Thursday, 11 September
"The so called "Krautrock Guerilla" is back! After touring the world for two years the Berlin threesome CAMERA recorded twelve new songs: Motorik-driven, energetic stretches laced with psychedelic overtones rise up from keyboards, drums and guitars. Hypnotic beats. Shimmering elegance, forceful bursts of garage rock, a gentle flow, spherical flight. All on CAMERA's new album "Remember I Was Carbon Dioxide"."
Lap steel guitarist Mike Cooper meets The Necks' pianist, Chris Abrahams on record for the 2nd time. 'Trace' was recorded in 2009, not long after the duo had released their 'Oceanic Feeling-Like' (2008) album collaboration on Room40. Again, it documents the two maverick improvisers doing what they do best, creating characteristically subtly-evolving soundscapes where Cooper's distinctive lap steel flits over Abrahams' warm, levitating beds of synth and organ drone. The session breaks down to three 20 minute parts, the first establishing a breezy tone with something "other" lurking in … Read more
Current disco heroes remix William Onyeabor's glorious Afro-disco classics for Luaka Bop. Hot Chip give a nice cover of 'Atomic Bomb' and JD Twitch covers 'Why Go To War?' as a haughty warehouse banger. Daphni does his proggy build thing on a re-work of the irresistible viber, 'When The Going Is Smooth & Good', and Joakim has the honour of nudging 'Good Name' to his own French disco specifications. Make sure to also check out Javelin's 170bpm Soca version of 'Heaven & Hell', and the dusty drums of The Vaccines' re-work for the same cut.
Thursday, 04 September
*Epic 5 x CD / 59 track set of classic Acid killers compiled by Terry Farley, housed in a box set with a 32 page booklet with liner notes and photos* "As with “Acid Rain”, all tracks have been immaculately re-mastered and have never sounded better - containiong numerous tracks which have never been on compilations or available since their original release, including gems from Marshall Jefferson, Steve Poindexter, Ron Hardy, Master C&J, Bobby Konders, MK, Frankie Knuckles, Blake Baxter, Nitro Deluxe, Chip E and lots more.
In the sublime darkness of 'Description Of Problem', Pinkcourtesyphone rouses itself from whatever reverie with the help of cameos from William Basinski, Cosey Fanni Tutti, Evelina Domnitch, AGF and Kid Congo Powers. Again, we're returned to that noirish, narcotised ambient space which made 'Foley Folly Folio' a staunch fave around these parts (prompting a vinyl release on our Boomkat Editions label), and which deeply infected the proceeding collections, 'Elegant & Detached', and 'A Ravishment Of Mirror'. According to the jacket, it was "formed from places, plastics, and parti… Read more
**Reissue edition remastered by Rashad at Clunk, with download code for bonus, unreleased material** Infiné surpass themselves with this prime reissue of a sought-after late '70s synth masterpiece by French laser-harp pioneer, Bernard Szajner. 'Visions Of Dune' (1979) is Szajner's concept album influenced by Frank Herbert's cult sci-fi trilogy of 'Dune' books (it's *not* the OST for David Lynch's film adaptation). Taking cues from the trilogy's tangled web of epic power struggles, otherworldly witchcraft and dystopian sci-fi themes, it's every bit as dram… Read more
Gudrun Gut meets Hans Joachim Irmler ov Faust for a driving, psychedelic exploration of their respective Krautrock perspectives in '500m'. Both survivors of Germany's far-reaching and influential leftfield and avant-garde, they approach the project from opposing angles to find a tense median between Irmler's wayward, wistful organ improvisations and Gut's tempered, programmed logic. In that sense, it's a canny play on contradictions, imposing a more mannered grammar upon intuitive, attuned musical expression to find a mutual revelation. The results are perhaps surprisingly fresh and spacious, cons… Read more
**2014 revised reissue - deluxe 2CD digipak edition with bonus tracks** Given the amount of Iraq we all see daily on our TV screens, it seems almost abhorrent as to how ignorant the West (and by West, read 'me') are in respect to their cultural output. Bar the odd mention of Mesopotamia on the History Channel, or the fleeting insights afforded by blogs such as Salam Pax, I know fuck all about Iraq's art or music; a situation that is thankfully rectified (in part at least) by Sublime Frequencies franky indispensible collection of … Read more
*Ships for Sep 15th release date* American artist, composer, essayist, Seth Cluett returns to Line with a patiently glacial follow-up to his acclaimed 'Objects Of Memory' (2011) work. Again, 'Forms of Forgetting' focusses on one of the central themes of his oeuvre, the fidelity and nature of memory, manifest over an extended electro-acoustic studio construction intended for immersed, concentrated listening with the potential to warp our perception of time and space.“It is then no longer oblivion that materiality begets, forgetting by the effacement of traces, but forgetting in terms of… Read more
*Comprehensive double CD bringing together the hidden, lost and forgotten sounds of the North-West grunge era. Fantastically in-depth sleevenotes featuring band interviews and exclusive photographs - All tracks have been remastered* "Initially a marginalised phenomenon, the underground grunge scene of Washington had barely a handful of adherents, strung out in isolated towns across the vast state of Washington. In those early days bands who showed an allegiance to their roots of punk risked social ostracism and worse, yet this community of outsi… Read more
Thursday, 28 August
KILLER Ruffneck griot rap and tumbling mbalax from Senegal circa 1994: another stunning discovery by Awesome Tapes From Africa! Showcasing the remarkably fierce "taasu" - a form of oral poetry set to sabar and tama drums - style of Aby Ngana Diop, the undisputed "taasukat" of her generation, 'Liital' presents a shock of six cuts charged with ferocious talking drums, subtle DX7 tones, and Diop's stentorian call-and-response vocals. Whilst many of us have heard the mbalax style via classic recordings from Youssou N'Dour and even Mark Ernestus' Jeri-Jeri ensemble, we, for one, have never heard such… Read more
'Imagin' is the eagerly awaited debut album from Dark Sky for Modeselektor's Monkeytown label. Since their early 12"s for Black Acre and Pictures Music, we've witnessed Dark Sky evolve from a dextrous duo dealing in twisted post-dubstep, pop and techno hybrids to a canny trio pushing near-symphonic big room electronica/techno on a level with the likes of Jon Hopkins and Modeselektor. It feels very much of its time, spanning murky trip hop/dubstep-pop references in 'Nothing Changes', 'Vivid' and 'Rainkist' alongside lean, techy London house in 'Odyssey', and at best in the Kraftwerk-meets-Thom Yorke st… Read more
Doom rock's sandman, Dylan Carlson returns with Mark Lanegan (QOTSA) and Rabia Shaheen Qazi (Rose Windows) in tow for Earth's 7th full-length studio album. 'Primitive and Deadly' by name, it yields seven signature pieces of crushing, tectonic guitar chords leavened by poised vocals from the aforementioned, and augmented by Brett Netson ov Built To Spill's 2nd guitar. The addition of another axe, together with the extra vocals makes for a more proggy, psychedelic affair than their previous 'Angels of Darkness, Demons of Light' dispatch, to these ears at least.
Some of the UK's most colourful producers make-over Joker classics. Swindle deep fries 'Purple City' with typical flair, and Gemmy yokes the bombast of 'Snake Charmer' to leaner hiphop/halfstep. Trolley Snatcha amps the electric potential of 'Newham Generals' with cutthroat dubstep style, and the OG Kromestar reworks 'Tron' with pendulous, cosmic swagger.
*New reissue and repackage via Temporary Residence of WIlliam Basinski's legendary series* For all those wondering where the reissue of Basinski's first instalment of the 'Disintegration Loops' series was, your wait is over! Having been held back till last, the anticipation surrounding this release could cripple a lesser man; but Basinski more than matches the task. With the back story of their inception now well documented (detailed in the liner notes) Basinski seems to have captured a sound that would overtly suggest death (i.e.. the decay of archiv… Read more
*New reissue and repackage via Temporary Residence of WIlliam Basinski's legendary series* In possesion of a deeply ingrained vein of raw unmitigated talent coursing through his soul, William Baskinski is a modern day Midas; with everything he touches turning to aural gold. With the reissue of parts 1-4 of the jaw-dropping 'The Disintegration Loops' series, Basinski proves why he is undoubtedly one of the greatest minimalists / soundscapers of our time. Having found acres of tape he'd archived in the 1980's, Basinski decided they should be converted… Read more
*New reissue and repackage via Temporary Residence of WIlliam Basinski's legendary series* The first 20 minute composition on this reissue from William Basinksi opens with one of the most heart-breaking tracts of music I've heard for many years; a looped clutch of strings, slowly shuffling into oblivion. Gorgeous. Basinksi watched the fall of the Twin Towers from his roof whilst 'The Disintegration Loops' played in the background. I can only imagine the sheer profundity that would have instilled on such a bleak situation, with Basinski's work able t… Read more
*New reissue and repackage via Temporary Residence of WIlliam Basinski's legendary series* The final reissue of Basinski's 'Disintergration Loops' series sees yet more mediations on the subject of mortailty, brought to life through a level of fragility rarely glimpsed witihn modern music. Comparable to Ryuichi Sakamoto in terms of its gracefully hypnotic and deeply textured poetic outlook, the fact that Basinksi managed to retrieve such emotional tracts from decaying source material is testament to his towering talent. Made up of three extended piece… Read more
*Second album from founding member and principal songwriter of acclaimed collage-pop duo the Books. Features guest vocals from Daniela Gesundheit of Snowblink* "Following the dissolution of his groundbreaking collage-pop duo, the Books, Zammuto rebounded with an eponymous debut album submerged in transitional anxiety and audio effects designed to intentionally obscure the very humanistic qualities that marked Nick Zammuto's best work in the Books. An enormous weight has been lifted from Nick Zammuto, and you can hear as much in the opening minutes of Anchor. The arrangements have more space, the songs … Read more
"Following his acclaimed 2CD (Compositions For Geomungo and Gayageum) here is Baudouin De Jaer's new album: Crocus, performed by Fabian Fiorini (piano).. Five crocuses have ben selected for this cd. From 2004 to 2007, i reduced the music i wrote between 1979 and 1994 to monophonic strands, sonic dna, although some of the chords survived. Some of these strands went into sonates curieuses for muted violin, while others turned into 10 crocuses with sustained notes. Crocus is notated in a classical fashion with bars; it is visual music, each musical element a picture. Interpretation is cold, neu… Read more
Black Rain dials deep into the Blackest Ever Black psyche with 'Dark Pool', its first new material in 18 years. An eagerly awaited follow-up to 'Protoplasm' (2012) and 'Now I'm Just A Number: Soundtracks 1994-95' (2012), it features New York's dark interpreter, Stuart Argabright - Ike Yard instigator and erstwhile member of Dominatrix, Death Comet Crew - realise his starkest sci-fi fantasies in degrees of pitch black relief streaked with strobing neon flashes and whirring tribal/industrial rhythms comparable with his label-mates, Regis or Cut Hands. Thematically it builds upon the literary influe… Read more
**Ram jam with edits of Fela classics plus an exclusive live track** "The soundtrack to the documentary, ‘Finding Fela,’ directed by Acadamy Award winning director, Alex Gibney. The film tells the story of Fela Kuti’s life, his music, and his social and political importance contrasted against the hit Broadway musical, Fela! and culminates in the bringing Fela! to The Shrine in Lagos, Nigeria. This in-depth look at the man who created Afrobeat (the fusion of Jazz, traditional West African rhythms, Funk, Highlife, and psychedelic rock) includes 17 of Fela's classic tracks plus a never-before rele… Read more
**Lou Reed's totemic 'Metal Machine Music' is tackled with fiery finesse by Reinhold Friedl's Zeitkratzer Ensemble** About 10 years after their first, critically acclaimed performances of Lou Reed’s adventurous album, zeitkratzer presents an audacious new interpretation of this 20th century avant-garde classic. Here, for the first time ever, all four parts of Metal Machine Music played by zeitkratzer on one recording! Seriously "clangorous"! Metal Machine Music has become even more intense and worked out during the ten years of zeitkratzer playi… Read more
"German minimal composer Ernstalbrecht Stiebler celebrated his 80th birthday this year. M=minimal honours the work of this master of reduction with the third release dedicated exclusivly to his work. Unlike many modern composers that use avantgardistic special effects, Stiebler builds his compositions around small sound spaces. As the composer himself said in an interview, his music is not intended to be easy. He demands a certain concentration of his listeners. Once you accept it you get rewarded with shifted time perception. A piece of 15 minutes duration can be perceived as 45 … Read more
In 1994 the seminal electronic duo Cluster (Dieter Moebius & Hans-Joachim Roedelius) continued what they had begun in 1990 with 'Apropos Cluster', their comeback album. The more mature 'One Hour' condenses essential passages from two lengthy sessions into 60 minutes. We hear sprawling soundscapes, clear acoustic sketches, musical extravaganzas, in short: highly impressionistic electronica. Liner notes by Asmus Tietchens. Originally released 1994 on Prudence Records.
**Sleepy ambient/shoegaze on the new album from Christopher Willits** ""For years, I’ve imagined the work I do in music, photography, video/film, immersive audio and meditation all coming into one space," says music-art guru Christopher Willits from his home in San Francisco. It's an ambition that seems especially befitting of a worldly polymath like Willits. "Sound and light can transform and inspire our imaginations," he continues. "It can be used as a tool to awaken our consciousness." And that is exactly what he has set out to do with OPENING, the veteran Ghostly artist's new immersiv… Read more
**Fascinating, worldly and necessary collection of remastered, rare jazz orchids** "Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed. Having examined spiritual jazz as it was expressed in the US, and followed its messengers and influences in Europe, this fifth installment of our Spiritual Jazz series presents jazz from the rest of the world: a collection of j… Read more
**Edition of 200** A brace of Entr'acte regulars remix selections from hamaYôko's four album's for the label. KK Null open the account with a brilliant version of 'Tsumetai Tsuki' veering from discordant, jagged keys and vocals to prime industrial steppers rhythms; Felix Kubin transplants 'NMichelle Moustache' to an alien planet; Modiri Hirano turns 'Senkô Hanabi' into a sweet n sticky glicth pop tune; Dale Cornish squishes and fillets 'LH3373' with electro-acoustic expertise; Lionel Marchetti impresses with a spectacular 20 minute rework of darkside, multi-dimensional chicanery in 'un être en dehors de la Terre'.
Thursday, 21 August
From hooded Wegie scamp to world-taking producer, Rustie continues to blaze a neon trail with his crackshot 2nd album, 'Green Language'. Packing all the stomach-churning, heart-bursting rush of a triple-barrelled mitsi, it's a dancefloor melding, accelerationist expression of emotions that can't be adequately summed up in the English lexicon, amped with guest vocals by D Double E, Redinho, Danny Brown and Gorgeous Children. It scales up the thizz attacks of 'Glass Swords' to impossibly ecstatic levels with his signature blend of tiered harmonies, crashing trap dynamics and traces of jaw-breaking… Read more
Ital continues to twist the putative conventions of house and techno on his third album in two years. 'Endgame' feels light years away from his earliest transmissions of natty, lo-fi house, and much closer to brooding, minimal, modern house and techno styles, eking out a headier, weirder space somewhere between the styles of Tin Man, Kassem Mosse, and Joey Anderson, for comparison. The difference between then and now is perhaps his switch from software to select pieces of hardware, resulting in a more linear plot and liquified, worm-holing momentum on 'Endgame', no doubt enhanced by mixing and mastering … Read more