Thursday, 23 October
'Kollektion 02' is the official release to celebrate the 80th anniversary of august German krautrock pioneer, Hans-Joachim Roedelius. It includes 15 songs selected by British songwriter and lifelong Roedelius fanatic, Lloyd Cole, from Hans-Joachim's unparalleled archives, spanning the creamy ambience of 'Étoiles' from the 'Jardin Au Fou' (1979) LP thru the pastoral bliss of 'Schöner Abend' via the airborne waltz of 'Café Central' and life-affirmingly sweet breeze of 'Wenn der Südwind weht', among many other cherry-picked charms.
**Köln-based pop charms return with a typically slick sound nodding to Laid Back and their home-city's dual Krautrock and ambient pop heritage** "Precarious bon vivants, gifted musicians, radical guys – VON SPAR are many things, but above all, they are one of the most amazing bands in the realms that the British music press once baptized as Krautrock. Sebastian Blume, Jan Philipp Janzen, Christopher Marquez and Phillip Tielsch have in past been praised even more than the revenants of the genre (in 2012, together with Stephen Malkmus, before the watering eyes of CAN founding members Irmin Schmidt a… Read more
Thursday, 16 October
*CD Edition comes with a 16 page booklet* …And the earth crack'd to reveal Scott Walker & Sunn 0)))'s colossal offspring 'Soused' in its riveting, tragic glory. Four years on from their intended collaboration in 'Monoliths & Dimensions', the arch avant-crooner meets the robed duo (and Tos Nieuwenhuizen) at the apex of their powers, presenting a peerless, operatic vision of doom metal informed as much by Native American history and the underground US psyche as experimental jazz and electronic dynamics. We can safely say it matches and surpasses our high expectations of the project, offering … Read more
Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was later finished at his home studio in Utrecht, The Netherlands. Rather than disco samples, as with his last LP 'Fever', he sources from and splices together an enviable library of European synth experim… Read more
**CD housed in reverse-board packaging, mastered and cut by Matt Colton at Alchemy. Photography by Joe Dilworth and artwork by Bill Kouligas & Kathryn Politis** Widely championed techno/electronica producer Objekt deposits his detailed and complex debut album on PAN. Since 2011 at least, the Berlin resident known as TJ Hertz has been a vital cog in the European techno machine, self-releasing some of this decade's most vaunted white labels, plus 12"s with Hessle Audio and Leisure System - including this year's great split with Dopplereffekt - beside his role as software engineer for Native Instruments.… Read more
Cooly G returns with her unique vision of sex music in 'Wait 'Til Night', her 2nd album and follow-up to 'Playin' Me' (2012). With no verifiable evidence of its efficacy, we're gonna play it straight here and judge it with our clothes on, you'll just have to use your imagination. It's a smart, deliberate shift from her signature house styles to a sort of stark South London R&B, bringing the minimalist sensuality of her earliest 'Dub Organizer' EPs full circle into twelve subtle, well-crafted song structures. The sound is very much about private space, dealing with varying degrees of infatuation… Read more
Tindersticks return with another one of their occasional, brilliant instrumental albums, this one commissioned by the 'In Flanders Fields' World War One Museum in Ypres, Belgium to create the soundscapes for the new permanent exhibition commemorating the centenary of the Great War and beyond. The band have created an orchestral score that evolves through the different, distinctive spaces and sections of the museum, punctuated with private contemplative spaces where the music was allowed to be more poetic. Made from a series of interlocking orchestral loops, the music flows seamlessly all day, ever… Read more
Burnt Friedman returns to Nonplace accompanied again by vocals from American actor and musician, Daniel Dodd-Ellis. In 'Cease To Matter' Friedman nudges his explorative Berlin dub sound somewhere more sensual, soulful, with no loss of his exotic and otherworldly aesthetic. Incorporating impressions from Friedman's Sub-Saharan concert tour of 2013, together with inspiration from Aldous Huxley's Brave New World - who's sampled on the two-part title track - the album takes shape as a worldly, futurist premonition of decaying, transitional metropolises and cultural melt th… Read more
*CD re-pressed for the first time in a decade...new edition has been re-mastered from the original DAT tapes and is now in a Digipak sleeve (as opposed to the original card slipcase) with a back image printed in colour with a spot varnish finish on the images & text alongside the usual Skam Braille sticker* This 35 minute EP from BoC is arguably their most complete outing, having landed a couple of years before their still unbeatable ‘Music Has The Right…’ album and including some of their best material bar none - the brooding Detroit inversion ‘See Ya Later’, th… Read more
*The ever-excellent Dust To Digital compile 1920's Hilbilly and 1930's country music across a packed CD* "This album carries the listener from the hillbilly music craze of the ’20s to the song-based country music of the late ’30s. Scarcely more than a decade, but a period, in music as in all American life, of galvanic change. This CD serves as the soundtrack album to the newly-released photograph book, “Making Pictures: Three for a Dime” by Maxine Payne. All of the photos in this package are from the same cache of photographs taken by the Massengil family in t… Read more
"The Orchids formed near Glasgow in 1986. Since day one they were one of the darlings of the illustrious Sarah Record’s roster and developed far more on that label than any band not named The Field Mice. Starting with a melancholy guitar-pop sound on Lyceum and contemporaneous 7”s, they moved on to become more keyboard and sample/effects-based for their 2nd and 3rd albums, Unholy Soul and Striving For the Lazy Perfection, saw the development of a more electronic sound as they continued to work with producer Ian Carmichael (One Dove). Then, in 1995 they disappeared without ever really splitting… Read more
*CD version presented in a four panel mini-LP style gatefold package* Oozing Wound is a thrash trio featuring veterans of Chicago’s underground scene. ‘Earth Suck’ is the explosive follow up to the band’s breakout debut ‘Retrash’, which earned them praise from the New York Times, Pitchfork, Decibel and more
Expanded (Live At The Barbican)’ captures a live performance from 2014 of These New Puritans performing with a full orchestra and choir (The Heritage Orchestra and Synergy Vocals) at The Barbican Centre.
*Japanese mini-LP style packaging with obi-strip* "Trinidad born legendary guitarist, Lynn Taitt, who brought the first wave of Rocksteady to the Island, and Gladdy Anderson who is well known as a Skatalites' pianist, got together to record this Rocksteady instrumental album 'Glad Sounds' at Federal Studio in 1968. Released from the Merritone label, which was managed under Federal, the album depicts the heyday and best sound of Rocksteady as well as the label itself. This album is for the first time reissued by Dub Store Records. The album tracks consist mainly of co… Read more
**Edition of 200** 'Insula' is an immersive 40 minute multi-channel composition for electric organ, commissioned by L'ull Cec for The Game of Life Foundation's spatialisation sound system (consisting of 192 speakers and 12 subwoofers, using the Wave Field Synthesis technique). This stereo version was performed on 20th June 2012 at Fabra i Coats, Barcelona.
A long time coming, 'Joined Ends' finally provides a follow-up LP to Dorian Concept's hyper-coloured debut, 'When Planets Explode' (2009). In the meantime the Austrian producer has been conspicuous by his absence from the scene, during a time which the likes of FlyLo, Rustie and HudMo have flourished with a lush, complex sound quite similar to his own. On return with 'Joined Ends' he's now best compared with the jazzy fruit of FaltyDL or Dego, a nimble warp and weft of classically trained virtuosity and processed instrumentation done with a light-hearted soul and heavy funk. Now working wit… Read more
*Japanese Edition with Obi Strip* "The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between 1985 and 1989, and released a vast number of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Deejays" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumen… Read more
"Following the label’s acclaimed ‘Next Stop Soweto’ compilation series, Strut returns to the rich music heritage of South Africa for another landmark compilation celebrating the influential and heavily political music of drummer Julian Bahula since the mid-‘60s with the Malombo Jazz Makers, Jabula and Jazz Afrika bands. Bahula’s first group was the Malombo Jazzmen, led by guitarist Philip Tabane with flautist Abbey Cindi and they broke the mould, introducing indigenous malombo drums alongside guitar and flute to create a strong n… Read more
"“Enter The Spiral” - the title of the opening track by the first collaborative work between Sebastian Mullaert and Eitan Reiter - emerged out of a freeflowing improvised communication between the DJs and producers from Sweden and Israel. They first met at a festival in Tulum, Mexico where they played together at the end of the Mayan calendar. You cannot put their collaboration into one stylistic corner - you can only say that all their music distributes the feeling of an unvarnished musical trip. If you like you can call “Reflections Of Nothingness” a Rolan… Read more
Following on from "A Young Person’s Guide to the Avant-Garde”, LTM compile a more comprehensive overview of The American Avant-Garde in the 20th Century. Commencing with early pioneers Charles Ives and George Antheil (including the celebrated, Futuristic Ballet Mechanique of 1924), this chronological double disc collection also includes pieces by emigre arrivals in the New World such as Leo Ornstein, Dane Rudhyar and Edgard Varese, as well homegrown composers including Henry Cowell, Carl Ruggles and Roger Sessions. The second half of the disc offers works by a … Read more
Thurston Moore’s first solo record since 2010’s Demolished Thoughts features James Sedwards of Nought (guitar), Deb Googe of My Bloody Valentine (bass) and Steve Shelley of Sonic Youth (drums), the album radiates with both his signature thrashing electric guitars as well as blissful 12-string acoustic ballads..
Like all good parables Jane Weaver’s sixth solo album, a concept album called ‘The Silver Globe’, is as multifaceted as it is beguiling. Part coming of age / part cautionary tale and part romantic paeon, this twelve track synth ridden post- apocalyptic prog pop opus is based on tightly embroidered, non-linear recurring themes and inspired by esoteric stories, cosmic imagery and refiltered past experiences. Written from the optimistic vantage of a long- standing female independent artist, in an desperately evolving industry, Jane’s latest set of self penned pop abstractions combine mechani… Read more
**From proto-techno/electro to alien monophonic synth scapes: an incredible collection of eldritch DIY synth and electro-acoustic music circa 1970s by a little-known collaborator with The Beatles, Ivor Cutler, Ken Russell, the Goons… Don't sleep on this one!!!** Jonny Trunk speaks: "Welcome to the most excellent strange and unique world of Bruce Lacey. Aretist, musician, sage, shaman, inventor, film maker and all round British eccentric, Bruce has always followed his own mind, walking an instinctive path through life. Here, and for the first time, his improvised music and the soundt… Read more
Intense, abstract and superbly detailed compositions crafted entirely from field recordings made in Lausanne, Switzerland, between 2012 and 2013. It would appear that both artists use the same, or at least similar, set of recordings to realise contrasting perspectives on the same set of circumstances. Of the two, Francisco Meirino's 'Les oiseaux du lac Stymphale' is much more upfront, favouring the louder dynamics and haphazard shock of builders hammers, saws and clanking machinery to birth a deeply resonant bass modulation at the core of his kinetic scene, eventually tailing off to qu… Read more
**Electronic pop and ambient electronica from a trio of Denmark's most trusted producers, Anders Remmer (Dub Tractor), Jesper Skaaning (Acustic), Thomas Knak (Opiate) aka Future 3, joined by vocalists Benoit Pioulard and Anja T. Lahrmann** "Future 3 return with an album of airy, ethereal-yet-epic compositions that both nod to the trio's nineties roots but also take in all the various musical experiments, ventures, and releases that have seen the light of day since 2001. The band's first album in 13 years, With and Without inhabits, as the title indicates, two different kinds of sonic realms: The… Read more
Thursday, 09 October
Eagerly anticipated reissue of an Ethio jazz-and-funk cornerstone from keyboard whizz Hailu Mergia on Awesome Tapes From Africa. Unlike the last time, when we heard him solo on 'Hailu Mergia & His Classical Instrument', here on the highly sought-after 'Tche Belew', he's backed by The Walias, one of Ethiopia's crack units, who're perhaps best known for collaborating with Mulatu Astatke and backing for star Éthiopiques singer, Ahmed Mahmoud. The legendary Astatke also appears on this one, but Hailu is arguably the star of the show, sitting front and centre with silky smooth organ chop… Read more
William Bennett and Blackest Ever Black light the fuse on a delirious 3rd album from Cut Hands. Recorded from 2012-2014 in Edinburgh and London, 'Festival Of The Dead' finds a place for the explosive energy and drama of ancient percussive ritual in an accelerated modern world. Named and released to coincide with harvest or autumnal customs across the world, it's both a harbinger of darker, winter times and a commemoration of shared ancestry and traditions common to many cultures across the world - All Saints Day, Samhain, Feast of Ancestors, Pitru Paksha etc. Only, we're in 2014 and com… Read more
Redinho pays up on the promise of his early 12" trio with the talkbox-abusing electro-funk of his debut album. A big favourite of Glasgow/London's Numbers fam, Red's sound is steeped in proper, West Coast G-funk and jazz-nimble electronica, streaming forward electric synthlines and his talkbox signatures anchored by a diverse range of rhythms, from Carpenter-esque slow electro ('Stinger') to broken beats a la Dorian Concept ('Searching'), thru to beautiful Balearic chug ('Shem') and plentiful percolating boogie heaters. RIYL Rustie, Jam City, Jackmaster's Tweak-a-holic sessions.
Excellent primer on the diffuse, highly influential elektronik music scene centred around the N.W. German industrial city, Düsseldorf circa late '70s-early '80s. Spanning work by common elements such as Wolfgang Riechmann - who played with both Kraftwerk, La Düsseldorf, and Neu!'s Michael Rother - in the sparkling 'Wunderbar', and La Düsseldorf's eponymous anthem, through to the ambient visions of Harmonia & Eno, and or the proto-techno warning volleys of D.A.F.'s 'Der Mussolini', Die Krupps' helter skelter 'Wahre Arbeit Wahrer Lohn' and Liasons Dangereuses' dead… Read more