Thursday, 07 May
"The Holydrug Couple began in Santiago, Chile in 2008, a little over a half-decade after Ives and Manu met for the first time. The two young friends hadn't seen each other in a few years when Manu texted Ives to tell him that he bought a drum kit. They started jamming, and a week later, the band was formed. A flurry of songwriting activity followed, culminating in 2011's Ancient Land EP and 2013's Noctuary, both released on Sacred Bones. Moonlust boldly treads territory that those earlier psych-indebted recordings only hinted at, especially the dreamy French movie soundtracks of the '70s… Read more
*Includes a bonus Mix CD with initial orders* The master meets his acolytes as the AOR/yacht-disco cap'n Todd Rundgren teams with Norsk disco king Lindstrøm and Sereena Maneesh's Emil Nikolaisen. The results will likely be a shock to many, and exceed the expectations of many others, presenting a swirling session of lush prog-disco closer in vision to OPN than any of the modern nu-disco travellers. It sounds like they had a top time recording it, stacking synth upon synth and parsing it all with unparalleled experience. We'd say it's roughly split 50/50 between glorious synth-capades a… Read more
*24bit / 96kHz remaster from the original tapes plus Essay by Sam Sweet interviewing both David and Eric, including unseen archive photos* "You’ll find a Suicide Bridge in almost any big city you care to visit, but few are more impressive than the Colorado Street Bridge connecting Pasadena to Los Angeles, which earned its nickname by being the scene of suicides in triple figures. It’s also the scene of a photo shoot in which singer-songwriters Eric Caboor and David Kauffman posed on the deserted structure, capturing an image that would eventually inform th… Read more
*Brand New (and 31st!) album From The Fall, produced by Mark E Smith* "The Fall are an English post-punk band, formed in Manchester in 1976. The band has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years, characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics. Featuring all the trad… Read more
"Composer and producer Ben Chatwin releases his new album 'The Sleeper Awakes' through Village Green. Written and recorded at Chatwin's home studio in Scotland. Inspired by the writing of H.G. Wells, 'The Sleeper Awakes' is Chatwin's first album to appear under his own name and follows last year's highly-lauded Talvihorros project 'Eaten Alive'. "I wanted 'The Sleeper Awakes' to represent the idea of a future that has been and gone. Before the information and telecommunications revolution there was a beautiful yet weird, naivety about what the future might bring and it was t… Read more
Heading on from their Daphne Oram reworks, Alessio Natalizia (Not Waving) and Sam Willis' Walls recapture the woozy motorik psych-disco appeal of their much-loved early work in 'Urals'. Whilst Natalizia has been busy forging a darker, stripped sound as Not Waving in recent times, Sam Willis obviously gets him to lighten up a lot here. The result is a radiant suite of seven succinct synth hymns; seducing with the creamy title groove and twisting between the urgent arpeggiations of 'Moon Eye' thru the mystic alien swamps of 'Altai' to ascendent psychedelic pop in 'Voluta' and the spiralling 'Tongue Pad', to… Read more
"The Summer of Love hadn't reached Missouri, even by 1969. But White Eyes, a true anomaly of the Midwest, channelled the sound of Haight-Ashbury straight to the plains. The band was among the top performing acts in the "Show Me" state, opening for The Flying Burrito Brothers, Black Oak Arkansas, and Brewer and Shipley. Blending acoustic and electric instrumentation, three-part harmonies, and anti-Vietnam lyrics, this previously unissued LP holds true to the acid-drenched sounds of the Woodstock era."
Thursday, 30 April
William Basinski returns with 'Cascade' - a gorgeous 40 minute meditation on a solitary piano loop coaxed by NYC's neoclassical maestro, William Basinski. Teechnically, that's all you really need to know, but we should stress that Basinski's way with a loop transcends any prosaic, earthly description and manifests a music in its own self-sufficient world of infinitely morphing harmonics and decay as imperceptibly slow moving yet ever-changing as life itself. Highly Recommended.
Actress presents a sweeping, poetic summation of his tastes for DJ-Kicks. His first commercially available mix-tape draws a jagged freehand from the raw house of Breaker 1 2 (Greg Beato) thru to Gherkin Jerks (Larry Heard) via his own, exclusive 'Bird Matrix', and stacks of esoteric connections between Autechre, Beneath, UR, $hit & $hine and Mark Fell, to name but a few. A tour de force of the last 25 years of electronic dance music, it lays bare the far flung coordinates of Actress' deeply skewed sound, whether jamming the coarse textures of Breaker 1 2 against the graceful lines of Lorenzo Senni, r… Read more
**Folded card boxset including 7 CDs in bespoke, fold-out sleeves** The unplaceable, implacable Richard Youngs presents a personal selection of five CDs taken from his long-running private press imprint, No Fans, plus 2 discs of previously unreleased and very covetable early material. An enigma to most, us included, Youngs' output over the years stretches as far as the ear can see, from tangled modular pop craft to noisy psychedelia and cranky folk, earning him a considerable cult fanbase in the process. These CDs include some of his rarest material - all of which were issued in tiny… Read more
'Antigravity' is a sui generis invocation of the rarest, compelling order coaxed from the French avant-garde by Blackest Ever Black. Around the locus of cult trumpeter Jac Berrocal - who famously appeared in the NWW list and collaborated with Steven Stapleton - David Fenech and Vincent Epplay unfold a deliciously psychedelic mystery steeped in the esoteric traditions of musique concrète, dub and jazz, and played with a DIY post-punk freedom. Whilst best heard deep in the night with lights low and something burning, ironically enough, it's gotta be the most colourfu… Read more
LA beat dude Jason Chung breaches new dimensions in his 3rd album as Nosaj Thing. Alongside Shlohmo, FlyLo and the whole Low End Theory lot, he's been partly responsible for switching up the instrumental hip hop game in recent years, and look set to leave others for dust with the filigree touch of 'Fated' for Innovative Leisure. Throwing his collabo net far and wide, he brings everyone from avant-garde sound designer Katie Gately to Chance the Rapper and Maceo Haymes on board for a woozily surreal beat suite efficiently running 15 tunes in just over 33 minutes. In the best way it feels twice as long… Read more
**Swans' debut album re-mastered and reissued on 3CD digipack printed on embossed brown chipboard with booklet including rare photos. This is the first in a series of Swans re-masters due to be released by Mute** The first in a series of re-mastered catalogue reissues from Swans, 'Filth' was originally released in 1983 and has been unavailable on vinyl ever since. Here's what Michael Gira himself has to say about it: "This is all slabs of sound, rhythm and screaming/testifying. What more do you need? In a way, it was a reaction against Punk (and just about any other music you can think of),… Read more
Early B’s full recordings for Midnight Rock on one CD. Produced by Jah Thomas it includes the Jamaican hit singles ‘History Of Jamaica’, ‘Sunday Dish’ and ‘Visit Of King Selasie’, as well as all of his ‘Sunday Dish’ and ‘Four Wheel No Real’ albums. Brand new mastering by Duncan Cowell (who masters all of Soul Jazz’s reggae releases) and notes by Tony Rounce.
"Paul de Jong is best known as the cofounder, cellist and resident found sound savant of the beloved, defunct collage-pop duo, the Books. Five years after that band delivered their final album, The Way Out, to much acclaim, de Jong delivers his first solo album. IF sets the Books' early albums (particularly The Lemon of Pink) as a starting point, and elevates that beguiling sense of wonder and amazement to genuinely transcendent new heights. De Jong's ability to find the musical in the mundane has always been uncanny — it is part of what made the Books so magical — and that gift is what makes IF such … Read more
"Rival groups will be disappointed to learn that this record is a further experiment in combining hyper-melodic pop music with sonic violence. Officials have confirmed that the album contains a record number of hooks, traces of nut and elements of jangle pop, British hardcore punk, atonal music, screaming and drone organs. Yet they have issued warnings of "a marriage of radical politics with peanut butter spread". One authorised statement reads: “Weighing in at a concise 25 minutes, the album hurtles through its ten songs, each one a succinct, powerful gem.” The album was recorded by MJ … Read more
Debut album of maudlin ambient-pop from Berlin's Howling, a.k.a. vocalist Ry Cuming and Âme's Frank Wiedemann. Imagine a tech-house Thom Yorke; you've got it.
*First release on Gudrun Gut's Moabit Label since 2008 - the first proper full length album by Danielle De Picciotto after several collaborations with Alexander Hacke (Einstürzende Neubauten)* "Danielle De Picciotto is a wanderer. She explores the regions between the inner and outer realms of our collective psyche and gathers impressions, which cumulate into the many-tentacled beast, which is her artistic output. With Tacoma, her first solo-album, she creates a sonic scenery unlike any other. Employing unusual instruments like the hurdy gurdy and the autoharp, while accompanying her spok… Read more
**Comes with bonus disc featuring five exclusive songs** A shimmering psych-pop triumph from Mälmo, Sweden's Death and Vanilla trio; 'To Where The Wild Things Are…' is a perfectly measured emulation of '60s/'70s soundtracks, library music and French Ye-Ye - exactly the kind of gear that gets beardy Finders Keepers types and fans of Broadcast/Stereolab/Mazzy Star rubbing their cords threadbare. Soft-focused around core duo Marleen Nilsson and Anders Hansson, they tick off a vintage studio's inventory of vinbraphone, mellotron, tremolo guitar and Moog to make a sedated sound that's easy to fall for and hard to rouse from.
A stone-cold post-punk classic, 'World of Rubber' was the sole LP produced by Adrian Borland and Graham Bailey as 2nd Layer. They would also make music alongside others in other cultishly appreciated units, The Outsiders and subsequently The Sound. But 'World of Rubber' stands alone as a lip-bitingly urgent and direct example of their fleeting dalliance with drum machines and synths circa 1981 for Cherry Red. Like a sullen Suicide or skrawnier, stripped down Dome, they made the most of basic set-ups, recording ten tracks including some sheer highlights in 'Distortion', which sounds like M… Read more
Thursday, 23 April
The archduke of electro-pop, Depeche Mode's Martin Gore, presses a heavy 2nd solo album statement with the all-instrumental 'MG' for Mute. With nearly a lifetime's experience of shaping modern electronic pop to his credit, Gore boldly pushes at new doors of sonic perception with this follow-up to 'Counterfeit²' (2003). Eschewing vocals in favour of purely synthesised instrumental expression, he lets his machines do the talking in a 16 song suite that feels timeless yet remarkably fresh compared with the latter day output of many veteran synthesists. In fact it's probably moot to compare him with the… Read more
Esteemed NYC multimedia artist Delia Gonzalez presents the films and solo piano soundtrack of her most recent project, 'In Remembrance', augmented by Bryce Hackford remixes, some ten years after her landmark DFA release, 'The Days of Mars' with Gavin Russom. Inside you'll discover a DVD with her four 16mm films accompanied by a sparkling solo piano suite of cascading scales inspired a text written by Henry Miller as well as by Gurdjieff's theory that "to play scales is to become more in tune with your inner self." In fact, the whole project deals with inspiration, or, in Delia's own word… Read more
"From director Ana Lily Amirpour and Executive Producer Elijah Wood, "A Girl Walks Home Alone At Night" is a Western vampire noir set in a small Iranian town that has an effortlessly cool soundtrack featuring music from artists such as Kiosk, Radio Tehran, and Federale. With no solo composer providing a score, the sound of the film has instead been curated by Amirpour with a variety of tracks selected to supply a unique atmosphere, recalling less traditional vampire films such as "Near Dark" and "Only Lovers Left Alive". Despite not being scored, the music selected by the dire… Read more
**In which the legendary Can drummer and multi-percussionist Holger Mertin converge a lushly kinetic, outernational meld of complex rhythms and percussive melody** "Like a zen master of the minimal, repetitive beat, Liebezeit -- famous for his hypnotic precision -- creates with only few sound colors the perfect matrix for Mertin's unleashed playing on any imaginable percussion instrument. The result is a mighty, complex pulse -- the groove of a better world. On the basis of that musical matrix, sound magician Joseph Suchy has produced a jaw-dropping album that defies any categorization. Even if… Read more
**Gatefold jacket includes CD** "Colours Of The Night, Peter Broderick’s first full-length for Bella Union in three years, had a rather odd conception to say the least. The American born multi-instrumentalist and songwriter went along for the ride when invited for a so-called “recording residency” in the small town of Lucerne, Switzerland. “I arrived with a pile of songs and just sort of watched as they got carried through the filter of this group of musicians who were coming from an entirely different place,” says Broderick. “It was exciting to let go a little bit, to simpl… Read more
*Ghostly and Adult Swim's second collaboration featuring all previously unreleased tracks, plus an exclusive bonus track from White Material's Galcher Lustwerk. CD packaged in embossed black O-card with full colour 4-panel digipak inside* "Legend has it that Brian Eno's concept of ambient music came to him while laid up in a hospital bed after an automobile accident in the '70s. A friend brought him some records, playing them too low to be properly heard, and Eno couldn't get out of bed to adjust the volume. While the record spun softly, Eno's idea for music you could ignore as easily as you co… Read more
**A captivating slab, conjured live - no loops or overdubs - by superhuman saxophonist Colin Stetson and Arcade Fire' violinist, Sarah Neufeld. How on earth do they achieve that low end?! 180g vinyl in heavyweight jacket with black poly-lined dust sleeve, insert, poster, and download code** "Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin. Stetson and Neufeld first began playing in duo formation while on tour together as soloists in 2012, joining each other on stage f… Read more
'Silence' is a sublime electro-acoustic suite from pivotal underground Japanese figurehead, Kuniyuki Takahashi a.k.a. Koss. Centred around the piano but gilded with filigree electronics - computer software, Roland System-1, Jupiter-8, Korg Wavedrum synth - Koss presents a beautifully tempered, fluid and pensile balance of acoustic and electronic sources rendered with the kind of timbral sensitivity that we'd also associate with Terre Thaemlitz a.k.a. DJ Sprinkles, who has previously released on Koss' Mule Musiq label. Every element and frequency is given room to breathe, allowing a airy exchange of ideas… Read more
**The latest chapter in the electronic evolution of guitarist John Frusciante (Red Hot Chilli Peppers)** In which the RHCP guitarist synchs ten or so machines thru a small mixer into a CD burner… His first Trickfinger album arrives with some degree of trust implied by the reputable Acid Test label but, is it any good? If you're a committed Rephlexian it may all seem very familiar, perhaps even derivative. On the other hand, if you're coming from the RHCP angle or most others, he's got a nimble grasp of his machines and manages to apply a distinguished "musicality" to melodic arrangements which many will appreciate, while other acid vegan types may find too fancy.