akira rabelais

Spellewauerynsherde

Back in stock! Akira Rebalais is an artist cloaked in mystery, try unlocking the secrets on his magical website, an Irdialesque warren of coded messages, revelatory software programs, cryptic poems and serious essays. Musically he's never failed to make us take notice of his growing stature initially via his lost classic debut for Mille Plateuax's much missed Ritornell offshoot 'Eisotrophobia', then onto Faalt and then Orthlorng Musork. Undertaking a project to transfer from tape to digital some old tape recordings of Icelandic vocal lament songs presumed to have been recording in the 1960's Akira claims to have been completely obsessed by them to an extent where he wished to incorporate the vocals into his own music. '1382 Wyclif Gen. ii. 7' - the single voice swept up into an echoic overlapping framework, subtely falling apart until a strong wind blows across a group of microphones - astonishing. '1390 Glower Conf. II.20' is a more melancholic song, one which would lie perfectly within context in one of Ingmar Bergman's stark films like 'Winter Light' and 'Shame'. '1440 Promp Parv. 518/20' finds Akira hightening the ghostly quality of this vocal through reverb, echo and subdued time stretch that would make a Chris Morris disturbathon sketch even more effective. '1483 Caxton Golden Leg, 208b/2' stretches out for over twenty minutes feeling like a floating fogbound rework of Gyorgy Ligeti's 'Lux Aeterna'. To round up 'Spellewauerynsherde' brings to myself memories of loved one's passed, favourite films that haunt your consciousness for weeks after viewing and make you want to revisit your favourite spiritually enhancing CD's. Not many album's will move you in quite the way that this album does. Believe.