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SUB LOAM - Earthern Circle image
CD
£13.99
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Format: CD
Released: Sep 2010
Catalogue Number: COTTONGOODS002LP
Tracks for: Earthern Circle
Time
Price
1. SUB LOAM : 01
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2. SUB LOAM : 02
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3. SUB LOAM : 03
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Boomkat product review for:

sub loam - Earthern Circle

*LIMITED TO 100 HAND-PACKAGED COPIES FOR THE WORLD. PLEASE NOTE THAT THE CD'S ARE HOUSED IN A GREEN MAILER ENVELOPE WHICH AT THE REQUEST OF THE LABEL WILL BE PERSONALISED WITH YOUR NAME AND ADDRESS AND POSTED TO YOU WITHOUT ANY ADDITIONAL PACKAGING* It's always worth mentioning the packaging of these editions, and Earthern Circle is no exception. Housed within the by-now customary arrangement of multi-layered envelopes, this album also arrives with a little more textual information than tends to be the case for Cotton Goods releases. In addition to some fairly abstract liner notes you'll find two maps printed up on luxurious paper stock - one for each track. This goes someway towards setting up a relationship between the music and notions of a rural landscape, and its history. The aged, implicitly otherworldly feel of the project and its presentation conspires to transmit a bit of a Children Of The Stones vibe, which is most certainly a welcome thing. The first of the disc's two lengthy pieces corresponds to the 'Northern Sheet', taking the form of a curious, very vintage sounding multi-instrumental excavation that features wiry, discordant guitar musings, untamed analogue oscillations and a scratchy old production style that perfectly distills the evocative mustiness at the heart of Sub Loam's sound. Clocking in at just under half-an-hour, 'Northern Sheet' begins with some detuned, Derek Bailey inspired six-string digressions, with occasional bouts of padded synthesizer chords joining in. As the piece develops the electronics come closer to the forefront of the mix, with slowly modulating oscillator arcs sounding almost as if they were a natural phenomenon - perhaps mimicking bird calls or whistling winds. Moving on to the 'Southern Sheet', there seems to be more of a dissolved feel presiding over the composition, as if the guitar and synthesizer passages have been corroded away by interference and tangled radio waves. Perhaps a little more ambient and textural in character, this second piece (itself a healthy quarter-hour in length) further emphasises Earthern Circle's undercurrent of rural mysticism, leaving you with an album at least partly characterised by a strange, haunted sensation.

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