21 August
*CD Edition includes 3 bonus tracks lifted off the DIAG004 EP* Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile strut of 'Astro's Hat' to the burned-out Pump styles of 'Spray Bottle', taking in the rollicki… Read more
Reissue of 'Oceanheart', the 1986 follow-up to 'Synthesist' by Ashra drummer Harald Grosskopf. Whilst its better known predecessor dealt on the cusp of Krautrock's twilight period and new age spheres, 'Oceanheart' very much sounds of its mid '80s era with polished digital drums and synths balanced between the dancefloor and Miami yacht decks. The DJs really need to cop a listen to the taut, arpeggiated funk of 'Eve On The Hill', the MIDI-tethered tablas, slick bassline and sparkling pirouettes of 'Pondicherry Dream', and the airborne swing of 'Minimal Boogie', whilst suave home listeners a… Read more
'Synthesist' was created on the cusp of a new decade, as the New Age of the '80s was dawning and the titans of Krautrock had largely left their best work behind them. Harald had worked with the very best of them, playing drums on seminal albums by Klaus Schulze, the notorious Cosmic Jokers, Ashra, and Tarot before he retreated to the West German countryside with a MiniMoog and Revox Reel-to-Reel in 1979 to create his personal opus. It's been said elsewhere, but it bears repeating that this album feels like a symbiosis of the two eras, the proggy excesses of the '70s reigned in by percussiv… Read more
Ital continues to twist the putative conventions of house and techno on his third album in two years. 'Endgame' feels light years away from his earliest transmissions of natty, lo-fi house, and much closer to brooding, minimal, modern house and techno styles, eking out a headier, weirder space somewhere between the styles of Tin Man, Kassem Mosse, and Joey Anderson, for comparison. The difference between then and now is perhaps his switch from software to select pieces of hardware, resulting in a more linear plot and liquified, worm-holing momentum on 'Endgame', no doubt enhanced by mixing and mastering … Read more