Thursday, 09 October
"On his second release with zeitkratzer, Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one. Radical is the concentration on the very limited but frenetic musical material, worked out in detail, which is rarely heard in the noise context - enabling Keiji Haino to sit on it, fly over, to merge or just to oppose. zeitkratzer's amplified instruments, played with extended techniques as developed by the group and its outstanding musicians over more than a decade and Hai… Read more
Thursday, 02 October
Flying Lotus flexes his most earnest jazz muscles on this fifth solo album, his 4th for Warp. Star-lit with guest appearances by Herbie Hancock, Kendrick Lamar, Captain Murphy, Snoop Dogg, Angel Deradoorian, Thundercat, Niki Randa, it's the work of heightened, enlightened minds projecting into spheres beyond this mortal coil. Funny then that it all sounds so familiar; the references to Alice Coltrane's celestial jazz legacy, the kinetic percussion, the intensely "vintage" sounding production all paint an almost objectively "psychedelic" vision that leaves little room for ambiguity or interpre… Read more
Chicago's Jamal Moss aka Hieroglyphic Being is 'The Seer Of Cosmic Visions'. Arriving not long since his amazing 'Worst DJ Ever' mix for Reel Torque, this is his first studio album of 2014 - unusually so, considering that he self-released some seven albums in 2013 - drawing from previously vinyl-only releases and new experiments to document his most vivid, recent revelations. They all tend to the noisier, innately abstract side of his oeuvre - call it Rhythmic Cubism or Cosmic Be-Bop rather than "outsider house" - steeped in the EBM/ho… Read more
*The long lost second album from the enigmatic Lewis Baloue, first time available on CD and newly re-mastered* It’s taken a while for copies of this to filter through since Light In The Attic finally managed to track down the enigmatic producer, but boy what a treat ‘Romantic Times’ is. Even harder to categorise than ‘L’Amour’, this mythical second album (well, no one really knew of its existence until a couple of months back) is a total anomaly - a highly personal, eccentric album that oozes a singular musical vision. It’s true that Lewis’ croning has an almost comic effect to it - overly emotio… Read more
Adam Wiltzie (Stars Of The Lid) and Dustin O'Halloran reprise their acclaimed strings and keys duo, A Winged Victory For The Sullen, with 'Atomos I - XII' for Erased Tapes. We can safely report that it's every bit as gorgeous as their eponymous debut, but you probably already got the hint from their teaser 12", 'Atomos VII' which landed earlier this year backed with a fearsome Ben Frost re-interpretation. The further XI parts sweep us to the most picturesque modern classical panoramas imaginable...
Second Storey, the new alias of Al Tourettes, presents a complex, tortuous solo debut LP on Houndstooth. Clearly inspired by classic AFX and Autechre, with 'Double Divide', he draws on a deep reserve of melancholy UK bass/techno expressions to realise his most intricate and outstanding compositions to date. Freed of the immediate need to drive a dancefloor, Storey invites the listener deeper into previously unobserved parts of his sound with a ten track narrative vacillating between swirly wormholes and spacious yet knotted grooves in a quicksilver play of tension and release, or light and… Read more
L.A.'s sun-kissed psych-pop duo drop a doozy of a new album on Domino's Weird World. While still mesmeric and free-wheeling, 'Cosmic Logic' sounds as though Indra Dunis and Aaron Coyes have been buffing up at a secret pop gym in Los Angeles, resulting a much firmer, efficient approach to their songwriting and production bound to satisfy their legion followers. Tuning in with the bubblegum jangle of 'Infinite Trips', their new diet of pure crystals and mushie juice appears to be paying dividends with their most trim, seductive dancefloor moves to date found in the slick boogie dip of 'Hypn… Read more
Justin Broadrick's Godflesh churn up 'A World Lit Only By Fire' on their first new album in 13 years. Known as B.C. Green and JK Broadrick to the authorities, Godflesh are perhaps the best known exponents of industrial metal that the world has known: they single-handedly invented the genre with their eponymous debut in 1988 and have dominated discerning moshpits ever since with thunderous drum machines crushed by patented, claw-handed riffage. And thank f**k nowt has changed since their last LP, 'Hymns' in 2001. On 'A World Lit Only By Fire' they're still a pair of Brummie badasses, … Read more
Anjou is the beautifully enigmatic reunion of Labradford's Mark Nelson (Pan American) and Robert Donne with fellow Kranky star, percussionist Steven Hess. The result of four years writing and editing, it marks Donne and Nelson's first collaboration since Labradford's 'fixed:content' (2000) and the first meeting of Pan American's Nelson and Hess since 'Cloud Room, Glass Room' (2013). Now older, wiser, quieter, the trio offer a subtly involving, hazily detailed ambient suite gleaned from an intricate process of modular synthesis, Max/MSP programming and live instrumentation. Essentially it takes the trio's … Read more
"John Foxx's new solo instrumental album was recorded and assembled for a cut-up/collage movie by Foxx and visual artist Karborn, inspired by the themes, influence and text of British writer J G Ballard. Screened as part of Brighton's Cine-City festival in late 2012, the pair presented 'a film and sound seance manifesting J G Ballard neurones. Mobilised by ultracolour and inframusic, anatomised hallucinogenetics and proximity psychopathagens.’ The montage movie – often beautiful and surreal in its collision of images. The album features two collaborations - 'Geometry, Col… Read more
**Superb darkside electro & techno-pop instrumentals run thru VHS and Betamax for proper, tape-warped tension and metallic atmosphere** "A unique investigation of the terrors and pleasures of temporal displacement. A sinister sonic architecture of drum-machine-music and analogue synths. Span forty years in a moment... ultimate time transfusion... skin crackles, a rhapsody in flames... witness images of torn, ruthless smiles through the crashed distortion; try to recall the future memory of a figure lost on a distant shore."
Just the ticket: an outstanding, genre-hopping return from Brooklyn's finest, delivered on Paul Smith's ever dependable Blast First Petite. 'Familiar' is ten tracks deeper, spiking the senses with electro-pop a la Chris & Cosey in 'Maids' and shoe-gazing motorik pop in 'Palace To Palace'; plus the incredible shamanic techno-pop of 'Sunburned Kids', 808 drone-pop on 'Holy Girl', and future-sprawl blues of 'Grinning In Your Face', culminating in a cover of Tim Buckley's 'Song To The Siren' and a massive black vortex in 'Destroy'. RIYL Animal Collective, HTRK, Chris & Cosey.
"Nine years after ‘Lookaftering’, her last album of new material, legendary British singer-songwriter Vashti Bunyan returns with a new LP. Recorded largely in her home studio, ‘Heartleap’ is a unique and entrancing collection of ten songs forming what Vashti is adamant will be her final album. The record reveals an artist at her peak, capturing her songs within fluid settings that masterfully marry content and form."
"Stewart Walker returns with his new album release Ivory Tower Broadcast. A quarter century of the same drum machines and basslines turned future music into golden oldies. Visionaries don't make techno based on particular instruments but a set of techniques which can dilate time, implode sound, and confound expectation. Stewart Walker returns after a six-year retreat to bring his own future sound with Ivory Tower Broadcast. The Ivory Tower refers to a cloistered and elitist mental space removed from practical considerations and criticism. It's a perfect metaphor for a music studio… Read more
Stereolab's erstwhile mastermind Tim Gane has the honour of being first to dive into Sky Records' legendary krautrock catalogue to curate Kollektion 01. Inarguably the flagship model for 1970's krautrock, Sky Records was home to practically everyone in the scene, hence their vaults swell with classics for Tim to pick from, resulting a 17-track session spanning work from the Moebius/Roedelis/Eno/Cluster/Conny Plank axis alongside cherry-picked zingers by Asmus Tietchens, Riechmann, Günter Schickert.
Anstam veers into vaulted prog-pop territory on his 3rd album, 'Names', for Monkeytown. The knotted, fractured rhythms and hi-gloss techno surfaces are all still in place, but now augmented by his vocals placing him closer to the likes of Rudi Zygadlo or his label bosses, Modeselektor.
*Deluxe CD with slipcase and outsize booklet* "For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans funk. Now they turn their attention to the flipside of this musical coin - New Orleans soul. These two musical forms share a lineage that begins with the city’s enormous rhythm and blues explosion in the post-war 1940s and 1950s. New Orleans soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and… Read more
*Artwork By Peter Saville And Trevor Key, Liner Notes By Jon Savage* Les Disques du Crepuscule presents a deluxe remastered edition of Pauline Murray and the Invisible Girls, the debut album by post/punk icon Pauline Murray, produced by revered sonic architect Martin ‘Zero’ Hannett. Recorded at the famous Strawberry Studios in July 1980, the album offered epic electronic pop written by Pauline and partner Robert Blamire and marked a radical departure from their shared past in pioneering punk band Penetration. “This is sophistication,” enthused Paul Morley in NME. … Read more
Finally Zola Jesus finds her feet with 'Taiga', her 5th solo LP, and debut for Mute. The lo-fi house horse she rode in on in 2009 has been thoroughly spooked, leaving her as a gothic survivor adapting to new modes in 'Taiga', from the brooding trap/D&B fusion bolstering her distinct vocals in the titular opener, thru martial breakbeat techno in 'Hunger' and R&B-weighted chamber pop in 'Go (Blank Sea)', or emoting like a kohl-eyed Rihanna in closer, 'It's Not Over'. For us, it's all much more palatable than anything since 'Conatus', and at least a few of the tracks, 'Dangerous Days' and that closer, s… Read more
Thursday, 25 September
Kaleidoscopic styles from Paul White on his excellent album debut for R&S. With 'Shaker Notes' he swaps his hip hop garb for a psych dashiki - most literally on the album sleeve, and metaphorically speaking thru his worldly palette of jazz-wise, Afro-centric instrumentation and 4th world electronic tones. With many other producers that transition could be tragic, but White pulls it off with aplomb, much like his former One-Handed Music label-mate, Bullion's entirely successful switch from beats to luscious pop psychedelia. His production is totally prime, juggling live and programmed drums wit… Read more
**Deluxe edition double CD includes bonus disc with 7 xtra trax** Young Turks present SBTRKT's strongest body of work to date with the electronic pop/soul projections of 'Wonder Where We Land'. Teeming with guest spots from A$AP Ferg, Koreless, Sampha, Jessie Ware, Warpaint, Ezra Koenig (Vampire Weekend), Caroline Polachek (Chairlift), and Andrew Ashong, among others, it marks SBTRKT as a properly dilated producer, one open to working fresh new sounds and bolder production technique into more timeless dance-pop frameworks. At this point, the hooks of upfront singles such … Read more
Jimmy Tamborello reigintes his excellent Dntel project for Leaving Records with his 'Human Voice' album, the follow-up to 'Aimlessness' for Koze's Pampa Records. Speaking from the heart, 'Human Voice' makes crafty use of kerned and pitched vocal samples to lends the whole album a unique timbre, whether he's doing flighty footwork rhythms ('If I Stay A Minute'), plinky plonky electronica ('Bike Path'), iridescent electro ('Connections') or cottony trance ('Ashby').
"At the locus of five corners, mythos is in the wind; a sea of tongues boils forth, mountains spurting forth from the magma. Bonnie sings for who he was and will be and for all of us, in time. Bonnie Billy has been quoted as saying that one of the songs on the album is a conceptual track that’s about “one day in 1973 when only two people died in the whole word...”
"Tradisyon Ka's Gwo Ka album is newly recorded in Pointe-A-Pitre, Guadeloupe by Soul Jazz Records. Like the cult music of Haiti's Vodou and Cuba's Santeria or the roots music of Belize's Garifuna (all of which Soul Jazz have travelled to record), Gwo Ka is the musical and cultural product of the region's African ancestry, forcibly brought to the Caribbean through slavery. Gwo Ka exists only in Guadeloupe. Guadeloupe is a very different island from much of the Caribbean, in that it remains a 'department' of its original colonial master, Fra… Read more
London-based sound artist/producer/DJ, Shelley Parker presents an inquisitive album of alien concrète structures compiled from edits and extracts of her performances/installations/videos over the last five years. 'Spurn' follows the aesthetic themes of her 'Sleeper Line' EP for Entr'acte in eight pieces that tease out and augment a latent sense of "techno" from industrial field recordings and documentation of her work, focussing on its rhythmic and spatial qualities. The results are best defined in terms of their physical bass presence and structured patterns, drawing analogs with both the … Read more
"Maurizio Bianchi's unreleased 2-track album entitled, 'Teknoise'. Originally recorded in August 1980 this album has never been released in any format and is an extremely rare artifact from Maurizio's collection. Two long tracks, 'Tek' and 'Noise', deliver that unique sound that M.B. has made his own. Primitive drum machines pulse over sinister analogue synths, that create an unsettling atmosphere, perhaps only the true Italian master of Industrial and Musique Concrete could ever create."
**Includes the track Onward as an instant download** "Like his mythological namesake, Daedelus – otherwise known as Alfred Darlington – is an inventor, a creator of sonic labyrinths combining sounds from an eclectic palette into an innovative genre all his own. With The Light Brigade, Daedelus returns to Flying Lotus’ Brainfeeder, a fitting home for the Los Angeles electronic pioneer. A successor to his 2009 Righteous Fists of Harmony (an EP inspired by the Boxer Rebellion), The Light Brigade recalls the Crimean war of 1853-56. The music was written and recorded before the recent troubles … Read more
Young Turks present SBTRKT's strongest body of work to date with the electronic pop/soul projections of 'Wonder Where We Land'. Teeming with guest spots from A$AP Ferg, Koreless, Sampha, Jessie Ware, Warpaint, Ezra Koenig (Vampire Weekend), Caroline Polachek (Chairlift), and Andrew Ashong, among others, it marks SBTRKT as a properly dilated producer, one open to working fresh new sounds and bolder production technique into more timeless dance-pop frameworks. At this point, the hooks of upfront singles such as 'New Dorp. New Dorp', 'Higher' and 'Voices In My Head' have d… Read more
Nicolas Jaar's Other People celebrate a year in the game with a smart collection of unreleased music by Powell, Ancient Astronaut, Jelinek, Darkside, Visuals, and more. The obvious highlight is Powell's sly rework of Ancient Astronaut, launching from a fragment of 'SCSS' into a slicing, frothing industrial cut-up as only he does. It stands out like a sore thumb against the rest of the field, such as Visuals' dusty indie country in 'A Pixel', the lo-slung indie-disco of 'Gone Too Soon' from darkside, or Jan Jelinek's crafty deconstruction of Ancient Astronaut's 'B2'.
Thursday, 18 September
*CD edition includes download of the whole album when purchased* Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of 'Pataphysical reflection and projection of … Read more