**Stunning new album from Milanese accelerationist Lorenzo Senni. Mastered by Giuseppe Ielasi, cut at D&M. Edition of 500 individually numbered copies with initial copies pressed on liquid gold wax** We're more than a bit gassed to pop the cork on Lorenzo Senni's thrilling, incisive new LP, the 10th release for Boomkat Editions. The conceptual sibling to his blinding 'Quantum Jelly' side for Editions Mego in 2012, 'Superimpositions' finds the Milan-based multi-disciplinary artist and owner of the brilliant Presto!? Records accelerating and evolving his idea of "Pointillistic Trance" -… Read more
Ships in 47 days*First pressing on Deluxe 2xLP heavyweight black vinyl, with tip-on sleeve and download code. Photography by Gast Bouschet. Designed by Stephen O'Malley* When Sunn O))) first approached Scott Walker about appearing on their 2009 album Monoliths & Dimensions, little did they know what it would actually lead to. Four years on, Scott was back with something even more enticing, collaborating on Soused, a body of work he was writing with them in mind. With a career spanning more than five decades, Scott Walker’s cult status remains as significant as ever before. Experienci… Read more
Master-craftsman, Kevin Martin absolutely murders it with his fourth and finest LP as The Bug. A perennial pest at the outposts of dub, ragga, extreme noise and electronics, The Bug treats his periodic albums as dispatches from the brink, and 'Angels & Devils' is his most captivating of them all. Blessed with, and structured around sterling vocals from some of his favourite artists - Liz Harris (aka Grouper), Gonjasufi, Death Grips, Copeland, Flowdan, Manga, Miss Red, Warrior Queen - plus a collaboration with JK Flesh, it marks a pinnacle of not only his hard-wrought sound design skills, b… Read more
Dark0 follows his Lost Codes debut with a lean, trancey grime session for Mr. Mitch's Gobstopper label. Like Slackk or Ikonika's forward styles, Dark0 fuses brittle 2-step/grime patterns with well-oiled, fluoro folk/road melodies in a distinctly UK fashion. However, unlike the aforementioned, his sound also errs close to Hybrid or Sasha-like prog arrangements, and if we're getting wavey in the club at 3am, it's got strobe appeal...
Hot on the heels of his lovely 'King Bromliad' 12", Floating Points deals another one-sided treat for the DJs and dancers. 'Sparkling Controversy' has all the hallmarks of a sterling F.P. joint - cone-caressing subs, dusted drums and effervescent keys - given nuff room to slyde and rub up the slinkiest sorta dancefloor friction.
Ships in 19 days*Includes digital download voucher redeemable from the label* Preorder now up for the first Aphex Twin album in 13 years...
From hooded Wegie scamp to world-taking producer, Rustie continues to blaze a neon trail with his crackshot 2nd album, 'Green Language'. Packing all the stomach-churning, heart-bursting rush of a triple-barrelled mitsi, it's a dancefloor melding, accelerationist expression of emotions that can't be adequately summed up in the English lexicon, amped with guest vocals by D Double E, Redinho, Danny Brown and Gorgeous Children. It scales up the thizz attacks of 'Glass Swords' to impossibly ecstatic levels with his signature blend of tiered harmonies, crashing trap dynamics and traces of jaw-br… Read more
Terekke strikes that damn right balance of warm, driving and gritty house music with his first offering for L.I.E.S.' BLK series. Uptown, he plays out a planed, slinky swinger hingeing on killer "Wanna Be Your Love" vocal hook beside a gruff 'n ready bit of rhodes 'n wamping bass slap. Downtown he reveals his sensitive side with a lovely drop of creamy beatless ambience and a super-faded dub-house skanker settling in between the M-Series and Huerco S.
Black Rain dials deep into the Blackest Ever Black psyche with 'Dark Pool', its first new material in 18 years. An eagerly awaited follow-up to 'Protoplasm' (2012) and 'Now I'm Just A Number: Soundtracks 1994-95' (2012), it features New York's dark interpreter, Stuart Argabright - Ike Yard instigator and erstwhile member of Dominatrix, Death Comet Crew - realise his starkest sci-fi fantasies in degrees of pitch black relief streaked with strobing neon flashes and whirring tribal/industrial rhythms comparable with his label-mates, Regis or Cut Hands. Thematically it builds upon the literary infl… Read more
**Edition of 500 copies housed in an ace spot-varnished jacket designed by Guy Featherstone. Mastered and cut by Matt Colton at Alchemy** Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile str… Read more
KILLER Ruffneck griot rap and tumbling mbalax from Senegal circa 1994: another stunning discovery by Awesome Tapes From Africa! Showcasing the remarkably fierce "taasu" - a form of oral poetry set to sabar and tama drums - style of Aby Ngana Diop, the undisputed "taasukat" of her generation, 'Liital' presents a shock of six cuts charged with ferocious talking drums, subtle DX7 tones, and Diop's stentorian call-and-response vocals. Whilst many of us have heard the mbalax style via classic recordings from Youssou N'Dour and even Mark Ernestus' Jeri-Jeri ensemble, we, for one, have never heard su… Read more
Masterful modular techno poundings from the Brummie techno boss - his first proper Token release following a remix of Grovskopa's 'Sex and Violins' in 2008. Both cuts are recognisably Surgeon productions, but perhaps not instantly so due to his new palette of modular synths. The original 'Fixed Action Pattern' galvanises signature shuffle and bruising kicks with a bristling, chaotic noise energy that's a thrilling new addition to his sound, whilst the aquatic Dub carves the groove to a solemn halfstep lurch steeped in sepulchral groans and consumed by oncoming waves of masticated electricity. It's a real burner.
Sudanim drops a pair of proper bobby dazzlers on Her Records, backed with serious remix treatments from new cats, Drippin and Amotion. 'Pleasure Flood' is a fiercely shark-eyed reduction of ballroom, Baltimore and London club styles littered with the sound of spent shells and, quite brilliantly, not a melody in sight; it's a pure percussive thrill. Likewise, 'Abondance' allows any excess, twysting out industrialised drums and surging bass to steel the best 'floors. Remixing the former, Drippin makes an impressive introduction with his tetchy, quarter-tone edits and trap whirrs, whilst Amo… Read more
LA's Mono/Poly makes good with his most high profile album to date landing on Flying Lotus's Brainfeeder. "From the first orchestral trills of “Winds of Change” you know you’re in for something special. As the track builds the listener notices not only the content but also the production chops – this is a record which sounds exactly as big, glossy and up front as its creator wants it to. Rebekah Raff adds scintillating harp work to “Transit to the Gold Planet,” but it’s the way Dickerson integrates it and builds on it which is really special. “Ra Rise” sounds like sunbathing in space, Nik… Read more
**Gatefold Stoughton-style jacket with obi-strip. Includes an exclusive bonus track unavailable on other formats** Doom rock's sandman, Dylan Carlson returns with Mark Lanegan (QOTSA) and Rabia Shaheen Qazi (Rose Windows) in tow for Earth's 7th full-length studio album. 'Primitive and Deadly' by name, it yields seven signature pieces of crushing, tectonic guitar chords leavened by poised vocals from the aforementioned, and augmented by Brett Netson ov Built To Spill's 2nd guitar. The addition of another axe, together with the extra vocals makes for a more proggy, psychedelic affair than their… Read more
Neo-no wave agitator $hit & $hine dumps a killer funk load on Powell's Diagonal Records, hard on the heels of 2014 madness from the label boss, plus Russell Haswell and Bronze Teeth. 'Powder Horn''s wiry, banjoed skronk marks Craig Clouse aka $&$'s 1st new album since 'Jream Baby Jream' and that split slab with Gnod back in 2012. Poised between rambunctious clatter and clipped, in-the-pocket groove, nine tracks fling-a-body from the virile strut of 'Astro's Hat' to the burned-out Pump styles of 'Spray Bottle', taking in the rollicking jag of 'Bingo' and the nitrous-fuelled breakbeat torsi… Read more
**F**k me, this is bit special. Complete obscurities pressed on two crystal clear and one black vinyl with tiny centre labels, housed in mirrored triple gatefold jacket** Light Sounds Dark present a staggering 3LP collection of completely unmarked, obscure and vintage music, dug from their enviable collection for the discerning listener, aka you and us. Of all their ear-opening compendiums to date this is by far their most wigged and esoteric, ranging from strung-out desert scapes to mutant no wave and one rollicking motorokker that we heard Powell roll out a few weeks ago, … Read more
Proper bass excitement from Addison Groove featuring a serious footwork soul joint with the late DJ Rashad. Gwan ruffer than his recent album, 'Dat Ass' boots up flashing Chic stabs and killah strings inna pumping Miami Electro mutation, whereas 'Push It' hooks up happy hardcore/jungle samples on a pneumatic footwork bass and 'Masamune' flexes out with forward '97 D&B styles nodding to Source Direct or Photek with a mnml 2014 stance. Best of all is the uncannily titled 'U Been Gone' with Chicago's recently deceased footwork pioneer, DJ Rashad, in flux between Dilla-style soul sample chops, junglist breaks and manic bass cadence. Big shotta!
A trio of burned-out house bangers from Detroit's Patricia plus a dead shifty remix from James T Cotton. As with Patricia's 'Body Issues' release for Opal Tapes and Inhalants 12" with Jahiliyya Fields for L.I.E.S., their debut on Ghostly International presents a heavily obfuscated house style, burying fizzing, toiling drum machines and melancholic pads behind ferric smokescreens. The style is most effective in the motor city moodiness of 'Hulderhusan' and 'Foie Gras', but the most effective dancefloor cut has to be JTC's itchin' I-94 Lick of 'Drip Dawn'.
**Edition of 200. Mastered by Jacques Beloeil** Engrossing debut album from Iranian sound artist, Pouya Ehsaei, sublimating samples of traditional Iranian music to "reveal the rage hidden beneath its melancholia." 'There' was produced in 2010, using fractured and brutally processed instrumentation indigenous to Iran to isolate a palpable feeling of tension articulated with a timbre unique to the artist's background. In the course of its six pieces we perceive a stark and grinding sadness from his aerated arrangements, gleaning elusive emotions from a rich, whisked swirl of glistening tones that r… Read more
Ships in 47 days*CD Edition comes with a 16 page booklet* When Sunn O))) first approached Scott Walker about appearing on their 2009 album Monoliths & Dimensions, little did they know what it would actually lead to. Four years on, Scott was back with something even more enticing, collaborating on Soused, a body of work he was writing with them in mind. With a career spanning more than five decades, Scott Walker’s cult status remains as significant as ever before. Experiencing mega-stardom as part of The Walker Brothers before carving out a career as a solo crooner who released a quartet of peerless self-ti… Read more
*First Edition - 2 x 180g translucent blue vinyl records packaged in a gatefold jacket, inc colorful photos from the film and informative liner notes written by the composer as well as music critic, Michael Fremer who, at the time, served as the film’s music supervisor. Fremer also oversaw the Audio Fidelity mastering by Kevin Gray at Cohearent Audio working with the original master tape source for the first time since the initial release.* "Disney's video game crossover movie TRON was a notable landmark in the synthesis of electronic and traditional orchestral music. Wendy Ca… Read more
**140g clear wax housed in screen-printed jacket designed by Bill Kouligas and Kathryn Politis** The lone raver returns to PAN with his first new material since 2012's widely acclaimed 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' sides. In the meantime he's been a busy lad, remixing Special Request, Mount Kimbie and Cosmin TRG, and honing his A/V show with CYRK co-founder, Dave Gaskarth, not to mention prepping imminent, excellent new album, 'Koch'. But back to the here and now - the 'Kuang EP' seems to occupy multiple dimensions at once, refracting dancefloor and bedroom head-space and det… Read more
Ships in 19 days*Initial copies on transparent vinyl - strictly limited to one copy per customer. Comes in a deluxe Gatefold Sleeve* Function and Vatican Shadow have combined forces on ‘Games Have Rules’ for Hospital Productions, simultaneously stripping back each producer’s more prevalent production elements - the dancefloor-focused techno structures of Function; the experimental cassette-roots of Vatican Shadow - to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric. As befitting what began life as an ‘emotional acid’ album bes… Read more
*Digital edition with bonus remixes from Perc and Alex Deamonds* Tensile techno, grime and electro-bass rhythms from the ever-luminous Ikonika for Hyperdub. In contrast to her previous records, there's the feeling she's taken a step back from full-on modernism to bring vintage styles forward in her unique way. A-side, 'Position' jacks up a wily fusion of Dance Mania/Chicago house with Socafied Grime and electroid synthlines, and 'Praxis' twirls a glistening helix of industrial halfstep drums and bittersweet, 3D synth motifs. Flipside is better yet, bringing the crisply punc… Read more
UK & US ambassadors of ruff house go twos on a rugged pair of hardware bug-outs for Apron. Up top on 'Discipline', London's Funkineven and Detroit's Jay Daniel ride slamming kicks with off-kilter synth squelch and skanking chords, all sparked up with clustered claps and warehouse reverbs to make 'em scatter. Down below, they meet in the noirish 'Abyss' with skeletal, dubbed drum patterns hingeing on heavy subs and streaked with moody midnight sci-fi motifs. A wicked session from two of the dopest cats in the alley.
**Includes the singles as an instant download** Master-craftsman, Kevin Martin absolutely murders it with his fourth and finest LP as The Bug. A perennial pest at the outposts of dub, ragga, extreme noise and electronics, The Bug treats his periodic albums as dispatches from the brink, and 'Angels & Devils' is his most captivating of them all. Blessed with, and structured around sterling vocals from some of his favourite artists - Liz Harris (aka Grouper), Gonjasufi, Death Grips, Copeland, Flowdan, Manga, Miss Red, Warrior Queen - plus a collaboration with JK Flesh, it marks a pinnacle of not o… Read more
Black Rain dials deep into the Blackest Ever Black psyche with 'Dark Pool', its first new material in 18 years. An eagerly awaited follow-up to 'Protoplasm' (2012) and 'Now I'm Just A Number: Soundtracks 1994-95' (2012), it features New York's dark interpreter, Stuart Argabright - Ike Yard instigator and erstwhile member of Dominatrix, Death Comet Crew - realise his starkest sci-fi fantasies in degrees of pitch black relief streaked with strobing neon flashes and whirring tribal/industrial rhythms comparable with his label-mates, Regis or Cut Hands. Thematically it builds upon the literary influe… Read more
Downwards' gloomiest duo summon the spirits of Coil and Cocteau Twins on this compelling sophomore 12". Like Teutonic cousins to Blackest Ever Black's Dalhous, Oake channel wide ranging influences from film, literature and esoteric musics to create texturally rich and evocative arrangements which don't necessarily sit well in any pre-ordained genre. Their 2nd outing is a bleak call to like-minded souls, using worm-charming subsonic pulses and banking wails on 'Sehtohree Diin Chromtas Vehns' to seduce both techno heads and goths, whilst 'Tuturden Giit Chreteen Dwe' displays an increasingly vis… Read more
**Includes the four singles as an instant download - Gatefold 2LP with printed inners** Master-craftsman, Kevin Martin absolutely murders it with his fourth and finest LP as The Bug. A perennial pest at the outposts of dub, ragga, extreme noise and electronics, The Bug treats his periodic albums as dispatches from the brink, and 'Angels & Devils' is his most captivating of them all. Blessed with, and structured around sterling vocals from some of his favourite artists - Liz Harris (aka Grouper), Gonjasufi, Death Grips, Copeland, Flowdan, Manga, Miss Red, Warrior Queen - plus a collaboration wi… Read more
Midland's Autonomous Africa gang regroup for a 3rd session, this time accompanied by General Ludd. Midland opens with the raspin' drums, chants and Carl Craig-style progressions of 'Safi' beside General Judd's scuffed 'n skippy Glasgow bassbin killer, 'Burning Mask'. B-side, Auntie Flo captains the soulful, hypnotic vocal and drum percolations of 'Daabi' somewhere between London and Tanzania, and we find JD Twitch at his loosest with the lilting riddmic cadence of 'Maya' making for a dizzy tribal trip. All of the label's profits from sale of this record go to the Mtandika Mission in Tanzania.
*Third and final instalment in a series of three extended reissues from SND. 12-tracks fully remastered from DAT tapes by Rashad Becker at D&M* ‘Travelog’ was the third EP released by Mat Steel and Mark Fell as SND, arriving in 1999 just before the release of their influential debut album ‘Makesnd Cassette’ on the Mille Plateaux label. Of the three EP reissues in the series, ‘Travelog’ contains the most developed and satisfying work from the pair, edging their reduced production palette into more fully-realised dimensions, colouring-in those instantly recognisable bass notes an… Read more
Anthony Naples mans up the 3rd 12" on his Proibito label after sessions from Huerco S (Royal Crown Of Sweden) and Local Artist. Side A jams hard with booty-slamming kicks and filtered synthlines coming off like Delroy Edwards reworking old skool Daft Punk before sailing out to a finale of lush new age chords. On Side B he comes craftier with nifty drum programming and shifty, strangely dubbed-out chords, again descending to a blown-out breakdown only to return groggier and washed out. Canny stuff, check it oot.
Falty DL's 4th album finds the Brooklynite at his most diffuse, spacious, and dreamy. As you'd hope, there's still a strong, ductile rhythmic base to 'In The Wild' but it's largely mixed to tantalising effect, embedded fathoms deep within his radiant, dub-wise structures. Jazz and hip-hop are the album's touchstones, but heard thru a poetic prism of broken beat, electronica and latinate new age atmospheres shaping up to be some of Falty DL's most distinguished, nuanced productions. Previous single 'Danger' is the rudest thing here alongside 'Heart & Soul', with its 4Hero-style breaks, bass a… Read more
**Gatefold jacket with a free download of the album** Werk Discs' new MVP, Moiré, patterns a unique fusion of leftfield House and Techno with debut album, 'Shelter'. Rooted in wayward modern funk, and brimming with emotive chicanery, 'Shelter' is a thoroughly considered, robust LP statement that stands out from the current crowd. Sounding out somewhere between Carl Craig's erogenous house and the psychedelic zones of Actress, it occupies an unstable, shifty mid-ground, in flux between tiered layers of classic analogue synths, tape machines and drum computers (check his feature on Fact magazine for… Read more
**Hi-NRG techno-pop originally written for Atari adverts** "For all your discotheque, roller rink and amusement arcade needs Finders Keepers Records in collaboration with synth pioneer Suzanne Ciani bring you the full version edit of her intergalactic vocoder driven TV jingle for Atari’s classic Liberator arcade game. Originally proposed for a possible promotional flexi-disc release this remastered feature length version includes a lost second verse and extra custom-made space age sound designs that hark back to her earlier work on Meco’s Star Wars Galactic Funk cash-in… this single comes c… Read more
The lone raver returns to PAN with his first new material since 2012's widely acclaimed 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' sides. In the meantime he's been a busy lad, remixing Special Request, Mount Kimbie and Marcel Dettmann, and honing his A/V show with CYRK co-founder, Dave Gaskarth, not to mention prepping imminent, excellent new album, 'Koch'. But back to the here and now - the 'Kuang EP' seems to occupy multiple dimensions at once, refracting dancefloor and bedroom head-space and detached, parallel worlds torn between the impending weight of history and accelerated cybe… Read more
Utterly enchanting, joyfully whimsical return from Portland, Oregon's acoustic/ambient-pop hypnotist, Sean Byrne aka Bugskull. Returning to Digitalis a half decade on from the much-loved 'Communication' album, his sound on 'Collapsed View' is mostly as charmingly concise and somnambulant as we remember, but also offers three slightly extended views where he really takes flight. The A-side yields five sun-dried ambient pickings, moseying from woozy harmonica, organ and acoustic guitar strums cuddled to tape in 'Heaven/California', thru the smudged dirge of 'Olde Growth', to hazily ramshac… Read more
Ships in 40 daysVinyl re-pressed for the first time in a decade...new edition has been re-recorded and re-mastered from the original DAT tapes and has been re-cut onto heavyweight collector’s edition vinyl. The original image on the back of the sleeve will now be in colour. There will be a spot varnish finish on the images & text alongside the usual Skam Braille sticker.
**Full colour version - One sided vinyl with etching on the flip** In the egalitarian, sample-happy spirit of UK Rave, Jamie xx liberally filches from Mark Leckey's 'Fiorucci Made Me Hardcore' soundtrack for his festive anthem 'All Under One Roof Raving'. Flyknit with extra snatches of atmosphere from rave tapes and youtube videos, Jamie underpins it all with rolling subs, crafty 2-step percussion and those signature steel drums to beautiful effect. Long live the spirit!
Exactly one month on from TP#5, Demdike Stare unleash the 6th instalment in their ongoing tespressing series, a split session focusing on damaged dancefloor articulations on the a-side, and demented metal edits on the flip. ’40 Years Under The Cosh’ spans the A-side and finds Demdike in feisty form, re-framing the bare-boned floor-bound funk of classic Artwork and Anthony Shakir within more brutal parameters, complete with some seriously disorientating shenanigans halfway through proceedings. ‘Frontin’ on the flipside heads somewhere else entirely o… Read more
Ital continues to twist the putative conventions of house and techno on his third album in two years. 'Endgame' feels light years away from his earliest transmissions of natty, lo-fi house, and much closer to brooding, minimal, modern house and techno styles, eking out a headier, weirder space somewhere between the styles of Tin Man, Kassem Mosse, and Joey Anderson, for comparison. The difference between then and now is perhaps his switch from software to select pieces of hardware, resulting in a more linear plot and liquified, worm-holing momentum on 'Endgame', no doubt enhanced by mixing and mast… Read more
From Kansas via Brooklyn, Huerco S returns with four ferric-drenched psy-house shufflers for Anthony Naples' Proibito label. His first new material since that ace debut album 'Colonial Patterns' and the 'Aphelia's Theme' 12" for Future Times is distinguished by a subtle expansion and concentration of his sound - basslines feel chewier, knotted, and the atmospheres wider, lusher. A-side loads up one piece of decelerated groove and melting kosmiche dub tones, plus a slinky filter shimmy that comes off like a Soundhack inversion. B-side goes heavier with the kicks inna gritted, grun… Read more
Airhead curls out a coupla bass-sprung aces for Untold's Hemlock label. 'October' pivots crisp, live drums off big boy 808 booms and dissonant electronics like some mutant offspring of AFX's 'Windowlicker'; 'Macondo' goes wiggly, spannered tribal house laced with scuttling electronic gremlins.
Trim, ambient garage and D&B from another newcomer on R&S' Apollo series. "Akin's sound has taken in influences from moving between the Midlands, Australia’s famous surf coast and his current base in Bristol. In his own words "Morphing landscapes are a constant theme of my work, ever changing by nature." His music process mixes self-recorded instrumentation and field recordings and interprets these in the studio into his signature soundscapes. The six tracks on his debut EP (including one collaboration with 3rdeye) continue label boss Renaat Vandepapeliere's love of mellow, electronica and … Read more
Exquisite ear candy from SOPHIE on Numbers. Every bit as addictive as his debut and the 'Bipp/Elle' 12", these two feel even more sculpted, dynamic, kerning and canting every millisecond of material to visceral, kawaii effect. 'Lemonade' is just under two minutes of visionary pop architecture coming off like Florian Hecker doing J-Pop with Scratcha DVA, whilst the slow-fast hyperfunk of 'Hard' crams a delirious amounta synaesthetic detail into 3 minutes of accelerated dance-pop topped with fetishistic lyrics about platform shoes and latex from an unknown vocaloid. It's sickeningly strong stuff. Mind yer dosage…